dbx CT2 Cable Testing Unit

dbx CT2 Cable Testing Unit
The dbx CT2 is a cable testing unit that is perfect for evaluating a large variety of cables with ease. The CT2 offers an extensive range of connections such as BNC DIN TRS TS DMX and Banana. Complete with illuminated LED indicators and a simple rotary dial you can quickly establish whether a cable is wired and functioning correctly or if it is faulty and in need of repair.

Features 6-position rotary selector with individual LEDs Banana connector continuity tester with beeper and LED connector Incredibly-rugged construction for durability and longer life 2 x DMX 5-pin connectors for testing 5-pin connections 2 x BNC connectors for testing 2-pin connections 2 x RCA Phono connectors for testing 2-pin connections 2 x XLR connectors (1 x Male 1 x Female) for testing 3-pin connections 2 x MIDI 5-pin DIN connectors for testing 5-pin connections 2 x Speaker Twist connectors for testing 4-pin connections 2 x Banana connectors for testing 1-pin connections 1/4 – 6.3mm – TRS connectors for testing 3-pin connections Dbx Recording-and-Computers 1GXI

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dbx CT2 Cable Testing Unit

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dbx 160A Compressor / Limiter

dbx 160A Compressor / Limiter
Since its introduction in the mid 1970s the dbx 160 series has been the worlds most popular line of audio compressors. After the classic 160 (which is still used daily in many world class studios) came the 165 the 160X and the 160XT. The 160X/XT were the models that truly became the industry standard. Solid construction fool proof operation great sound at-a-glance metering and a bulletproof output stage all contributed to its popularity with musicians recording studios consultants and installers and broadcast media production people alike.

The dbx 160A is a legendary dbx 160 family of compressor/limiters. The same classic sound easy set-up and no compromise metering is now married to an improved signal path and stronger chassis design. The result is industry standard compressor/limiter which is digital-ready and road tough. Featuring switch-selectable OverEasy and Hard Knee compression curves along with extremely wide-ranging threshold ratio and output controls the dbx 160A is up to any task. True RMS level detection provides the most natural-sounding dynamics processing available from subtle compression to “brick wall” peak limiting. Choose low ratios and OverEasy compression to transparently smooth out fluctuating vocal and instrumental levels. Or use the 160As Hard Knee compression and high ratios (up to and beyond :1 and over 60dB gain reduction) for bombproof protection against overload distortion in digital recording P.A. systems and broadcast signals. The 160A is fully compatible with +4/-10dB and balanced/ unbalanced systems and its electronically balanced output stage is an outstanding line driver for long cable runs (an output transformer is optional). The 19-segment switchable input/ output LED metering can be easily calibrated to any operating level. 12-segment gain reduction LEDs provide precise analysis at a glance. The dbx 160As unique “INFINITY +” inverse-compression mode actually decreases the audio output level below unity gain when the input exceeds threshold a real lifesaver for correcting overbearing vocal choruses and controlling runaway house mix levels. A detector input can be used with an equalizer for de-essing sibilant vocals and selectively smoothing out boomy notes on acoustic guitar and bass. And two 160As can be stereo-coupled to process an entire mix or instruments micd in stereo without shifting the left/right image. Its musical sound easy operation and unequaled versatility made the original dbx 160 a world standard. The 160A follows that tradition while meeting the challenges of a digital world.ent in the mix or overall characteristics of 4 independent signals or control the gain leveling on a couple of stereo pairs the dbx 160A is for you. Specifications INPUT Connector: 1/4″ TRS and XLR Floating Balanced; XLR: Pin 2 hot Phone: Tip Hot Impedance: 40k Maximum Level: +24dBu Balanced or Unabalanced (Absolute) CMRR: >45dB (any Frequency) Detector Input: Connector: 14″ TRS phone Floating Balanced Impedance: >200k Maximum Level: +28dBu Balanced or Unbalanced Output: Connector: XLR floating balanced; pin 2 hot Impedance: 30 Maximum Level: (Balanced): +24dBm; Dbx PA-DJ-and-Lighting 6T2

