Waldorf Pulse 2 Analog Synthesizer

Waldorf Pulse 2 Analog Synthesizer
The Waldorf Pulse 2 Analog Synthesizer offers cutting edge powerful lows in a compact box. The Pulse is back with a vengeance now with even more brute-strength power onboard. With the Pulse 2 youre looking at a completely analog synthesizer that accurately delivers what synthesizer enthusiasts around the world truly crave. Pulse 2 is the reincarnation of its legendary ancestor the Waldorf Pulse that dominated the electronic music of the 90s.

Three analog oscillators in combination with a true analog cascading filter is what Pulse and Pulse 2 have in common. But we didnt stop there. The filter circuits now also offer Highpass and Bandpass modes. We added analog Filter FM and Ring Modulation along with paraphonic modes that allow up to eight voice chords. Like other Waldorf classics ie the Blofeld Synthesizer the Pulse 2 is housed in sturdy metal desktop casing. Besides its large LCD display there are 8 stainless steel knobs which are available to surf through the clearly arrayed parameter matrix along with setting master volume and editing display accessible parameters. Features/Specifications For further information please download the Pulse 2 product manual PDF from the link below. 3 analog oscillators + 1 noise generator Pulse width modulation Hard sync Filter FM from Oscillator 3 Ring Modulation from Oscillator 3 XOR Osc Mode 8/4 Voice Paraphonic modes Cascade Filter 24dB/12db Lowpass 12db Highpass/Bandpass filter modes Powerful Arpeggiator 8-slot Modulation Matrix USB MIDI External analog signal input Stereo line out Headphone out Backwards compatible with classic Pulse 128×64 character backlit LCD 8 stainless steel knobs 500 Sound Programs Electron-absorbing black case Waldorf Keyboards-and-Pianos INO

More Information and order online::
Waldorf Pulse 2 Analog Synthesizer

Over a million songs
and hundreds of playlists.
Listen ad-free anywhere
at anytime
Join for free now!




Waldorf 2-Pole Analog Filter

Waldorf 2-Pole Analog Filter
Waldorf are renowned for the quality of their excellent-sounding analog filters. Now their exclusive analog filter technology can be found in a novel square box. 2-Pole gives the guitar player DJ or keyboardist access to the heart of the Waldorf sound with an inspiring user interface and a one-knob/one function philosophy.

Another beast from Waldorf 2-Pole will spice up your live performances with dramatic filter sweeps that really cut through. Funk up your guitar licks by hooking a pedal controller to 2-Poles cutoff CV In or using te integrated envelope follower and animate your pad sounds using 2-Poles LFO. When your amp and speaker levels are set corectly 2-Pole can turn into a beast another Waldorf analog filter to influence the Worlds sounds for decades. Features / Specifications Fully analog signal path: Preamp – Filter – Overdrive Award winning Waldorf analog multimode filter technology Filter can be modulated by LFO envelope follower or external signal Preamp with overdrive capability for direct connection of instruments like bass or guitar Post-filter overdrive with adjustable gain LFO with different ranges rate up to several kHz Envelope follower with trigger section and different modes True Bypass Cascadable to stereo (for two 2-pole units) Controls Input Gain with level LED Rectify pot for mixing-in the rectified input signal Filter Cutoff pot Filter Resonance pot Bipolar Filter Env Mod pot Filter Type switch Overdrive pot Activation switch Output Level pot LFO Range switch with 3 positions LFO Rate pot with LED LFO Mod Depth pot Trigger Button with LED Trigger Threshold pot Trigger Hold pot Envelope Follower Source switch with 3 positions Envelope Follower Attack pot Envelope Follower Decay pot Connections Audio In Audio Out Cutoff CV In Envelope Follower CV In Trigger In Power DC 12V Waldorf Recording-and-Computers XLA

