Radial JX62 6 Input Guitar Switcher

Radial JX62 6 Input Guitar Switcher
The Radial JX62 begins with six guitar input channels each of which is outfitted with 1/4″ input and a thru connection to feed its own amp or dedicated direct box. A simple ON switch activates the channel and a recessed set and forget TRIM control enables the guitar technician to set all of the levels uniformly should the output from the guitars or wireless systems need adjustment. All channels may be used at once.

Radial Recording-and-Computers XDP

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Radial JX62 6 Input Guitar Switcher



Radial Bones Twin-City ABY Amp Switcher Guitar Pedal

Radial Bones Twin-City ABY Amp Switcher Guitar Pedal
The Twin-City is an active ABY switcher and buffer that enables you to connect any two amps and drive them simultaneously without noise loss of gain and without degrading your natural guitar tone. This is accomplished with Radials highly acclaimed buffering technology and the same Drag Control (TM) load correction circuitry as used in the award-winning Radial JD7 Injector. The set and forget Drag Control lets you compensate for cable signal loss and introduce the perfect amount of loading to replicate the way your guitar and amp interact.

Buffered ABY with Drag load correction Isolated output eliminates hum and buzz 180º polarity sets both amps in phase Compact to fit on any pedalboard Standard 9 volt power supply operation To eliminate hum and buzz from ground loops the Twin-City is equipped with an isolation transformer on output B. This is augmented with a ground lift switch and 180º polarity reverse switch that ensures both amplifiers play in phase while noise is reduced to an absolute minimum even when using older vintage amps that are generally more prone to noise. As a buffer the Twin-City lowers the impedance and susceptibility to noise making it the ideal signal driver for large stages when using long cable runs. Like all Radial products the Bones are constructed from heavy 14 gauge steel for greater durability and added stay put when kicked around on a busy stage. For even greater durability the Twin-City employs our latest EIS – Electronic Impulse Switching – for unmatched performance without the challenges posed by mechanical switches. Bright easy to see LEDs deliver on-stage switching cues so you know exactly where you are at all times. As most players employ pedalboards the Twin-City features standard Boss style 9V powering that will adapt to most multi-pedal power supplies. The ultra compact design with top mounted output and DC connections allow pedals to be placed close together for those wishing maximum pedalboard density. The Twin-City is a powerful ABY switcher that delivers all of the natural tone punch and clarity of a true-bypass device without the popping noise of mechanical switches or the induced hum and buzz caused by ground loops. Radial Guitar-and-Bass AA2

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Radial Bones Twin-City ABY Amp Switcher Guitar Pedal

Radial Dinet Dan-RX DI Box

Radial Dinet Dan-RX DI Box
The Radial DiNET DAN-RX is the ultimate tool to connect your Dante product to a stereo system. Where less specialised products may lose sound quality from the process of transferring audio the DAN-RX delivers the source in analog for exceptional accuracy. Acting as a 24bit/96kHz endpoint your output from a Dante network to a stereo system gives you an easy way for reliable high quality audio. Theres even a headphone output for you to listen to your audio before you connect it to the main speakers.

Specifications Conversion Rate: 24bit/96 kHz Conversion Type: Digital to Analog XLR Outputs: Left and Right Balanced Ethernet Input: 1 3.5mm Headphone Jack: 1 Level Control: +4 dBu Line Level Radial PA-DJ-and-Lighting 1GVD

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Radial Dinet Dan-RX DI Box

Radial StageBug SB-2 Passive DI Box

Radial StageBug SB-2 Passive DI Box
The Radial StageBug SB-2 is a compact passive DI made for players on the go! The SB-2 allows you to take active or high output instruments and run them a long distance to a PA systems. The passive transformer is ideal for adding a smooth warm tone to instruments such as keyboards bass and acoustic guitar.

