The Twin-City is an active ABY switcher and buffer that enables you to connect any two amps and drive them simultaneously without noise loss of gain and without degrading your natural guitar tone. This is accomplished with Radials highly acclaimed buffering technology and the same Drag Control (TM) load correction circuitry as used in the award-winning Radial JD7 Injector. The set and forget Drag Control lets you compensate for cable signal loss and introduce the perfect amount of loading to replicate the way your guitar and amp interact.

Buffered ABY with Drag load correction Isolated output eliminates hum and buzz 180º polarity sets both amps in phase Compact to fit on any pedalboard Standard 9 volt power supply operation To eliminate hum and buzz from ground loops the Twin-City is equipped with an isolation transformer on output B. This is augmented with a ground lift switch and 180º polarity reverse switch that ensures both amplifiers play in phase while noise is reduced to an absolute minimum even when using older vintage amps that are generally more prone to noise. As a buffer the Twin-City lowers the impedance and susceptibility to noise making it the ideal signal driver for large stages when using long cable runs. Like all Radial products the Bones are constructed from heavy 14 gauge steel for greater durability and added stay put when kicked around on a busy stage. For even greater durability the Twin-City employs our latest EIS – Electronic Impulse Switching – for unmatched performance without the challenges posed by mechanical switches. Bright easy to see LEDs deliver on-stage switching cues so you know exactly where you are at all times. As most players employ pedalboards the Twin-City features standard Boss style 9V powering that will adapt to most multi-pedal power supplies. The ultra compact design with top mounted output and DC connections allow pedals to be placed close together for those wishing maximum pedalboard density. The Twin-City is a powerful ABY switcher that delivers all of the natural tone punch and clarity of a true-bypass device without the popping noise of mechanical switches or the induced hum and buzz caused by ground loops. Radial Guitar-and-Bass AA2

More Information and order online::
Radial Bones Twin-City ABY Amp Switcher Guitar Pedal

The Radial BigShot i/o is an instrument selector switch that lets you quickly switch between any two instruments and drive the signal to your amp. As the BigShot i/o is 100% true-bypass there is minimal effect to audio quality.

The Radial BigShot i/o instrument selector allows switching between two different inputs. Further enhancing connectivity input-B is equipped with a level control called DIM- letting you reduce the signal from the louder of your two instruments and matching their volume. When passive instruments are used a unique bright switch lets you compensate for high frequency loss due to longer cables. The BigShot i/o is equipped with a tuner output and features a foot stomp MUTE switch cutting off the signal to the amplifier and re-routing it to the tuner for quiet on-stage tuning. An always on switch also permits on-the-fly quiet tuning should you wish to have the tuner on at all times. The BigShot i/o is built to withstand life on the road with a compact and rugged design. Passive circuitry means that the BigShot i/o does not require any powering to make it work perfect for all instruments level input switching. Specifications Circuit type: Passive true-bypass Tuner output: Yes – switched tuner output Attenuation: Yes – adjustable level control on INPUT-2 Tone compensation: 3-position BRIGHT switch on INPUT-2 (Off Bright 1 and Bright 2) Footswitches: TOGGLE – switches IN-1 or IN-2 MUTE – mutes output Construction: 14 gauge steel baked enamel finish Size: 3.6″w x 3.9″d x 2″h (92 x 99 x 51mm) Weight: 1.25 lb (0.56 kg) Radial Guitar-and-Bass VFK

More Information and order online::
Radial Tonebone Bigshot i/o True Bypass Instrument Selector

Twinline is a compact effects loop router that will let you connect your pedalboard to two separate amplifiers via effects loop. It is a modern A/B switch pedal that lets you select between the active amplifier heads effects-loop and automatically switch the effects to go where you want them to go. To eliminate hum causing ground loops the two amplifier effects-loops are 100% transformer isolated and supplemented with ground lift switches. An optional foot switch is available for controlling the unit with your foot.

Radial Guitar-and-Bass XDM

More Information and order online::
Radial Twinline Effects Loop Router

The Headload Load Box is designed to be placed between your guitar amplifier head and the speaker cabinet allowing guitarists to drive their amp head at really band-annoying levels and still maintain quiet on-stage volumes. Much more than just some shredding guitar-god noise sponge the Headload also has Radials JDX DI box built in ? a popular alternative to mic?ing up the cabinet ? plus a Radial Phazer that deals with alignment issues should you want both.

Radial Guitar-and-Bass XDK

More Information and order online::
Radial Headload Guitar Amp Load Box

Bassbone – the ultimate command center for serious bass players.The Radial Bassbone is a power-packed bass preamp that combines real-world functionality with amazing tonal control making it the ideal front end for live performance and studio recording.