More Information and order online::
Waldorf 2-Pole Analog Filter

Waldorf Blofeld 49 Note Keyboard Synthesizer Black

Waldorf Blofeld 49 Note Keyboard Synthesizer Black
Introducing the new Waldorf Blofeld Keyboard Synthesizer! The little villain grows up! Not only on the outside did he gain weight also his inner qualities have seen a remarkable step-up: besides the virtual-analog synth and the classic wavetables it now sports a whopping 60 megabytes of sample memory. Click on the link below to download an MP3 demo

Click on the link below to watch a tutorial video for the Waldorf Blofeld Just imagine to add a vocal-like noise spectrum to a typical Wavetable pad spice-up a virtual-analog solo sound with a strong attack sample or just process any other sample with the countless oscillator and filter modulations. Play your sound creations on the high-quality keyboard with velocity and aftertouch. Pitchbend and modulation wheel are at your disposal and as a matter of course you can connect a sustain pedal. All this is packaged in a sleek metal enclosure with a big graphic display endless stainless steel rotaries and an internal power supply. And although it comes for an unbeatable price tag we add something very special. Specifications 60 MB Sample memory Virtual analog Wavetable and sample-based Oscillators High-quality semi-weighted keyboard with 49 keys velocity and aftertouch Internal power supply (100-240V 50-60Hz) Pitchbend wheel Modulation wheel Sustain pedal connector Octave Up / Down buttons Freely programmable button Sturdy metal enclosure 7 endless stainless steel dials Graphic display 128 x 64 pixels b/w white background LED More than 1000 Sounds 3 Oscillators per voice Frequency Modulation between Oscillators All Q Oscillator models All Microwave II/XT/XTk Wavetables 2 independent multi mode Filters per voice Filter FM 2 Drive stages per voice with selectable Drive Curves 3 fast LFOs per voice 4 fast Envelopes per voice Powerful Arpeggiator Freely programmable Arpeggiator Pattern with up to 16 Steps per Sound USB interface for MIDI In / Out Uses standard USB MIDI Driver provided by host computer OS Windows ME minimum Windows XP or newer recommended Mac OS X 10.2 minimum Mac OS X 10.3 or newer recommended Waldorf Keyboards-and-Pianos GHK

More Information and order online::
Waldorf Blofeld 49 Note Keyboard Synthesizer Black

Waldorf Blofeld Synthesizer

Waldorf Blofeld Synthesizer
Waldorf is back in the game. With the Blofeld. This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand. The engine inside the heavy duty full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse Q Q+ Micro Q Microwave Microwave II/XT or even the flagship Wave. This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time you will instantly recognize those edgy hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on and become increasingly popular once more. In fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago. Click on the links below to download MP3 demos of the Waldorf Blofeld Synthesizer