The Stage Bug SB-2 features a 1/4″ input and thru-put to feed into a stage amp. This then connects to the custom Eclipse ET-DB3 transformer which performs the impedance matching and balances the signal. If you connect an extra high out instrument a -15dB pad can also be inserted into the signal path making this system ideal for active basses and digital pianos which can sometimes overload interfaces. If you want to connect a stereo keyboard or computer without having to reset the source for mono operation their is a convenient stereo to mono merge function included which saves you time and input channel;s on the PA. The SB-2 output features an XLR wired to the AES standard with pin-2 hot. Acoustic Guitar Use the SB2 with your acoustic guitar and it will smooth out the peaks and warm up the tone with cool vintage vibe. Bass Guitar Connect your bass to the StageBug and send the thru signal to your amp and the output to your PA. Transformer isolation eliminates nasty hum and buzz caused by ground loops. Keyboards The Passive SB-2 is ideal to take the output from a keyboard and send it to the PA system. A summing input automatically converts the stereo signal to mono to save channels whilst it balances the signal to drive distances of 100 meters (300 feet) without noise. For more information on how to use the StageBug SB-2 please download the user guide PDF below. Features/Specifications Audio circuit type: Passive transformer based Number of channels: Two channels mono or stereo outputs Frequency response: 20Hz ~ 20KHz (± 1dB) Dynamic range: 100dB Maximum input: +20dB Total harmonic distortion: 0.01% @ 1kHz Phase deviation: 2° @ 100Hz; 5° @ 50Hz Input impedance: 40k Ohms unbalanced Output impedance: 2.8k Ohms balanced Transformer: Custom design Input pad: -10dB Auto Merge: Sums left & right sources to mono at XLR Ground lift: Disconnects pin-1 at 1/4″ TRS outputs XLR configuration: AES standard (pin-2 hot) Input connector: 3.5mm (1/8″) integrated 1.5m (5) cable Output connectors: 1/4″ TRS stereo / XLR-M mono merge Construction: 14 gauge steel chassis & outer shell Finish: Baked enamel Size: (L x W x D) 4.5″ x 185″ x 1.35″ (114mm x 47mm x 34mm) Weight: 0.55 lbs (250 grams) Shipping Size: W x H x D: 102 x 76 x 165mm (4″ x 3″ x 6.5″) Shipping Weight: 0.8 lbs (365 grams) Power: Passive no power required Warranty: Radial 3-year transferable Radial PA-DJ-and-Lighting V6R

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Radial StageBug SB-2 Passive DI Box


Radial StageBug SB-5 Passive Laptop DI Box

Radial StageBug SB-5 Passive Laptop DI Box
The StageBug SB-5 is a stereo direct box designed for laptops tablets and smartphones when amplifying the signal through a PA. The SB-5 allows audio playback via PA systems audio-visual integration and portable DJ setups ideal for those on the go who keep their music on a portable device.

The Stage Bug SB-5 is a passive DI box with an integrated input cable that connects from the headphone out via a flexible 1.5m (5) cable that has a standard 3.5mm (1/8″) stereo connector. The cable is secured using a clamping strain relief and wrapped using the sidewinder cleat for easy storage and immediate access for quick use. Inside the signal is sent to a pair of custom wound transformers where the impedance is lowered and the signal balanced for long cable runs upwards to 100 meters (300). The computer is isolated from the PA to eliminate hum and buzz caused by ground loops and a ground lift switch further educes ground contamination. The Radial StageBug SB-5 has a choice of output connectors available including a stereo set of 1/4″ TRS jacks for full stereo operation or an XLR that automatically sums the left-right program material to mono saving valuable channels on the PA and making setup easier in situations where full stereo reproduction is not needed. A -15dB input pad can be used to reduce sensitivity and allow extra high output sources to be connected without distortion. For more information on how to use the StageBug SB-5 please download the user guide PDF below. Features/Specifications Audio circuit type: Passive transformer based Number of channels: Two channels mono or stereo outputs Frequency response: 20Hz 20KHz (± 1dB) Dynamic range: 100dB Maximum input: +20dB Total harmonic distortion: 0.01 @ 1kHz Phase deviation: 2° @ 100Hz; 5° @ 50Hz Input impedance: 40k Ohms unbalanced Output impedance: 2.8k Ohms balanced Transformer: Custom design Input pad: -10dB Auto Merge: Sums left & right sources to mono at XLR Ground lift: Disconnects pin-1 at 1/4″ TRS outputs XLR configuration: AES standard (pin-2 hot) Input connector: 3.5mm (1/8″) integrated 1.5m (5) cable Output connectors: 1/4″ TRS stereo / XLR-M mono merge Construction: 14 gauge steel chassis & outer shell Finish: Baked enamel Size: (L x W x D) 4.5″ x 185″ x 1.35″ (114mm x 47mm x 34mm) Weight: 0.55 lbs (250 grams) Shipping Size: W x H x D: 102 x 76 x 165mm (4″ x 3″ x 6.5″) Shipping Weight: 0.8 lbs (365 grams) Power: Passive no power required Warranty: Radial 3-year transferable Radial PA-DJ-and-Lighting V6T

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Radial StageBug SB-5 Passive Laptop DI Box

Radial Tonebone Bigshot i/o True Bypass Instrument Selector

Radial Tonebone Bigshot i/o True Bypass Instrument Selector
The Radial BigShot i/o is an instrument selector switch that lets you quickly switch between any two instruments and drive the signal to your amp. As the BigShot i/o is 100% true-bypass there is minimal effect to audio quality.

