Neumann KMS 105 Super Cardioid Condenser Mic Black – Nearly New

Neumann KMS 105 Super Cardioid Condenser Mic Black - Nearly New
The Neumann KMS 105 MT is a vocal condenser microphone with a super cardioid pick up pattern designed to suppress unwanted sounds and capture what is needed. The KMS series has become the internationally acknowledged standard for first-class stage microphones.Please note this item was returned unwanted from a customer. The original boxing is scuffed and all the seals are broken. Otherwise the unit itself looks and operates as new and has only been used a couple of times.This is a great opportunity to buy a fully functioning product at a discounted price supplied with a one year warranty.Software bundled with the original new product may have been registered or may no longer be included.

The Neumann KMS 105 MT features high acoustic resolution and smooth frequency response ensuring that the musician has optimal control of the stage performance at all times. Due to low self-noise and crosstalk behaviour the KMS 105 MT microphone is ideal for use with in-ear monitoring systems. The KMS 105 MT has a condenser capsule with super cardioid directional characteristics providing the best possible suppression of sounds originating from behind the microphone. The Neumann KMS 105 MT is a professional stage condenser microphone specifically developed to reject unwanted off-axis sound offering incredibly clear and accurate vocal reproduction with tour ready reliability. Acoustic Features The studio condenser capsule used in the KMS 105 MT provides the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones which operate mostly with dynamic capsules the KMS series has a particularly high acoustic transparency a wide frequency range and a fine resolution of transients. In KMS microphones carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. In spite of excellent pop protection sibilants and S sounds are transmitted with their natural accentuation as is possible only with condenser microphones. Furthermore the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 105 MT vocal microphone when used with a stage sound system. Electrical Features Since vocal microphones are typically addressed at close range for the bass frequency response of the microphones electronic compensation is used for the proximity effect in the respective capsules. In addition the microphone has an invariable built-in high-pass filter with a cut-off frequency of 120 Hz (-3 dB measured in a free sound field). The dynamic range of the KMS microphones is 132 dB and the maximum sound pressure level is 150 dB. The low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances the microphones thus operate with a high signal-to-noise ratio facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit the microphone signals can be transmitted even through long cables without loss of sound. Mechanical Features Microphones designed for use on stage require a particularly robust construction. The KMS 105 MT has a thick-walled metal housing which also provides effective protection against handling noise. The microphone head grilles are made of hardened steel. If required they can easily be unscrewed to permit cleaning of the interior acoustic filters. Features Neumann sound on stage Excellent transparency for vocals/speech Super cardioid polar pattern with excellent feedback rejection Without off-axis colouration Transformerless output Effective pop shielding without any side effects Set includes stand clamp Specifications Acoustical Operating Principle: Pressure gradient transducer Directional Pattern: Super cardioid Frequency Range: 20 Hz … 20 kHz Maximum SPL For THD 0.5 2): 150 dB Dyn. Range Of The Mic. Amplifier (A-weighted): 132 dB Supply Voltage (P48 IEC 1938): 48 V & plusmn; 4 V Matching connector: XLR3F Colour: Black Weight: Approx. 300 g Diameter: 48 mm Length: 180 mm Neumann PA-DJ-and-Lighting 1BLO

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Neumann KMS 105 Super Cardioid Condenser Mic Black – Nearly New



Neumann TLM 107 Microphone Nickel with FREE Monster XLR Cables

Neumann TLM 107 Microphone Nickel with FREE Monster XLR Cables
The Neumann TLM 107 is a modern studio microphone. Its extensive performance spectrum and reproduction make the TLM 107 a very versatile mic opening up the widest possibilities in mixing and post production.