Click on the link below to watch a tutorial video for the Waldorf Blofeld Oscillators Each of the three oscillators offers authentic circuit-models of analog waveforms: Pulse with variable pulse-width sawtooth triangle and as found in relatively few analog synthesizers these days sine wave. Furthermore oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series. Not only that the Blofeld includes all ROM Wavetables from the mighty flagship Waldorf Wave as well as Microwave II/XT. Plus lo and behold the desperately requested “Upper Wavetable” from the good old PPG Wave! But for the first time in the history of Waldorf and PPG each of these two oscillators can have its own wavetable. Whats more you have control over the brilliance of these wavetables which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers. Brilliance also affects the sawtooth and pulse oscillator models. From warm and soft (for those typical L.A. string pads) to the hard shapes you need for punchy and biting bass sounds. But note Brilliance is not a simple filter applied after the oscillators the model itself is modified. Each of the three oscillators can be frequency-modulated by any of the other oscillators the noise generator or one of the LFOs. With low FM amounts you can add a little dirt to the oscillator sound with higher amounts you get typical FM effects. Ring Modulation and Noise Generator Oscillators 1 and 2 can be ring-modulated to create bell-like or metallic sounds eerie sound effects as well as pumping basses and leads. The noise generator delivers white noise that can be filtered low or high pass depending on the Noise Colour setting. The three oscillators the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators. Filters The Blofeld has two multimode filters per voice that can be routed in series or in parallel. Each Filter has its own Pan parameter for easy creation of stereo sounds. The selection of filter types includes low pass band pass high pass and notch (band reject) each with 12dB/oct or 24dB/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all our products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM). Furthermore the Blofeld features the same comb filter types (with positive and negative feedback) that we first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive string or flute sounds reminiscent of physical modelling. Overdrive Saturation Distortion Shaping You name it. The Blofeld offers a freely controllable “Drive” behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q low/medium/hard saturation tube saturation two types of electric pickups a rectifier digital overflow as well as esoteric stuff such as “binary distortion” a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because the Blofeld has two filters that can be routed in series you can control the timbre of the drive output of Filter 1 by dampening or emphasizing certain frequencies with filter 2. Effects The Blofeld has two effect slots with various types. In Multimode the first effect slot is available per Part while the second one is used for all 16 Parts (i.e. global) with controllable mix levels. Part 1 determines the settings of the second effect. The first effect slot offers such modulation effects as chorus flanger as well as a combined type called “Triple FX”. The latter gives you several effects at once but with a reduced parameter set. The second effect slot offers all the same types as the first but with the addition of delay clocked delay and reverb. LFOs Each of the three LFOs offers sine triangle square and sawtooth waveforms plus sample & hold and random. LFOs can be synchronized to MIDI clock they can be polyphonic or monophonic reset on key trigger to a freely definable phase and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in/out parameters for e.g. delayed vibrato (positive Fade values) or a burst of vibrato at the start of each note (negative Fade values). One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths or logarithmic FM which is primarily the domain of analog modular systems. Click on the link below to watch a tutorial video for the Waldorf Blofeld Waldorf Recording-and-Computers 932

More Information and order online::
Waldorf Blofeld Synthesizer


Waldorf Blofeld Synthesizer Black

Waldorf Blofeld Synthesizer Black
Waldorf is back in the game. With the Blofeld. This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand. The engine inside the heavy duty full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse Q Q+ Micro Q Microwave Microwave II/XT or even the flagship Wave. This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time you will instantly recognize those edgy hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on and become increasingly popular once more. In fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago. Click on the links below to download MP3 demos of the Waldorf Blofeld Synthesizer

Click on the link below to watch a tutorial video for the Waldorf Blofeld Oscillators Each of the three oscillators offers authentic circuit-models of analog waveforms: Pulse with variable pulse-width sawtooth triangle and as found in relatively few analog synthesizers these days sine wave. Furthermore oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series. Not only that the Blofeld includes all ROM Wavetables from the mighty flagship Waldorf Wave as well as Microwave II/XT. Plus lo and behold the desperately requested “Upper Wavetable” from the good old PPG Wave! But for the first time in the history of Waldorf and PPG each of these two oscillators can have its own wavetable. Whats more you have control over the brilliance of these wavetables which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers. Brilliance also affects the sawtooth and pulse oscillator models. From warm and soft (for those typical L.A. string pads) to the hard shapes you need for punchy and biting bass sounds. But note Brilliance is not a simple filter applied after the oscillators the model itself is modified. Each of the three oscillators can be frequency-modulated by any of the other oscillators the noise generator or one of the LFOs. With low FM amounts you can add a little dirt to the oscillator sound with higher amounts you get typical FM effects. Ring Modulation and Noise Generator Oscillators 1 and 2 can be ring-modulated to create bell-like or metallic sounds eerie sound effects as well as pumping basses and leads. The noise generator delivers white noise that can be filtered low or high pass depending on the Noise Colour setting. The three oscillators the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators. Filters The Blofeld has two multimode filters per voice that can be routed in series or in parallel. Each Filter has its own Pan parameter for easy creation of stereo sounds. The selection of filter types includes low pass band pass high pass and notch (band reject) each with 12dB/oct or 24dB/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all our products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM). Furthermore the Blofeld features the same comb filter types (with positive and negative feedback) that we first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive string or flute sounds reminiscent of physical modelling. Overdrive Saturation Distortion Shaping You name it. The Blofeld offers a freely controllable “Drive” behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q low/medium/hard saturation tube saturation two types of electric pickups a rectifier digital overflow as well as esoteric stuff such as “binary distortion” a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because the Blofeld has two filters that can be routed in series you can control the timbre of the drive output of Filter 1 by dampening or emphasizing certain frequencies with filter 2. Effects The Blofeld has two effect slots with various types. In Multimode the first effect slot is available per Part while the second one is used for all 16 Parts (i.e. global) with controllable mix levels. Part 1 determines the settings of the second effect. The first effect slot offers such modulation effects as chorus flanger as well as a combined type called “Triple FX”. The latter gives you several effects at once but with a reduced parameter set. The second effect slot offers all the same types as the first but with the addition of delay clocked delay and reverb. LFOs Each of the three LFOs offers sine triangle square and sawtooth waveforms plus sample & hold and random. LFOs can be synchronized to MIDI clock they can be polyphonic or monophonic reset on key trigger to a freely definable phase and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in/out parameters for e.g. delayed vibrato (positive Fade values) or a burst of vibrato at the start of each note (negative Fade values). One important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths or logarithmic FM which is primarily the domain of analog modular systems. Click on the link below to watch a tutorial video for the Waldorf Blofeld Waldorf Keyboards-and-Pianos GHE