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dbx 160A Compressor / Limiter

dbx 560A Compressor/Limiter

dbx 560A Compressor/Limiter
The dbx 560A Compressor/Limiter is designed to offer VCA-based compression in the renowned 500 series format. Featuring switch-selectable OverEasy and hard Knee compression from the dbx 160A rackmount processor the dbx 560A is designed to be the keystone compression unit in your rack. The 19-segment switchable input/output LEDs and 12-segment Gain Reduction LEDs deliver precise monitoring in an easily accessible format. A unique feature to the 560A is the INFINITY + inverse-compression mode which decreases the audio output level below unity gain which helps to correct and control mix levels.

OverEasy and Hard-Knee Compression One of the reasons this compression/limiter unit is so well received is the unique OverEasy compression allowing for smooth-sounding compression that delivers a more natural feel over a range of dynamic sources. This form of compression is ideal for varying dynamic sources such as vocals or stringed instruments. The classic hard-knee compression provides a reversion to the vintage sounding compression helping to control more transient audio such as that from drums and pianos. The 500 Series dbx has a long and venerated past with modular processors dating back to the classic 900 series which are still mainstays in many professional recording studios. The new 500 Series modules continue that tradition offering legendary dbx processing with modern design. Features OverEasy® or classic hard knee compression with dbx’s ultra-musical program dependent attack and release times Compression ratio variable from 1:1 through infinity:1 to -1:1 Precise RMS gain reduction and input/output meter displays with calibration control for different operating levels True RMS level detection Exclusive Infinity+ compression using negative ratios Specifications Input Type: Electronically balanced/unbalanced RF filtered Input Impedance: 40kΩ balanced 20kΩ unbalanced Maximum Input Level: +22dBu CMRR: >40 dB; typically >55 dB at 1 kHz Output Type: Electronically balanced/unbalanced RF filtered Output Impedance: Balanced 30Ω unbalanced 15Ω Maximum Output Level: +22dBu Frequency Response: 20 Hz – 20 kHz + 0/-0.5 dB; 0.5 Hz – 100 kHz +0/-3 dB Noise: THD+Noise: Dynamic Range: >119 dB Compression Gain Adjustment Range: Variable from -20 dB to +20 dB Compressor Threshold Range: -40 dBu to +20 dBu Compressor Threshold Characteristic: Selectable OverEasy® or Hard Knee Compressor Ratio: Variable 1:1 to ∞ :1 thru to -1:1; 60dB Maximum Compression Compressor Attack Time: Program-Dependent; Typically 15ms for 10dB 5ms for 20dB 3ms for 30dB Compressor Release Time: Program-Dependent; Typically 8ms for 1dB 80ms for 10dB 400ms for 50dB; 125dB/Sec Rate Power Requirements: +/- 16VDC Current Draw: 60mA per power rail Power Draw: 1.92 watts Rack System Compatibility: 500 Series Compatible Power-frame Rack Space: 1 Slot Dimensions (H x W x D): 5.25” x 1.5” x 6” (13.34cm x 3.81cm x 15.24cm) Weight: 1.3 lbs (0.59 kg) Shipping Weight: 1.7 lbs (0.77 kg) Dbx Recording-and-Computers 1ACU

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dbx 560A Compressor/Limiter

dbx DJdi Two Channel Digital Injection Box

dbx DJdi Two Channel Digital Injection Box
The dbx DJdi Digital Injection Box is compact high-quality passive direct injection box ideal for a variety of audio applications in the studio and on the road. Offering two channels the DJdi easily solves the problem of converting unbalanced signals into balanced output signals that are suitable for use with mixers PAs recording consoles and more. The continuously variable input signal attenuator can accommodate a wide range of signal levels while the passive design ensures clean quiet and uncoloured operation with no power required.