The TLM 107 has a new sound transducer with outstanding impulse fidelity. The consistency of the five polar patterns omnidirectional cardioid and figure-8 with the intermediate patterns wide-angle cardioid and hypercardioid is unusual for a large-diaphragm capsule. The mic ensures optimal sound right across the frequency range. The sound always remains balanced with an almost linear reproduction up to 8 kHz and a slight boost in the highest frequencies that lends presence and freshness to the voice. The TLM 107 is particularly good at naturally reproducing speech – especially the critical S sound. The grille is optimised for low sensitivity to pop sounds and the sound transducer is edge-terminated with both diaphragms at ground voltage. This ensures good sensitivity to dust and humidity. TLM stands for transformerless circuitry mic which permits a high degree of linearity and a large dynamic range. The self-noise of only 10 dB-A is virtually inaudible and the mic also has impressive level handling. The max sound pressure level of 141 dB SPL can be increased to 153 dB SPL via pre-attenuation (Pad). This means the TLM 107 can be used on very loud instruments without distortion. The Low Cut settings of Linear 40 Hz and 100 Hz are precisely adapted to practical recording situations. Without side effects the 40 Hz setting cuts interference noise below the range of fundamental tones (where 41 Hz is the frequency of the double bass open E string) while the 100 Hz setting is optimized for speech and vocals (where 100 Hz corresponds to the lowest notes of a baritone). The Neumann TLM 107 has an innovative and intuitive operating concept. All of the switch functions are controlled via a navigation switch. A visual highlight is the illuminated pattern display in the chrome ring while the Pad and Low Cut status is displayed by LEDs to the left and right of the switch. In order not to distract singers the switch and display are located on the back of the microphone. After ten seconds the displays are turned off automatically. Applications Vocals and speech with optimized handling of sibilant sound Main microphone in orchestral recordings or spot microphone particularly suggested for string woodwind and brass instruments Recording of extreme SPLs (drum and percussion guitar amp etc.) Broadcast (radio drama ADR) film & game sound production professional recording studios home recording Features Multipattern large diaphragm microphone with 5 polar patterns (omni wide cardioid cardioid hypercardioid figure-eight) Navigation switch with LED illuminated display for polar pattern PAD and low cut Sound characteristics: transparent natural reproduction of human voice outstanding transient response Balanced sound in all 5 polar pattern settings Specifications Acoustical operating principle: Pressure gradient transducer Directional pattern: Omni wide angle cardioid cardioid hypercardioid figure-8 Frequency range: 20 Hz … 20 kHz Sensitivity at 1 kHz into 1 kohm: 11 mV/Pa Rated impedance: 50 ohms Rated load impedance 1000 ohms Equivalent noise level CCIR 22 dB Equivalent noise level A-weighted: 10 dB-A Signal-to-noise ratio CCIR (rel. 94 dB SPL): 72 dB Signal-to-noise ratio A-weighted (rel. 94 dB SPL) 84 dB Maximum SPL for THD 0.5 141 dB Maximum SPL for THD < 0.5 with pre-attenuation -6 dB: 147 dB Maximum SPL for THD < 0.5 with pre-attenuation -12 dB: 153 dB Maximum output voltage: 10 dBu Supply voltage (P48 IEC 61938): 48 V ± 4 V Current consumption (P48 IEC 61938): 3.2 mA Matching connector: XLR3F Weight: approx. 445 g Diameter: 64 mm Length: 145 mm Neumann PA-DJ-and-Lighting 13I0

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Neumann TLM 107 Microphone Nickel with FREE Monster XLR Cables

Neumann KH310A Active Three Way Nearfield Studio Monitor Right

Neumann KH310A Active Three Way Nearfield Studio Monitor Right
The Neumann KH310A is a three-way active tri-amplified monitor designed for use as a near-field monitor for project music broadcast centers OB vans and post production studios for tracking mixing and mastering