More Information and order online::
Waldorf Blofeld Synthesizer Black

Waldorf dvca1 Dual VCA Module

Waldorf dvca1 Dual VCA Module
The Waldorf dvca1 Dual VCA Module is a powerful synth unit designed to fit in a euro rack case and create unique synth tones. Designed around two VCAs with optional musical colouring and analog amplification the dvca1 module can create warm and colourful tones whilst the positive gain control and flexible link modes alloy modulated panning.

Features Two true analogue high-end VCAs Optional colour control based on state variable filter technology CV-input for colour modulation Simultaneous linear and exponential control and CV inputs Additional gain control for adding up to +12dB Separate AC and DC coupled inputs for audio rsp. control signals Separate summing output combining both signals Link mode for parallel modulation of two signals Anti-parallel link option for panning effects Waldorf PA-DJ-and-Lighting 1GPX

More Information and order online::
Waldorf dvca1 Dual VCA Module

Waldorf Streichfett String Synthesizer

Waldorf Streichfett String Synthesizer
The Streichfett String Synthesizer is a brand new string synthesizer made by Waldof. Based on String Synthesizers from the 1970s-1980s the Streichfett String Synthesizer delivers a unique variety of tones in a compact sleek design. Fitted with a dual sound engine allowing it to efficiently process a polyphonic string section and a monophonic solo section simultaneously the Streichfett String Synthesizer has a large range of options when it comes to fine tuning your tone. Containing factory installed presets on board the device it also gives the user the opportunity to create and save up to twelve of their own sound settings.

Streichfett combines the best of the previously extinct species of String Synthesizers of the 70s and early 80s. Its dual sound engine features a fully polyphonic strings section and an eight voice solo section which is essential for recreating how adult movies sounded thirty years ago. The Ensemble Effect handles lubrication of the String Section while the Effects section adds adjustable Phaser and Reverb. Additionally the Animate Effect can be used to modulate the strings registration allowing spectacular sound morphs. The Solo Section offset presets named Bass E-Piano or Clavi and just like in your typical string machine the sound has little to do with that name. Instead these are shimmering and slightly percussive sounds that blend well with the string section. Although the User Interface is simple and easy to comprehend it controls a rather complex sound engine which is capable to deliver rich and creamy pads unlike any other instrument. Twelve patches can be stored and selected in the Memory section USB and MIDI are of course on board. Features Fully polyphonic Strings Section with Violin Viola Cello Brass Organ and Choir presets 2nd Layer with Violin/Viola Voicing Ensemble Effect for String Section Typical String Envelope Generator with Crescendo and Release Monophonic Solo Section offering Bass E-Piano Clavi Synth and Pluto sounds Dedicated Tremolo for Solo Section Switchable Envelope generator with variable Sustain setting and Attack/Decay (Release) function Effect Section with Animate Phaser or Reverb Layer or Split for Solo Section Dedicated balance knob for quick adjustment of layered/split sounds Fully programmable with 3 x 4 memory locations Specifications Controls: Volume Pot Strings Section with organic preset select Crescendo and Release pots 3-state Octave switch (Base/Both/8va) 3-state 2nd voice switch Ensemble Effect pushbutton Solo Section with organic solo sound select pot Tremolo pot 3 state split switch (splitpoint low/mid/layer) 2 state sustain switch Balance pot with center detend Effect Section with 3 state switch (Chorus/Phase/Animate) Effect Depth pot 3 state switch for memory bank position (A B C) 4 pushbuttons for program number (1 to 4) Full MIDI/USB Control Connections: Stereo Audio out (Left/Stereo Right/Mono) Headphone out USB MIDI MIDI in/out Waldorf Keyboards-and-Pianos ZQ7