Specifications Circuit: Passive Inputs: 2 x 1/4 TRS Input Impedance: 50 kOhms Outputs: 2 x Male XLR (Balanced Pin 2 Hot) Output Impedance: 600 Ohms Noise Level: -104dB (22Hz – 22kHz Input Shorted) Insertion Loss: 21dB Typical Dbx PA-DJ-and-Lighting 1GXF

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dbx DJdi Two Channel Digital Injection Box


dbx AFS224 Feedback Suppressor

dbx AFS224 Feedback Suppressor
The dbx AFS224 Advanced Feedback Suppression processor is simple and intuitive to use but still provides state-of-the-art feedback elimination. Perfect for any live sound application the unit is packed with features to give you all the processing power and control you could ever need.

The AFS224 stands out amongst feedback suppressors by offering 24 programmable filters per channel with filter Qs up to 1/80 of an octave. It utilises dbxs patent-pending AFS™ (Advanced Feedback Suppression) technology to take all the guesswork out of feedback removal. The front panel as well as clearly displaying the filter metering via 24 LEDs per channel also allows control of the units other features which include selectable modes live filter lift and application-specific filter types. Features/Specifications: dbxs patent-pending AFS™ (Advanced Feedback Suppression) technology 24 programmable filters per channel Stereo or dual independent channel processing Live and fixed filter modes Selectable filter lift times Application-specific filter types include: Speech and Music Low Med and High Input channel metering 24 LED per channel filter metering XLR and TRS inputs and outputs Detailed Specs: Input Connectors: Female XLR and 1/4″ TRS Input Type: Electronically Balanced / Unbalanced RF Filtered Input Impedance: Balanced 40kOhm Unbalanced 20kOhm Max Input: +20dBu CMRR: >40dB Typically >55dB @ 1kHz Output Connectors: Male XLR and 1/4″ TRS Output Type: Electronically Balanced / Unbalanced RF Filtered Output Impedance: Balanced >120 Ohm Unbalanced >60 Ohm Max Output: +20dBu A/D Converter: dbx Type IV Conversion System A/D Dynamic Range: >114dB A-Weighted >112dB Unweighted Type IV Dynamic Range: >119dB A-Weighted 22kHz; >117dB Unweighted 22kHz BW Sample Rate: 48kHz D/A Dynamic Range: 112dB A-Weighted 110dB Unweighted Dynamic Range: >110dB A-Weighted >107dB Unweighted THD+Noise: 0.002 Typical at +4dBu 1kHz 0dB Input Gain Frequency Response: 20Hz – 20kHz +/-0.5dB Interchannel Crosstalk: >80dB Typical Power Consumption: 9W Dbx PA-DJ-and-Lighting TNC

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dbx AFS224 Feedback Suppressor

dbx 1066 Dual Compressor / Limiter / Gate

dbx 1066 Dual Compressor / Limiter / Gate
After producing the worlds most renown series of compressors the task of producing a new compressor worthy of our reputation would be daunting for most engineers. Not for dbx. Our engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the 1066 Stereo Compressor/Limiter/Gate.