The KH 310 three-way active tri-amplified monitor features a Mathematically Modeled Dispersion Waveguide (MMD) flexible acoustical controls various input options and an extensive range of mounting hardware. This allows the loudspeaker to be used in diverse acoustical conditions with any source equipment and in a wide variety of physical locations. The KH 310 represents the latest in acoustic and electronic simulation and measurement technologies to ensure the most accurate sound reproduction possible. The KH 310 is designed for use as a near-field monitor as a front loudspeaker in mid-sized multi-channel systems or as a rear loudspeaker in a larger multi-channel system. It can be used in project music broadcast centers OB vans and post production studios for tracking mixing and mastering. Features Powerful alloy fabric dome Elliptical Mathematically Modeled Dispersion (MMD) waveguide with wide horizontal and narrow vertical dispersion Fabric dome neodymium magnet midrange driver Long throw composite sandwich cone bass driver with Extremely Linear Force Factor (ELFF) and ribbed surround Compact sealed three-way cabinet design (magnetically shielded) One-piece front panel with no discontinuities Powerful analog class AB amplifiers with large headroom 4-position bass low-mid and treble acoustical controls Wide range input gain and output level controls Extensive mounting hardware options available seperately Specifications Free field frequency response: 34 Hz – 21 kHz ± 3 dB Self-generated noise (with input gain set to 100 dB for 0 dBu): < 20 dB(A) at 10 cm Total harmonic distortion: < 0.5 % at 95 dB SPL at 1 m > 85 Hz Bass / Midrange / Treble Class AB amplifiers cont. (peak) output power: 150 W (210 W) / 70 W (90 W) / 70 W (90 W) Crossover frequencies: 650 Hz / 2 kHz Crossover slope: 24 dB/oct 4th order Protection circuitry: Independent thermo limiters for woofer midrange dome and tweeter. Woofer soft clip and excursion limiters Product dimensions (height x width x depth): 253 x 383 x 292 mm (10″ x 15 1/8″ x 11 1/2″) Neumann Recording-and-Computers 138K

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Neumann KH310A Active Three Way Nearfield Studio Monitor Right


Neumann KMS 104 MT Vocal Mic Black with Free Monster XLR Cable

Neumann KMS 104 MT Vocal Mic Black with Free Monster XLR Cable
The Neumann KMS 104 MT is a vocal condenser microphone with a cardioid pick up pattern that has been developed to optimally transmit the human voice with respect to the demanding conditions present on a live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones.

The Neumann KMS 104 MT features high acoustic resolution and smooth frequency response ensuring that the musician has optimal control of the stage performance at all times. Due to low self-noise and crosstalk behaviour the KMS 104 MT microphone is ideal for use with in-ear monitoring systems. The KMS 104 MT has a condenser capsule with cardioid directional characteristics providing the best possible suppression of sounds originating from behind the microphone. The Neumann KMS 104 MT is a professional stage condenser microphone offering incredibly clear and accurate vocal reproduction with tour ready reliability. Acoustic Features The studio condenser capsule used in the KMS 104 MT provides the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones which operate mostly with dynamic capsules the KMS series has a particularly high acoustic transparency a wide frequency range and a fine resolution of transients. In KMS microphones carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. In spite of excellent pop protection sibilants and S sounds are transmitted with their natural accentuation as is possible only with condenser microphones. Furthermore the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104 MT vocal microphone when used with a stage sound system. Electrical Features Since vocal microphones are typically addressed at close range for the bass frequency response of the microphones electronic compensation is used for the proximity effect in the respective capsules. In addition the microphone has an invariable built-in high-pass filter with a cut-off frequency of 120 Hz (-3 dB measured in a free sound field). The dynamic range of the KMS microphones is 132 dB and the maximum sound pressure level is 150 dB. The low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances the microphones thus operate with a high signal-to-noise ratio facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit the microphone signals can be transmitted even through long cables without loss of sound. Mechanical Features Microphones designed for use on stage require a particularly robust construction. The KMS 104 MT has a thick-walled metal housing which also provides effective protection against handling noise. The microphone head grilles are made of hardened steel. If required they can easily be unscrewed to permit cleaning of the interior acoustic filters. Features Neumann sound on stage Excellent transparency for vocals/speech Cardioid polar pattern with excellent feedback rejection Without off-axis coloration Transformerless output Effective pop shielding without any side effects Set includes stand clamp Specifications Acoustical Operating Principle: Pressure gradient transducer Directional Pattern: Cardioid Frequency Range: 20 Hz … 20 kHz Maximum SPL For THD 0.5 2): 150 dB Dyn. Range Of The Mic. Amplifier (A-weighted): 132 dB Supply Voltage (P48 IEC 1938): 48 V & plusmn; 4 V Matching connector: XLR3F Colour: Black Weight: Approx. 300 g Diameter: 48 mm Length: 180 mm Neumann PA-DJ-and-Lighting 13GR