More Information and order online::
Waldorf Streichfett String Synthesizer

Waldorf Blofeld 49 Note Keyboard Synthesizer

Waldorf Blofeld 49 Note Keyboard Synthesizer
Introducing the new Waldorf Blofeld Keyboard Synthesizer! The little villain grows up! Not only on the outside did he gain weight also his inner qualities have seen a remarkable step-up: besides the virtual-analog synth and the classic wavetables it now sports a whopping 60 megabytes of sample memory. Click on the link below to download an MP3 demo

Click on the link below to watch a tutorial video for the Waldorf Blofeld Just imagine to add a vocal-like noise spectrum to a typical Wavetable pad spice-up a virtual-analog solo sound with a strong attack sample or just process any other sample with the countless oscillator and filter modulations. Play your sound creations on the high-quality keyboard with velocity and aftertouch. Pitchbend and modulation wheel are at your disposal and as a matter of course you can connect a sustain pedal. All this is packaged in a sleek metal enclosure with a big graphic display endless stainless steel rotaries and an internal power supply. And although it comes for an unbeatable price tag we add something very special. Specifications 60 MB Sample memory Virtual analog Wavetable and sample-based Oscillators high-quality semi-weighted keyboard with 49 keys velocity and aftertouch internal power supply (100-240V 50-60Hz) pitchbend wheel modulation wheel sustain pedal connector Octave Up / Down buttons freely programmable button sturdy metal enclosure 7 endless stainless steel dials graphic display 128 x 64 pixels b/w white background LED more than 1000 Sounds 3 Oscillators per voice Frequency Modulation between Oscillators All Q Oscillator models All Microwave II/XT/XTk Wavetables 2 independent multi mode Filters per voice Filter FM 2 Drive stages per voice with selectable Drive Curves 3 fast LFOs per voice 4 fast Envelopes per voice powerful Arpeggiator freely programmable Arpeggiator Pattern with up to 16 Steps per Sound USB interface for MIDI In / Out uses standard USB MIDI Driver provided by host computer OS Windows ME minimum Windows XP or newer recommended Mac OS X 10.2 minimum Mac OS X 10.3 or newer recommended Waldorf Keyboards-and-Pianos 98M

More Information and order online::
Waldorf Blofeld 49 Note Keyboard Synthesizer

Waldorf NW1 Wavetable Eurorack Module

Waldorf NW1 Wavetable Eurorack Module
The NW1 Wavetable is Waldorfs debut product for the popular Eurorack format. It includes an advanced wavetable engine with independent control of spectral envelope and noisiness – just like Nave.