Want to instantly add that classic dbx response to your mix? Its there at the touch of the Auto button. Or use the independent Attack and Release controls to tailor the 1066 to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with our Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise maximizing your signal-to-noise ratio. For overall speaker protection our new PeakStopPlus does all previous circuits one better. With a new design the PeakStopPlus represses those unwanted transients from blowing your drivers while minimizing the distortion common to many other “hard” limiters. Selectable Hard-Knee or OverEasy characteristics make the 1066 ideal for your gain control needs whether youre looking for “heavy” almost-special-effects compression or soft smooth gain leveling. New lightpipe technology replaces standard LEDs found on most other units making the 1066 both very easy to read and much easier to operate. In the studio broadcast facility or on the road with a P.A. system the 1066 is designed for perfectly simple operation. The 1066 allows you to eliminate unwanted signals flexibly control overall signal gain and guard your overall mix in dual mono or stereo operation. At the heart of the 1066 is our new dbx V2 VCA. Developed especially for the 1066 1046 and other 10 series products to come this revolutionary VCA boasts superb dynamic range characteristics while maintaining very low distortion and almost immeasurable noise characteristics. The bottom line is this: a new VCA working in conjunction with world class design makes the dbx 1066 perform better than compressors selling for hundreds more. Specifications INPUT Connectors:XLR and 1/4″ TRS (Pin 2 and tip hot) Type:Electronically balanced/unbalanced RF filtered Impedance:Balanced > 50 kOhm unbalanced >25 kOhm Maximum Input Level:> +24 dBu balanced or unbalanced CMRR:Typically >50 dB at 1 kHz OUTPUT Connectors:XLR and 1/4″ TRS (Pin 2 and tip hot) Type:Servo-balanced/unbalanced RF filtered Impedance:>Balanced 120 Ohm unbalanced 60 Ohm Max Output Level:> +21 dBm balanced > +20 dBm unbalanced SIDECHAIN INPUT Connector:1/4″ TS Type:Unbalanced RF filtered Impedance:>10 kOhm Max Input Level:>+24 dBu SIDECHAIN OUTPUT Connector:1/4″ TRS (tip hot) Type:Impedance balanced RF filtered Impedance:Balanced 2 kOhm unbalanced 1 kOhm Max Input Level:>+21 dBu balanced or unbalanced SYSTEM PERFORMANCE Bandwidth:20 Hz to 20 kHz +0/0.5 dB Frequency Response:0.35 Hz to 90 kHz +0/-3 dB Noise:< -96 dBu unweighted 22 kHz measurement bandwidth Dynamic Range:> 118dB unweighted THD + Noise:0.008% typical at +4 dBu 1 kHz unity gain 0.08% typical at +20 dBu 1 kHz unity gain < 0.1% any amount of compression up to 40 dB 1 kHz IMD:< 0.1% SMPTE Interchannel Crosstalk:< -80dB 20 Hz to 20 kHz Stereo Coupling:True RMS Power Summing? COMPRESSOR Threshold Range:-40 dBu to +20 dBu Ratio:1:1 to infinity:1 Threshold Characteristic:Selectable OverEasy® or hard knee Attack/Release Chracteristic: Auto Dynamic? Attack/Release Modes:Selectable Manual or Auto Manual Attack Time:Scalable program-dependent Manual Release time:Scalable program-dependent Auto Attack Time:Program-dependent Auto Release Time:Program-dependent Output Gain:-20 to +20 dB LIMITER Threshold Range:+4 dBu to +24 dBu (off) Ratio:infinity:1 Limiter Type:PeakStopPlus? two-stage limiter Stage 1:PeakStop? brickwall limiter Attack time:Zero Release Time:Zero Stage 2:Predictive intelligent program limiter Attack Time:Program-dependent Release Time:Program-dependent EXPANDER/GATE Threshold Range:Off to +15dBu Ratio:1:1 to 30:1 Attack Time:< 100 µsec Release Time:Program-dependent FUNCTION SWITCHES SC Ext.:Routes the external sidechain input signal to the detector SC Mon:Routes the sidechain signal to the output interrupting the normal audio OverEasy®:Activates the OverEasy compression function Contour:Activates the frequency-dependent detector function Auto:Activates automatic program-dependent attack and release times disabling the manual Attack and Release controls I/O Meter:Switches between monitoring input and output levels on the Input/Output Level meter Bypass:Activates the direct input-to-output hard-wire relay bypass. Relay automatically hard-wire bypasses unit at power-down and provides a power-on delay of 1.5 sec. Operating Level (rear panel):Switches the nominal operating level between -10 dBV and +4 dBu simultaneoulsy for both input and output levels ST Link:Link both channels for stereo operation. Channel One becomes the master INDICATORS Gain Reduction Meter:12-segment LED bar graph at 1 2 4 6 9 12 15 18 21 24 27 and 30 dB Input/Output Meter:8-segment LED bar graph at -24 -18 -12 -6 0 +6 +12 and +18 dBu Compressor Threshold Meter:3-segment LED bar graph at Below (-) OverEasy and Above (+) Exp/Gate Threshold Meter: 2-segment LED bar graph at Below (-) and Above (+) Limiter Threshold Meter: 1 LED to indicate PeakStopPlus limiting Function Switches:LED indicator for each front-panel switch Dbx PA-DJ-and-Lighting ABY