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Neumann KMS 104 MT Vocal Mic Black with Free Monster XLR Cable

Neumann KM 184 Condenser Mic Nickel with Free Monster XLR Cable

Neumann KM 184 Condenser Mic Nickel with Free Monster XLR Cable
The Neumann KM184 is a compact cardioid condenser microphone designed for situations when it is necessary to attenuate off-axis sound (mainly from the rear) and is ideal for close miking of strings wind instruments percussion piano Leslie speakers and guitar amps.

The Neumann KM 184 is ideal for close miking of instruments spot miking and overhead miking. The KM 184 is also perfect for use in a XY and ORTF stereo pair. The KM 184 works incredibly well for the close miking of strings wind instruments percussion piano Leslie speakers and guitar amps. It is the perfect choice for all users who look for a high-quality miniature microphone. Features Compact microphone suitable for a range of applications Successor of the worldwide successful KM 83/84 Transformerless circuitry Specifications Acoustical operating principle: Pressure transducer Directional pattern: Cardioid Frequency range: 20 Hz … 20 kHz Sensitivity at 1 kHz into 1 kohm: 15 mV/Pa Rated impedance: 50 ohms Rated load impedance: 1 kohms Equivalent noise level CCIR1): 22 dB Equivalent noise level A-weighted1): 13 dB-A Signal-to-noise ratio CCIR1) (rel. 94 dB SPL): 72 dB Signal-to-noise ratio A-weighted1) (rel. 94 dB SPL): 81 dB Maximum SPL for THD 0.5 2): 138 dB Maximum output voltage: 10 dBu Supply voltage (P48 IEC 61938): 48 V ± 4 V Current consumption (P48 IEC 61938): 3.2 mA Matching connectors: XLR 3F Weight: approx. 80 g Diameter: 22 mm Length: 107 mm Neumann PA-DJ-and-Lighting 13H7

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Neumann KM 184 Condenser Mic Nickel with Free Monster XLR Cable

Neumann TLM 102 Condenser Mic Black with Free Monster XLR Cable

Neumann TLM 102 Condenser Mic Black with Free Monster XLR Cable
The Neumann TLM 102 mic has a reduced overall size that contributes to an exceptionally compact appearance which unites all of the typical design components of a Neumann microphone ideal for a huge range of musical instruments. The harmonious proportions and gleaming grille ring ensure that even at first glance the TLM 102 attracts attention. Due to its price and flexible field of application the TLM 102 is ideal for the home recording and project studio sector as well as for the broadcasting area especially when clear lines of sight to the speakers are a priority.

The TLM 102 is impressive in terms of sound. In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB which permits the recording of percussion drums amps and other very loud sound sources for example. Instruments that are not especially loud also benefit from the very fast transient response of the TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear ensuring minimal colouration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording. Features Large-diaphragm microphone with cardioid directional characteristic (pressure gradient transducer) Compact characteristic but smaller-scale Neumann design Very high maximum sound pressure level Slight presence boost above 6 kHz Transformerless circuitry Specifications Acoustical operating principle: Pressure gradient transducer Directional Pattern: Cardioid Frequency Range: 20 Hz – 20 kHz Sensitivity at 1 kHz into 1 kohm: 11 mV/Pa Rated impedance: 50 ohms Rated load impedance: 1 kohms Equivalent noise level CCIR1: 21 dB Equivalent noise level A-weighted: 12 dB-A Signal-to-noise ratio CCIR (rel. 94 dB SPL): 73 dB Signal-to-noise ratio A-weighted: (rel. 94 dB SPL): 82 dB Maximum SPL for THD 0.5: 144 dB Maximum output voltage: 13 dBu Supply voltage (P48 IEC 61938): 48 V ± 4 V Current consumption (P48 IEC 61938): 3.5 mA Matching Connector: XLR3F Product Weight: approx. 260 g Diameter: 52 mm Length: 116 mm Neumann PA-DJ-and-Lighting 13GW