Wavetable scanning is cyclic with optional modulation of travel speed position spectrum and more besides. By providing the worshipped Waldorf wavetable set from the classic Microwave and Wave synthesizers NW1 will enrich your Eurorack modular system as a potently powerful sound source. The NW1 sound engine also allows for onboard creation of user wavetables via time domain multiple foldover analysis. All you need to do is connect any sound source to the NW1 to transfer audio into a wavetable. Or use the integrated speech synthesizer to translate typed text into wavetables. Wavetable synthesis is an extremely powerful sound source suited to producing all kinds of vivid metallic hues and digital clangorous tones. It can create organic bell-like timbres as well as spectacular-sounding scans through various waveforms with truly ear-opening results. It was almost impossible to create these kinds of sharp-edged digital sounds back before the invention of wavetable synthesis in the late-Seventies. Starting with the wavetable synthesizers of those days a whole new sound palette left its imprint on so many hit records. Today with Waldorfs neatly-sized NW1 Wavetable Module this sound is readily available for the popular Eurorack standard – sounding just as pure sharp and massively destructive as it did back in the golden days of digital! Features/Specifications 21st century advanced wavetable engine Cyclic wavetable scanning with modulatable position and travel speed Control of spectral envelope independent of pitch Adjustable periodicity up to noisy reproduction Classic Waldorf wavetables included Integrated speech synthesizer for wavetables User-recordable wavetables Gate input for triggering wavetable travel and recording Main 1V/Oct CV input with trim for pitch control 3 additional CV inputs for modulation and realtime wavetable recording Audio output USB port with galvanic isolation for wavetable transfer and text input Eurorack power connector +/- 12V 150mA 10 rotary knobs 1 wavetable select/encoder 1 2 x 7 segment display 6 x 3 position switches Width: 32HP (162.6 mm) Waldorf Recording-and-Computers 16LN

More Information and order online::
Waldorf NW1 Wavetable Eurorack Module

Waldorf cmp1 Analog Compressor Module

Waldorf cmp1 Analog Compressor Module
The Waldorf Cmp1 Analog Compressor is a true analog compressor which can be added to synth signal chains to add punch to your sound. Featuring side chain options auto and manual attack/release RMS and peak modes gain control and both hard/soft knee compression types the Waldorf cmp1 is a the ultimate analog compressor for your modular synth set up.

Features True analogue high-end compressor Flexible side-chaining Control path based on controllable balance of side and main signal RMS and Peak modes Threshold and compression controllable from panel with additional CV-inputs Attack & Release in manual or automatic mode Hard- and soft-knee compression Bleeding control for mixing original signal to compressed output Overall gain control Input level control Separate output of detector signal for use as envelope follower Additional level control input for optional use as exponential VCA Waldorf PA-DJ-and-Lighting 1GPY

More Information and order online::
Waldorf cmp1 Analog Compressor Module

Waldorf Largo Software Synthesizer

Waldorf Largo Software Synthesizer
Waldorf Largo Software Synthesizer: Largo is the first fully fledged software synthesizer from Waldorf. It is a logical evolution of our great history of making extremely flexible highest quality analog and digital synthesizers-now for the virtual rack.You will find the best of Waldorfs technology contained within Largo. In addition Largos modulation capabilities go far beyond the usual: Every oscillator and filter can be frequency modulated by a freely selectable source with adjustable amount.