The Radial BigShot i/o instrument selector allows switching between two different inputs. Further enhancing connectivity input-B is equipped with a level control called DIM- letting you reduce the signal from the louder of your two instruments and matching their volume. When passive instruments are used a unique bright switch lets you compensate for high frequency loss due to longer cables. The BigShot i/o is equipped with a tuner output and features a foot stomp MUTE switch cutting off the signal to the amplifier and re-routing it to the tuner for quiet on-stage tuning. An always on switch also permits on-the-fly quiet tuning should you wish to have the tuner on at all times. The BigShot i/o is built to withstand life on the road with a compact and rugged design. Passive circuitry means that the BigShot i/o does not require any powering to make it work perfect for all instruments level input switching. Specifications Circuit type: Passive true-bypass Tuner output: Yes – switched tuner output Attenuation: Yes – adjustable level control on INPUT-2 Tone compensation: 3-position BRIGHT switch on INPUT-2 (Off Bright 1 and Bright 2) Footswitches: TOGGLE – switches IN-1 or IN-2 MUTE – mutes output Construction: 14 gauge steel baked enamel finish Size: 3.6″w x 3.9″d x 2″h (92 x 99 x 51mm) Weight: 1.25 lb (0.56 kg) Radial Guitar-and-Bass VFK

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Radial Tonebone Bigshot i/o True Bypass Instrument Selector

Primacoustic Paintables 12x48in Paintable Acoustic Panel Bevel Edge

Primacoustic Paintables 12x48in Paintable Acoustic Panel Bevel Edge
The Primeacoustic Paintables Acoustic Panels are multi-purpose acoustic treatment panel for any kind of environment. Utilizing a breakthrough ability to be painted or printed on without loosing any sound absorption these acoustic panels can be painted to match there environment or as a decorative addition to your studio home theatre conference room or place of worship.

Primacoustic Paintables are an innovative acoustic panel range that features a specially formulated textured latex surface that may be repainted on-site to match the color scheme and decor of your room or facility. The design begins with the same high performance 6lb glass-wool panel that is used in the popular Broadway series panels. Like Broadway the Paintables are fully encapsulated with a woven fiberglass mesh and feature resin hardened edges to create sharp architecturally appealing lines. Rather than wrapping the panel in fabric the face and edges of the Paintable are coated in a textured latex finish that is porous and breathable. The balanced formulation enables the panels to be spray-painted without affecting the acoustic performance. This means that the end user can decide upon the final color without having to compromise by choosing a particular fabric or allows the acoustical engineer to leave the final color choice to the architect thus streamlining the decision making process and installation. Paintables ship in an attractive absolute white finish and are available in a variety of sizes. This makes them perfectly suitable for both large scale and small room installations including house-of-worship airports home theatre offices call centers board rooms restaurants video conferencing rooms broadcast facilities and recording studios of all sizes. Primacoustic Paintables – unmatched performance in unlimited colors. Features 12 x 48 Inch (Bevel Edge) 6 Panels Per Set 2″ Thickness Radial Recording-and-Computers ZOX

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Primacoustic Paintables 12x48in Paintable Acoustic Panel Bevel Edge

Radial StageBug SB-1 Active Acoustic DI Box

Radial StageBug SB-1 Active Acoustic DI Box
The Radial SB-1 is a high-performance active single channel direct (DI) featuring an ultra compact design and legendary Radial audio clarity.