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Neumann TLM 102 Condenser Mic Black with Free Monster XLR Cable

Neumann KH120A Active Studio Monitor Pair

Neumann KH120A Active Studio Monitor Pair
The KH120 Active Studio Monitor from Neumann is designed to be used as a near-field loudspeaker or as a rear loudspeaker in large multi-channel systems. It is perfect for tracking mixing and mastering. This speaker represents the latest in acoustic and electronic simulation and measurement technologies ensuring high quality accurate sound reproduction. The technology and design provide the user with the maximum versatility across a wide variety of acoustic conditions source equipment and locations. Try before you buy! – One weeks free trial of a pair of Neumann KH120 Studio Monitors available now. Call 0843 155 0800 to book your spot.*

Sleek and Powerful The KH120s powerful titanium fabric dome produces low distortion high frequency sound reproduction. The Elliptical Mathematically Modeled Dispersion ™ (MMD™ ) waveguide gives smooth off-axis response and means the monitor is more forgiving of diverse acoustical environments. The composite sandwich cone dampens break-up modes whilst the long throw bass driver gives low distortions at high sound levels. The monitor has a sleek black body with a robust metal grille to protect against any mechanical damage during transport or gigs. The large front panel ports reduce bass compression and mean the monitor is easier to mount in tight spaces such as OB vans. The KH120s compact aluminium cabinet is magnetically shielded and minimises resonances provides better heat dissipation and a long life. Mixing and Matching If youre using the KH120 with a mixing console youll find the wide horizontal dispersion has been designed to provide a freedom of movement across the mixing console whilst the narrow vertical dispersion reduces reflection off the console. The one-piece front panel with no discontinuities reduces diffraction and smoother frequency response. The KH120 is highly reliable due to its separate woofer and tweeter electronic peak limiters and thermal-protection circuitry. The powerful analog amplifiers with large headroom improve transient response. The production consistency across the range means any KH 120 is “pair-matched” to any other KH120. The universal switched-mode power supply means one version works in any country with robust or poor quality mains supplies. New mounting hardware options provide more flexibility when mounting cabinets in more diverse locations. Upmost Control The 4-position bass low-mid and treble acoustical controls give you the upmost control in diverse acoustical environments. The wide range input gain and output level controls provide easy interfacing with signal sources. The display dimmer is great for use in low lighting level conditions or behind screen applications. The ground lift reduces noise in electrically noisy environments and over-comes ground loops. To view a full review of the Neumann KH120A Active Studio Monitor in Sound & Recording Magazine please download the PDF below. Features/Specifications To view full specifications for the Neumann KH120A Active Studio Monitor please download the PDF below. Included 1 x KH 120 A 2 x Main cables (European version) or 1 x UK power cable or 1 x CCC certified power cable 4 x Self-adhesive feet 1 x Operating manual 1 x Supplement “Getting Started Quickly” 1 x Product guarantee *Please note in order to loan the Neumann KH120 Studio Monitors we will need to take a pre-auth on a credit or debit card for the full retail value of the monitors. This will be returned in full after the monitors are returned to us at Gear4music. Neumann Recording-and-Computers 1333

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Neumann KH120A Active Studio Monitor Pair