Click on the links below to download mp3 demos of the Waldorf Largo The modulation matrix allows more than 50 parameters to be modulated by almost any source- with an update rate that reaches far into the audio range. For fast editing many pre-routed modulation destinations help to generate professional sounds in a breeze. Largo comes with a huge sound library that covers the complete span of contemporary synthesizer sounds. These include all those that made the Waldorf the preferred choice of ambitious synthesiser enthusiasts around the world: lush pads punchy basses spectacular sound clusters fat lead sounds teeth grinding digital noises complex Wavetable scans and wild arpeggiator lines. All this is waiting to be explored via the easy-to-use and clearly arranged user interface. FEATURES/REQUIREMENTS: up to 256 voices per instance (depending on available CPU power) up to 4 layers per sound 4 stereo outputs (alternatively 1 stereo sum) host automation of almost all parameters MIDI Controller automation of the most important parameters Per Voice 5 Oscillators: 3 Main Oscillators and 2 Sub Oscillators Virtual Analog Models: Pulse with Pulse Width Modulation Sawtooth Triangle Sine Wavetables: 68 wavetables taken from the legendary Microwave and Wave synthesizer as also Q and Blofeld wavetables Frequency Modulation between Oscillators and Noise Generator Oscillator Synchronization Ring Modulator for Osc 1 / 2 Noise Generator with Noise Colour 2 independent Multi Mode Filters: Filter FM Resonance up to Self-Oscillation Low Pass 24 dB / 12 dB Band Pass 24 dB / 12 dB0 High Pass 24 dB / 12 dB Notch 24 dB / 12 dB Comb Filter with positive / negative Feedback 2 Drive Stages per voice with adjustable Drive Gain and selectable Curves: Clip Hard Medium Soft Sine Shaper and more Modulation Matrix with 16 Slots freely programmable Modulation Speed far into Audio Range Modulation Sources include all internal Modulation Sources plus various MIDI messages Modulation Destinations for almost all continuous sound parameters Various pre-routed Modulation Destinations with selectable Sources: Pitch Modulation Oscillator 1 / 2 / 3 Frequency Modulation Oscillator 1 / 2 / 3 Pulse Width Modulation Filter 1 / 2 Cutoff Modulation Filter 1 / 2 Frequency Modulation Pan 1 / 2 Modulation Amp Modulation 4 Modifiers for transforming Modulation Sources with various Algorithms 3 fast LFOs: Syncable to MIDI Clock Note Retrigger with adjustable Start Phase monophonic LFO Keytrack freely drawable LFO waveform with 16 steps (only LFO3) 4 fast Envelopes with selectable types: Single Trigger / Retrigger per Envelope ADSR ADS1DS2R (2 Decay/Sustain stages plus adjustable Attack Level) One Shot Loop S1S2 (Loop between Sustain 1 and 2) Loop All (Loop over all stages) Poly Mono Dual or Unisono Mode with selectable Voice Count Unisono Detune and Stereo Spread Per Layer: Powerful Arpeggiator: Hold and One Shot modes syncable to MIDI Clock Direction Up Down Alternate Range up to 10 Octaves various methods to modify Note Sort Order freely programmable Arpeggiator Pattern with up to 16 Steps Programmable per Step: Accent Timing Length Pause 2 Effect slots per layer Effect Types: Chorus Flanger Phaser Overdrive Delay (2nd effect slot only) Reverb (2nd effect slot only) SYSTEM REQUIREMENTS: Windows: Windows XP or better Intel Pentium 3 1 GHz or better AMD Athlon 800 MHz or better 64 MB free RAM VST 2.4 compatible host software that supports virtual instruments such as Cubase VST or higher Cubase SX/SL Nuendo 1.5 or better PC equipped according to the specifications of the VST host software Mac: Mac OS X 10.3.9 or better PowerPC: G4 800 MHz or better Intel: any processor 64 MB free RAM VST 2.4 compatible host application that supports virtual instruments such as Cubase SX/SL Nuendo 1.5 or better or AudioUnit 2.0 compatible host application that supports AudioUnit Instruments such as Apple Logic or GarageBand Macintosh equipped according to the specifications of the host software Waldorf Recording-and-Computers BFF

More Information and order online::
Waldorf Largo Software Synthesizer

Waldorf KB37 Eurorack Case with Keyboard

Waldorf KB37 Eurorack Case with Keyboard
The Waldorf KB37 Eurorack Case with Keyboard is a robust and stylish module synth rack that can be used to mount a range of modules and connected to the on board keyboard for quick and compact performance. Featuring 37 keys each with aftertouch modulation and pitchbend wheels octave up/down switch and gate retrigger controls the KB37 Eurorack is the perfect choice for a customizable synth set-up. Please Note: Images are for reference purpose only. Modules sold separately.