Designed as a bass command center the Bassbone features two separate channels with independent level controls and powerful EQ to let you perform with two basses on stage and instantly select between them with a footswitch. With Bassbone in your rig each bass is treated separately – no more compromising! On-demand access to the combination effects loop and power booster lets you introduce effects and gives you that extra kick when needed. The Bassbone is also equipped with a built-in Radial direct box that sends your sound to the mixer the way you want it. Theres even a separately buffered tuner out that lets you monitor and tune on the fly. Many bassists today use two instruments typically with very different levels and sound. The Bassbone is designed to allow switching instruments without having to re-adjust tone and volume at the amp. This is done with two channels and an EQ with enough power and versatility to override the bass amps tone settings! The Bassbone can also be used with one bass with a different tonal setting for each channel you can sound like two distinct instruments simply by switching channels. Also included is a power-booster with variable gain and a switchable outboard effect loop which can be used individually or together. For example: introduce a flanger with boost for soloing. A balanced output sends the signal to a mixer with all your sound settings (level EQ effect loop) eliminating the need to carry a bass amplifier to coffee house gigs. Theres even a bass-friendly tuner out! Applications Easily switch between active and passive basses Go direct on small gigs without an amp Record direct with fl exible EQ level and effect controls Not just for bass the Bassbone is great for guitars Features/Specifications: Two channel preamp for one or two instruments Powerful three-band active EQ on ch-2 Power boost with level control Effects loop inserts pedals when needed Separate tuner output Built-in DI with balanced XLR output Further Specs: Input impedance: 470k ohm at input jack Output impedance: 10K Ohm Balanced XLR – output impedance: 600 Ohms LED indicators: Large 3 mm OD ultra-bright LEDs CH-1 CONTOUR Shape-1: +4.5 dB @ 110 Hz / -5.1 dB @ 650 Hz / +2.7 dB @ 4.3 Khz CH-1 CONTOUR – Shape-2: +3.7 dB @ 75 Hz / -6.3 dB @ 350 Hz / +11 dB @ 5.6Khz Channel-2 – three-band EQ: (Bass:) +/- 12dB @ 75 Hz (Mid:) +/- 10dB @ 470 Hz (High:) +/- 16dB @ 5.6 KHz Boost level: Unity gain to +12dB Switching: Heavy duty mechanical switches Ground lift: Lifts ground at XLR output pin-1 Construction: 14 gauge steel baked enamel finish Size: 6.9″ x 4.25″ x 2.125″ (175mm x 108mm x 54mm) Product Weight (Unpacked): 2.35lb (1.06kg) Radial Guitar-and-Bass CVP

More Information and order online::
Radial Tonebone Bassbone Bass Pre-Amp

The Tonebone Hot British is tube distortion at its best! Fashioned from a modified Marshall double-stack plexy the Hot British delivers five decades of brute power for everything from scooped-out chunky rhythm to screaming sizzling hot lead tones.

Based on high-gain amplifier designs the Hot British employs a triple hybrid gain stage that combines the control and dynamics of solid-state with the warmth and harmonic generation only possible from a real 12AX7 tube. This unique design produces ultra-rich harmonic textures and full-on saturated tube settings without the mud or noise that is typical with other pedals. Listen and you will hear how each note retains its distinctiveness and clarity right down to the lowest notes. Switch on the Contour dial in the interactive EQ and wham! Enter a world where huge musically rich tones that you never thought possible magically come alive. No other pedal delivers more – no other pedal even comes close! Applications: Gives you that mega-stack-on-eleven sound! Tons of harmonic overtones Works equally well for solo and rhythm From chunk to metal to power solos Features/Specifications: Built like a tank yet small enough to fit on a pedalboard the Tonebone Hot British is the world?s most compact tube distortion. It is in fact a hybrid that combines the control of a triple-stage solid-state front end with the warmth and natural even harmonic generation of a 12AX7 tube. The tube is mounted on its side to keep the profile low for easy pedal action. Power for the Hot British is provided by a external 15VDC supply and is regulated and filtered internally to eliminate hum and noise. To further reduce self noise a unique ground plain circuit topology is employed making the Tonebone Hot British one of the quietest pedals in its class. Tonebone is also built tough – 14-gauge steel construction reduces stress on the PC board and a baked enamel finish will keep your Tonebone looking great for years! Further Specs: Circuit type: Hybrid tube / proprietary circuit Tube type: 12AX7 vacuum tube Input impedance: 1meg Ohm at input jack Output impendence: 10K Ohm MID BOOST 3-way switch: Used to fatten up the sound for more cut and sustain during solos. Also will fatten up the sound of single coil pickups High: +12dB @ 620Hz Medium: +6dB @ 390Hz Bypass: No boost * Drive control: Used in conjunction with the drive gain switch drive is used to adjust the overall amount of gain to the overdrive circuit. VOICING * 3-way switch: Allows the user to jump to chunky scooped rhythms in the NOTCH position or huge solos in the FAT position. 1. FAT: Mid-boost – passive filter 2. bypass: Flat 3. NOTCH: Mid-cut – passive filter * Contour control: Used in conjunction with the VOICING selector switch contour dials-in the mid-center frequency with cut or boost with the switch in the NOTCH or FAT position. * TOP END 3-way switch: Switch sets the overall tonal character of the Classic to best match the amp and settings. Brighter amps are normally compensated with darker settings. 1. Bright: Boosts +6dB @ 10kHz 2. Flat: No boost 3. Dark: Cuts -6dB @ 1.8kHz * HIGH & LOW EQ controls: Unity gain to +15dB – Low: +/- 14.5 db @ 100Hz – High: +/- 10 db @ 4.3kHz * LEVEL control: Used to balance the output level between the input drive without altering any of the tonal characteristics. Works like the master volume on an amplifier. * Footswitch: True bypass with green on/off status LED – Heavy-duty high-cycle switch * LED indicator: Large 3mm OD ultra-bright status LED * Switching: Opto-coupler assisted 5msec Rise time * Construction: 14 gauge steel baked enamel finish * Size: 7″w x 4 1/4″d x 2″h (174 x 108 x 51mm) * Weight: 2.15lb (1kg) Radial Guitar-and-Bass CWS

More Information and order online::
Radial Tonebone Hot British Tube Distortion Pedal