Neumann M147 Tube Condenser Mic

Neumann M147 Tube Condenser Mic
Neumann tube sound with a cardioid directional characteristic and a classic design. The double diaphragm capsule is derived from that of its legendary predecessors the U 47 and M 49. Image for illustration only – shockmount available separately

The M 147 Tube is a vacuum tube condenser microphone with cardioid characteristic. At the heart of this microphone is the K 47 dual diaphragm capsule inherited from this models now legendary predecessors the U 47 and the M 49. Following the capsule is a tube that functions as an impedance converter. The next stage is an efficient transformerless output circuit that guarantees an extremely low self-noise level. Note: This innovative combination of current tube technology with the most advanced solid-state circuitry was decisive in awarding the 1997 TEC Award to the related M 149 Tube mic. The microphone is delivered as a complete set in a high-quality aluminum case. Included with the microphone are a microphone cable a metal swivel mount for a mic stand and a compact universal power supply for standard mains sockets. Our modern manufacturing methods makes it possible to offer this complete set at a very attractive price. Applications The famous capsule together with complimenting tube characteristics makes the M 147 Tube especially well suited as a vocal mic. In addition it is a superb spot mic for all types of musical instruments. The extremely low self-noise of its tube circuitry makes the mic perfectly suited for use in modern recording chains analog and digital. Acoustic features The M 147 Tube is addressed from the side where the microphone body has the diamond-shaped Neumann company logo. The black color identifies tube microphones. The capsule is equivalent to the one used in the U 47 and is the deciding factor in determining the sound characteristic. It has a flat frequency response to the upper midrange and a boost of up to 3 dB above 2 kHz. The headgrille design is a smaller version of the U 47. It protects the capsule effectively against popping and wind noise. Polar pattern The M147 Tube has a cardioid characteristic leaning more toward super-cardioid due to its distinctive capsule design. At higher frequencies the pattern becomes more directional. This is very similar to the model after which this new tube microphone was patterned the U 47 and the successor the U 47 fet. Electrical features When compared to other microphones the impedance converter used in the M 147 Tube is distinguished by its extremely low self-noise level of only 12 dB-A / 24 dB CCIR weighted. The ideal operating conditions (anode current heater voltage) of the tube are maintained throughout its life expectancy. A sensor lead detects any voltage drop that occurs through the microphone cable and compensates for it in the N 149 A power supply. The tube warms up gradually using inverse current limiting to guarantee long life. Filter The electronic circuitry of the M 147 Tube mic has a flat frequency response from 20 Hz to well above 20 kHz. Only the attributes of the capsule determine the typical sound characteristics of the microphone. Operational Stability Both the capsule and the entire circuitry are shock mounted to prevent any structure-borne noise. Because of its wide operating range the M 147 Tube can reproduce extremely low frequency signals without distortion. Neumann Recording-and-Computers ME

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Neumann M147 Tube Condenser Mic

Neumann KMS 104 NI Vocal Mic Nickel with Free Monster XLR Cable

Neumann KMS 104 NI Vocal Mic Nickel with Free Monster XLR Cable
The Neumann KMS 104 NI is a vocal condenser microphone with a cardioid pick up pattern that has been developed to optimally transmit the human voice with respect to the demanding conditions present on a live stage. The KMS series has become the internationally acknowledged standard for first-class stage microphones.