The Radial SB-1 is an ultra compact active DI box equipped with a 1/4″ instrument input with a thru-put to feed your tuner or your on-stage amp. An exceptionally quiet active circuit design converts the signal from high to low impedance to reduce susceptibility to noise buffers it and then balances the signal for long runs to the PA system. With 48 volt phantom powering the SB-1 does not require batteries or external supply for operation. The active circuitry features a carefully selected 220k-ohm input impedance eliminating any issues with loading whilst delivering a smooth warm sound to the audio system. This is particularly important when interfacing vintage guitars with low output pickups in recording or Reamping situations. The SB-1 is also equipped with a -15dB pad to reduce input sensitivity to handle even the loudest instruments. Although extremely well suited to electric bass and keyboards it it also perfect for acoustic instruments. To reduce feedback toggling the 180° polarity switch helps eliminate hot spots on stage that can cause low frequency resonance. If looking for an incredibly compact single channel active DI box with a clean and warm audio performance the SB-1 is a fantastic choice. Specifications Audio circuit type: Active Buffer with Phase Splitter Frequency response: 20Hz to 20KHz Total harmonic distortion: 100db Input impedance: 800K/23K Maximum input: +2dbu/+8dbu Gain: +1.3dbu/+4.4db Clip Level – Output +3.3dbu/+12.3dbu Output impedance: 330 Ohms Equivalent input noise: -101dbu Noise floor: -97dbu Intermodulation distortion: Radial PA-DJ-and-Lighting V6Q

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Radial StageBug SB-1 Active Acoustic DI Box

Radial Twinline Effects Loop Router

Radial Twinline Effects Loop Router
Twinline is a compact effects loop router that will let you connect your pedalboard to two separate amplifiers via effects loop. It is a modern A/B switch pedal that lets you select between the active amplifier heads effects-loop and automatically switch the effects to go where you want them to go. To eliminate hum causing ground loops the two amplifier effects-loops are 100% transformer isolated and supplemented with ground lift switches. An optional foot switch is available for controlling the unit with your foot.

Radial Guitar-and-Bass XDM

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Radial Twinline Effects Loop Router

Radial Headload Guitar Amp Load Box

Radial Headload Guitar Amp Load Box
The Headload Load Box is designed to be placed between your guitar amplifier head and the speaker cabinet allowing guitarists to drive their amp head at really band-annoying levels and still maintain quiet on-stage volumes. Much more than just some shredding guitar-god noise sponge the Headload also has Radials JDX DI box built in ? a popular alternative to mic?ing up the cabinet ? plus a Radial Phazer that deals with alignment issues should you want both.

Radial Guitar-and-Bass XDK

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Radial Headload Guitar Amp Load Box

Radial Thumbset Knurled Screws

Radial Thumbset Knurled Screws
The Radial Thumbset Knurled Screws are made from hardened stainless steel and mated with a clear protective nylon washer these feature a perfectly sized thumbscrew head for easy mounting without the need of a screwdriver. However if the ThumbSet is ever over-tightened a clever slotted head allows a screwdriver to be used to loosen.

Radial Recording-and-Computers 18XL

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Radial Thumbset Knurled Screws

Radial Tonebone Bassbone Bass Pre-Amp

Radial Tonebone Bassbone Bass Pre-Amp
Bassbone – the ultimate command center for serious bass players.The Radial Bassbone is a power-packed bass preamp that combines real-world functionality with amazing tonal control making it the ideal front end for live performance and studio recording.

Designed as a bass command center the Bassbone features two separate channels with independent level controls and powerful EQ to let you perform with two basses on stage and instantly select between them with a footswitch. With Bassbone in your rig each bass is treated separately – no more compromising! On-demand access to the combination effects loop and power booster lets you introduce effects and gives you that extra kick when needed. The Bassbone is also equipped with a built-in Radial direct box that sends your sound to the mixer the way you want it. Theres even a separately buffered tuner out that lets you monitor and tune on the fly. Many bassists today use two instruments typically with very different levels and sound. The Bassbone is designed to allow switching instruments without having to re-adjust tone and volume at the amp. This is done with two channels and an EQ with enough power and versatility to override the bass amps tone settings! The Bassbone can also be used with one bass with a different tonal setting for each channel you can sound like two distinct instruments simply by switching channels. Also included is a power-booster with variable gain and a switchable outboard effect loop which can be used individually or together. For example: introduce a flanger with boost for soloing. A balanced output sends the signal to a mixer with all your sound settings (level EQ effect loop) eliminating the need to carry a bass amplifier to coffee house gigs. Theres even a bass-friendly tuner out! Applications Easily switch between active and passive basses Go direct on small gigs without an amp Record direct with fl exible EQ level and effect controls Not just for bass the Bassbone is great for guitars Features/Specifications: Two channel preamp for one or two instruments Powerful three-band active EQ on ch-2 Power boost with level control Effects loop inserts pedals when needed Separate tuner output Built-in DI with balanced XLR output Further Specs: Input impedance: 470k ohm at input jack Output impedance: 10K Ohm Balanced XLR – output impedance: 600 Ohms LED indicators: Large 3 mm OD ultra-bright LEDs CH-1 CONTOUR Shape-1: +4.5 dB @ 110 Hz / -5.1 dB @ 650 Hz / +2.7 dB @ 4.3 Khz CH-1 CONTOUR – Shape-2: +3.7 dB @ 75 Hz / -6.3 dB @ 350 Hz / +11 dB @ 5.6Khz Channel-2 – three-band EQ: (Bass:) +/- 12dB @ 75 Hz (Mid:) +/- 10dB @ 470 Hz (High:) +/- 16dB @ 5.6 KHz Boost level: Unity gain to +12dB Switching: Heavy duty mechanical switches Ground lift: Lifts ground at XLR output pin-1 Construction: 14 gauge steel baked enamel finish Size: 6.9″ x 4.25″ x 2.125″ (175mm x 108mm x 54mm) Product Weight (Unpacked): 2.35lb (1.06kg) Radial Guitar-and-Bass CVP