The KB37 is a compact and rugged performance instrument. It can house up to 100 HP of modules in its conveniently angled panel that sits right on top of the super high-quality Fatar TP9 keyboard. With its high-resolution and temperature stable 16-bit CV interface it provides extremely flexible control for your modules. MIDI channels are programmable making the kb37 the perfect partner for both studio and stage. It provides perfect connectivity to all your modules to serve both the player and the sound designer’s desires with an array of real-time control elements such as pitch and mod wheels. The professional full-sized 37-note keybed transmits velocity and aftertouch. The KB37 is compact and easy to transport just like any synthesizer keyboard to add style and reliability to your performing rig. Features Keyboard & Controls Fatar TP9 37-keys keyboard with aftertouch Pitchbend wheel Modulation wheel Glide Selectable note priority Octave up/down switch Gate retrigger Module Section Eurorack compatible bus Bus CV & Gate linkable to CV interface via jumpers Built-in regulated power-supply (+12V/-12V 1.5A) 545mm Width CV Interface 8 CV outputs Pitch Velocity Aftertouch Pitchbend Modwheel 3 User-assignable MIDI controllers 3 Trigger outputs Gate Clock & Reset outputs for MIDI sync Waldorf Keyboards-and-Pianos 1GPV

More Information and order online::
Waldorf KB37 Eurorack Case with Keyboard

Waldorf mod1 Modulator Module

Waldorf mod1 Modulator Module
The Waldorf mod1 Modulator Module is a compact and rack mountable synth modulator capable of creating a huge variety of tones via the 3 on board modulation sources. Featuring envelops LFOs and multi-stage curves as well as a fully analog design the mod1 Modulator delivers rich and endless modulation options.

Features AD3SR ADSR envelope with up to three decay stages Each decay stage with time and target level control Configurable for 1 2 or 3 decay stages Loop mode for looping from attack over all enabled decays stages Gate and trigger inputs Positive and Inverted output Symmetry Generator Two segment modulator with controllable symmetry CV-inputs for speed and symmetry LFO mode with bipolar output Gate and Trigger envelope modes with unipolar output Linear or rectangular wave forms Rise & Fall Two stage envelope “rise & fall” Flexible curve control for rise stage – from smooth classical RC shape to cutting linear segments Optional loop mode Gate input Signal output Waldorf Keyboards-and-Pianos 1GPZ

More Information and order online::
Waldorf mod1 Modulator Module

Waldorf Rocket Synthesizer

Waldorf Rocket Synthesizer
The Waldorf Rocket features an analog multimode VCF with lowpass bandpass and highpass resonance up to self oscillation and beyond a powerful monophonic oscillator section with Ultra High Density Sawtooth and unison for chord play.

The Waldorf Rocket Synths incredible sound is a powerful weapon of mass destruction and never before has this kind of power been achieved with such an enormous fun factor. Rocket is an ideal fun sound design machine which in combination with its extremely attractive price will appeal to any sound designer and musician interested in quality sounds. It works as a stand-alone instrument or in any imaginable music production environment. But its most important feature is of course its sound: a real Waldorf synthesizer powerful direct and with a lot of love for the details. Furthermore the Rocket is equipped with a powerful Arpeggiator and a destructive Booster circuit this Rocket is technologically way ahead of its contemporaries. Click on the link below to view the manual for the Waldorf Rocket Synth: Features Analog multimode-filter (VCF) with Low Pass / Band Pass / High Pass VCF-input Highly flexible oscillator-section with pulse width modulation and hard sync Up to 8 oscillators in unison for chords or Ultra High Density Sawtooth Low Frequency Oscillator (LFO) for modulation Envelopes for VCA VCF and Sync Booster circuit to generate aggressive sounds Arpeggiator with different rhythmic patterns Glide USB powered MIDI in and out Extensive control panel with high-end pots and switches Control via MIDI and USB MIDI clock sync Line output Loud headphone output Launch key for easy pre listening Specifications Power Supply: Maximum current consumption: 100 mA Dimensions: Width: 185 mm Depht: 185 mm Height (including knobs): 65 mm Factory Settings: MIDI Receive Channel: 1 MIDI Transmit Channel: 1 Waldorf PA-DJ-and-Lighting Q99

More Information and order online::
Waldorf Rocket Synthesizer