The Neumann KMS 104 NI features high acoustic resolution and smooth frequency response ensuring that the musician has optimal control of the stage performance at all times. Due to low self-noise and crosstalk behaviour the KMS 104 NI microphone is ideal for use with in-ear monitoring systems. The KMS 104 NI has a condenser capsule with cardioid directional characteristics providing the best possible suppression of sounds originating from behind the microphone. The Neumann KMS 104 NI is a professional stage condenser microphone offering incredibly clear and accurate vocal reproduction with tour ready reliability. Acoustic Features The studio condenser capsule used in the KMS 104 NI provides the basis for transmitting all the nuances of the human voice. In comparison with other handheld microphones which operate mostly with dynamic capsules the KMS series has a particularly high acoustic transparency a wide frequency range and a fine resolution of transients. In KMS microphones carefully adjusted acoustic filters and transformerless impedance converters that can handle very high sound pressure levels prevent the microphones from being overloaded even by strong plosive sounds. In spite of excellent pop protection sibilants and S sounds are transmitted with their natural accentuation as is possible only with condenser microphones. Furthermore the above-mentioned acoustic filters are designed so that the distinctive directional characteristics of the capsules are preserved even in the bass range. The filters thus ensure a very high level of feedback protection for the KMS 104 NI vocal microphone when used with a stage sound system. Electrical Features Since vocal microphones are typically addressed at close range for the bass frequency response of the microphones electronic compensation is used for the proximity effect in the respective capsules. In addition the microphone has an invariable built-in high-pass filter with a cut-off frequency of 120 Hz (-3 dB measured in a free sound field). The dynamic range of the KMS microphones is 132 dB and the maximum sound pressure level is 150 dB. The low self-noise level of only 18 dB A permits the microphones to be used at high gain levels without the risk of additional noise. Even at large distances the microphones thus operate with a high signal-to-noise ratio facilitating the freedom of movement and creativity that are important to the artist. Due to the transformerless output circuit the microphone signals can be transmitted even through long cables without loss of sound. Mechanical Features Microphones designed for use on stage require a particularly robust construction. The KMS 104 NI has a thick-walled metal housing which also provides effective protection against handling noise. The microphone head grilles are made of hardened steel. If required they can easily be unscrewed to permit cleaning of the interior acoustic filters. Features Neumann sound on stage Excellent transparency for vocals/speech Cardioid polar pattern with excellent feedback rejection Without off-axis colouration Transformerless output Effective pop shielding without any side effects Set includes stand clamp Specifications Acoustical Operating Principle: Pressure gradient transducer Directional Pattern: Cardioid Frequency Range: 20 Hz … 20 kHz Maximum SPL For THD 0.5 2): 150 dB Dyn. Range Of The Mic. Amplifier (A-weighted): 132 dB Supply Voltage (P48 IEC 1938): 48 V & plusmn; 4 V Matching connector: XLR3F Colour: Nickel Weight: Approx. 300 g Diameter: 48 mm Length: 180 mm Neumann PA-DJ-and-Lighting 13GQ

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Neumann KMS 104 NI Vocal Mic Nickel with Free Monster XLR Cable

Neumann U87 AI Studio Set Microphone Black + FREE Monster XLR Cable

Neumann U87 AI Studio Set Microphone Black + FREE Monster XLR Cable
The Neumann U87 presents a wide range of features and switchable versatility that make it one of the most desirable studio condenser mics available recognisable by its distinctive design setting the mark in the microphone industry by which all other mics are measured.

This studio set includes the EA 87 microphone shock mount and wooden protective case. Well known for its warm and well-balanced characteristics the U87 is the perfect choice of vocal mic for all types of music and speech. Its also a great general-purpose microphone for orchestra recordings or as a spot mic for single instruments in studios for broadcasting in film and television. The U 87 Ai condenser microphone is a large diaphragm mic with three polar patterns and a unique frequency and transient response characteristic. The U 87 Ai is addressed from the front and marked with the Neumann logo the frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkebly. Polar patterns The dual-diaphragm capsule is elastically mounted and protected by a large headgrille. A switch below the headgrille selects the three directional patterns: omnidirectional cardioid and figure-8. A window above this switch shows the symbol of the selected characteristic. Electrical features The circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels and an improved S/N ratio of 3 dB. Filter and attenuation A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated the microphone accepts sound pressure levels up to 127 dB without distortion. An additional switch at the rear allows to change the microphones cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier. This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance. The cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm the figure-8 characteristic even at a distance of 15 to 20 cm. The U87 Ai can be used universally with great effects. Try it in applications ranging from overhead situations broadcasting dubbing and voiceovers a classical studio mic for both soloists and backing vocalists as well as a spot mic for wind and string instruments. Neumann PA-DJ-and-Lighting 13I3

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Neumann U87 AI Studio Set Microphone Black + FREE Monster XLR Cable

Neumann KM 184 Condenser Mic Black with FREE Monster XLR Cable

Neumann KM 184 Condenser Mic Black with FREE Monster XLR Cable
The Neumann KM184 is a compact cardioid condenser microphone designed for situations when it is necessary to attenuate off-axis sound (mainly from the rear) and is ideal for close miking of strings wind instruments percussion piano Leslie speakers and guitar amps.