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Radial Tonebone Bassbone Bass Pre-Amp

Radial X-Amp Active Studio Reamper Box

Radial X-Amp Active Studio Reamper Box
The Radial X-Amp is an active Reamper allowing you to play a pre-recorded track back through guitar amps and pedals. Experiment with new sounds and boost your recordings.

The X-Amp employs a unique Class A circuit design optimised for use with guitars and giving optimal reach and frequency. A balanced line input with LED indicator and level control has been included as well as a transformer isolated output to eliminate hum and buzz caused by ground loops a 180 degree polarity reverse switch to bring both amps into phase and a dual ground lift switch for noise free operation. The Radial X-Amp is built to withstand years of trouble free use with an internal I-beam skeleton providing maximum protection against external stresses. The innovative bookend design also creates a protective area around the switches potentiometer and connectors to give extra protection to the most vulnerable points. A whole bottom no-slip pad prevents vibrations and gives electrical and mechanical isolation. Reamping works well on guitar bass keyboards drums and vocals and is easy to use. Start by recording a dry track using a high quality DI box then send the new track from your recorder via the X-Amp to your guitar amps and/or effects pedals. Once the basic tracks been recorded replacing or adding tracks can be done well after the artist has gone home. This eliminates repetition and assures a fresh vibrant performance on the final recording. By driving two amps at the same time you can find new sounds and textures as the recording progresses. Features/Specifications Audio circuit type: 100% discrete class-A Frequency response: 20Hz ~ 15kHz (± 1.0dB) Signal to noise ratio: 88dB below instrument level (-20dBu) Dynamic range: 119dB Noise floor: OUT-1 -110dB; OUT-2 -108dBu Maximum input: +22dBu Total harmonic distortion: 0.02% @ -15dBu Inter-modulation distortion: 0.02% @ -20dBu Input impedance: 600? XLR input: Balanced line-level AES standard (pin-2 hot) Ground lift (input): Disconnects pin-1 at the XLR input Output level: Adjustable Output type: Out-1 direct Out-2 isolated Polarity: 180º polarity reverse on output-2 Power: +15VDC/400mA adapter included Construction: 14 gauge steel chassis & outer shell baked enamel finish Size: 3.3″ x 5.0″ x 2″ (84 x 127 x 48mm) Weight: 1.55lb (720g) Shipping Size: 5″ x 2.75″ x 10.75″ (127 x 70 x 273mm) Shipping Weight: 2.6lb (1.18kg) Warranty: Radial 3-year transferable Radial PA-DJ-and-Lighting V6C

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Radial X-Amp Active Studio Reamper Box

Radial Tonebone Hot British Tube Distortion Pedal

Radial Tonebone Hot British Tube Distortion Pedal
The Tonebone Hot British is tube distortion at its best! Fashioned from a modified Marshall double-stack plexy the Hot British delivers five decades of brute power for everything from scooped-out chunky rhythm to screaming sizzling hot lead tones.