The Neumann KM 184 is ideal for close miking of instruments spot miking and overhead miking. The KM 184 is also perfect for use in a XY and ORTF stereo pair. The KM 184 works incredibly well for the close miking of strings wind instruments percussion piano Leslie speakers and guitar amps. It is the perfect choice for all users who look for a high-quality miniature microphone. Features Compact microphone suitable for a range of applications Successor of the worldwide successful KM 83/84 Transformerless circuitry Specifications Acoustical operating principle: Pressure transducer Directional pattern: Cardioid Frequency range: 20 Hz … 20 kHz Sensitivity at 1 kHz into 1 kohm: 15 mV/Pa Rated impedance: 50 ohms Rated load impedance: 1 kohms Equivalent noise level CCIR1): 22 dB Equivalent noise level A-weighted1): 13 dB-A Signal-to-noise ratio CCIR1) (rel. 94 dB SPL): 72 dB Signal-to-noise ratio A-weighted1) (rel. 94 dB SPL): 81 dB Maximum SPL for THD 0.5 2): 138 dB Maximum output voltage: 10 dBu Supply voltage (P48 IEC 61938): 48 V ± 4 V Current consumption (P48 IEC 61938): 3.2 mA Matching connectors: XLR 3F Weight: approx. 80 g Diameter: 22 mm Length: 107 mm Neumann PA-DJ-and-Lighting 13HA

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Neumann KM 184 Condenser Mic Black with FREE Monster XLR Cable

Neumann KM 183 Omni Condenser Mic Nickel with FREE Monster XLR Cable

Neumann KM 183 Omni Condenser Mic Nickel with FREE Monster XLR Cable
The Neumann KM183 is a compact omni-directional condenser microphone designed for close miking of instruments when there is no need to attenuate extraneous noise and in a balanced acoustic environment to record acoustic guitar wind instruments strings percussion and drums.

The Neumann KM 183 omni-directional is not only ideal for close miking of instruments when there is no need to attenuate extraneous noise but also perfect for use as an AB stereo pair because of the flat frequency response in the diffuse sound field. The KM 183 works incredibly well as a spot mic for piano wind instruments organ choir and is the perfect choice for all users who look for a high-quality miniature microphone. Features Compact microphone suitable for a range of applications Successor of the worldwide successful KM 83/84 Transformerless circuitry Specifications Acoustical operating principle: Pressure transducer Directional pattern: Omni-directional Frequency range: 20 Hz … 20 kHz Sensitivity at 1 kHz into 1 kohm: 12 mV/Pa Rated impedance: 50 ohms Rated load impedance: 1 kohms Equivalent noise level CCIR1): 24 dB Equivalent noise level A-weighted1): 13 dB-A Signal-to-noise ratio CCIR1) (rel. 94 dB SPL): 70 dB Signal-to-noise ratio A-weighted1) (rel. 94 dB SPL): 81 dB Maximum SPL for THD 0.5 2): 140 dB Maximum output voltage: 10 dBu Supply voltage (P48 IEC 61938): 48 V ± 4 V Current consumption (P48 IEC 61938): 3.2 mA Matching connectors: XLR 3F Weight: approx. 80 g Diameter: 22 mm Length: 107 mm Neumann PA-DJ-and-Lighting 13HD

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Neumann KM 183 Omni Condenser Mic Nickel with FREE Monster XLR Cable