Based on high-gain amplifier designs the Hot British employs a triple hybrid gain stage that combines the control and dynamics of solid-state with the warmth and harmonic generation only possible from a real 12AX7 tube. This unique design produces ultra-rich harmonic textures and full-on saturated tube settings without the mud or noise that is typical with other pedals. Listen and you will hear how each note retains its distinctiveness and clarity right down to the lowest notes. Switch on the Contour dial in the interactive EQ and wham! Enter a world where huge musically rich tones that you never thought possible magically come alive. No other pedal delivers more – no other pedal even comes close! Applications: Gives you that mega-stack-on-eleven sound! Tons of harmonic overtones Works equally well for solo and rhythm From chunk to metal to power solos Features/Specifications: Built like a tank yet small enough to fit on a pedalboard the Tonebone Hot British is the world?s most compact tube distortion. It is in fact a hybrid that combines the control of a triple-stage solid-state front end with the warmth and natural even harmonic generation of a 12AX7 tube. The tube is mounted on its side to keep the profile low for easy pedal action. Power for the Hot British is provided by a external 15VDC supply and is regulated and filtered internally to eliminate hum and noise. To further reduce self noise a unique ground plain circuit topology is employed making the Tonebone Hot British one of the quietest pedals in its class. Tonebone is also built tough – 14-gauge steel construction reduces stress on the PC board and a baked enamel finish will keep your Tonebone looking great for years! Further Specs: Circuit type: Hybrid tube / proprietary circuit Tube type: 12AX7 vacuum tube Input impedance: 1meg Ohm at input jack Output impendence: 10K Ohm MID BOOST 3-way switch: Used to fatten up the sound for more cut and sustain during solos. Also will fatten up the sound of single coil pickups High: +12dB @ 620Hz Medium: +6dB @ 390Hz Bypass: No boost * Drive control: Used in conjunction with the drive gain switch drive is used to adjust the overall amount of gain to the overdrive circuit. VOICING * 3-way switch: Allows the user to jump to chunky scooped rhythms in the NOTCH position or huge solos in the FAT position. 1. FAT: Mid-boost – passive filter 2. bypass: Flat 3. NOTCH: Mid-cut – passive filter * Contour control: Used in conjunction with the VOICING selector switch contour dials-in the mid-center frequency with cut or boost with the switch in the NOTCH or FAT position. * TOP END 3-way switch: Switch sets the overall tonal character of the Classic to best match the amp and settings. Brighter amps are normally compensated with darker settings. 1. Bright: Boosts +6dB @ 10kHz 2. Flat: No boost 3. Dark: Cuts -6dB @ 1.8kHz * HIGH & LOW EQ controls: Unity gain to +15dB – Low: +/- 14.5 db @ 100Hz – High: +/- 10 db @ 4.3kHz * LEVEL control: Used to balance the output level between the input drive without altering any of the tonal characteristics. Works like the master volume on an amplifier. * Footswitch: True bypass with green on/off status LED – Heavy-duty high-cycle switch * LED indicator: Large 3mm OD ultra-bright status LED * Switching: Opto-coupler assisted 5msec Rise time * Construction: 14 gauge steel baked enamel finish * Size: 7″w x 4 1/4″d x 2″h (174 x 108 x 51mm) * Weight: 2.15lb (1kg) Radial Guitar-and-Bass CWS

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Radial Tonebone Hot British Tube Distortion Pedal

Radial SB5W WallDI Wall Mount Direct Box

Radial SB5W WallDI Wall Mount Direct Box
To help reduce cable clutter on stage or in the studio Radial decided to create a Stereo DI box that can be mounted on walls. It is a simple solution to a common problem and is very easy to implement. It easily fits into standard light switch electrical enclosure and employs a Decora wall plate cover for the fit and finish. The WallDI does not require local powering and easily connects to your laptop or smart phone. Controls include mono and ground lift buttons as well as a level knob.

The SB5W is a stereo direct box that fits inside a standard light switch electrical enclosure and has a Decora wall plate cover for the fit and finish. As the design is fully passive no local powering is needed. Choice of RCA or 3.5mm mini TRS inputs make it easy to interface to laptops and iPhones. A simple level control sets the output. This is augmented with a set & forget switch to sum the stereo audio file to mono plus a ground lift to reduce hum and buzz caused by ground loops that often appear when interfacing computers and video projectors with professional audio equipment. Connections from the SB5W are made with simple screw-down terminals and tie wraps for strain relief. Made in Canada from 16 gauge steel the electronics are fully enclosed in a metal casing to reduce susceptibility from outside magnetic interference. Radial Recording-and-Computers XDO

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Radial SB5W WallDI Wall Mount Direct Box