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dbx 1066 Dual Compressor / Limiter / Gate

dbx PowerRack8 Power Supply for 500 Series Processors

dbx PowerRack8 Power Supply for 500 Series Processors
The dbx PowerRack8 provides eight slots of balanced XLR inputs and outputs along with eight slots of unbalanced 1/4-inch inputs and outputs. A 48V phantom power switch is located on the front panel along with switches for the units flexible digitally controlled onboard signal routing with memory function. The PowerRack8 supplies 350mA per module slot and features rugged all-metal construction.

Our new PowerRack8 provides a convenient easy way to house power connect and configure the dbx 500 Series modules said Jason Kunz Market Manager. Its the perfect add-on for integrating our 500 Series processors into any studio or live installation. Features Houses up to Eight 500 Series Single Slot Modules 100V – 240V Selectable Voltage Operation Digitally-Controlled Audio Signal Routing with Memory Sturdy All-Metal Construction Balanced XLR and 1/4 Connectors +48V Phantom Power 350mA Per Module Slot Dbx Recording-and-Computers 18ZG

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dbx PowerRack8 Power Supply for 500 Series Processors

dbx 223xs Stereo 2-Way/Mono 3-Way Crossover

dbx 223xs Stereo 2-Way/Mono 3-Way Crossover
The dbx 223xs crossover offers great performance ultra-low noise and rugged reliability in a professional package with high-quality XLR inputs and outputs. It uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers freeing the amplifiers to use their full power on the usable signal for a cleaner and better sound.

The 223xs is a dual channel crossover with Linkwitz-Riley 24dB per octave filters and optional mono summing of the low frequency output. Both channels feature a x10 range switch to multiply the crossover frequency range by a power of 10 and a 40Hz high pass (low cut) filter. Each output has independent gain controls for level matching and a phase reverse switch. Features/Specifications: XLR balanced inputs and outputs Mode switch for stereo 2-way or mono 3-way operation Low frequency summed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter on both channels Phase reverse switch on all outputs Individual level controls on all outputs 24dB per octave Linkwitz-Riley filters (the professional standard) Stereo/Mono status LEDs indicate the selected mode Detailed Specs: Input Connectors: XLR (Pin 2 Hot) Input Type: Electronically Balanced / Unbalanced RF Filtered Input Impedance: Balanced >50kOhm Unbalanced >25kOhm Max Input: >+22dBu Balanced or Unbalanced CMRR: >40dB Typically >55dB at 1kHz Output Connectors: XLR Output Type: Impedance-Balanced / Unbalanced RF Filtered Output Impedance: Balanced 200 Ohm Unbalanced 100 Ohm Max Output: >+21dBu Balanced / Unbalanced into 2kOhms or Greater Bandwidth: 20Hz to 20kHz +/-0.5dB Frequency Response: 90kHz +0/-3dB Signal to Noise Ratio: Ref: +4dBu 22kHz Measurement Bandwidth Signal to Noise (Stereo Mode): >94dB (Low Output) >91dB (High Output) Signal to Noise (Mono Mode): >94dB (Low Output) >93dB (Mid Output) >91dB (High Output) Dynamic Range: >106dB Unweighted Any Output THD+Noise: Dbx PA-DJ-and-Lighting TN6

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dbx 223xs Stereo 2-Way/Mono 3-Way Crossover

dbx 386 Dual Vacuum Tube Preamp

dbx 386 Dual Vacuum Tube Preamp
The Silver Series 386 dual channel tube mic preamp puts the best of both worlds into one affordable package by combining the warmth of the irreplaceable vacuum tube with the proprietary dbx Type IV conversion system. The 386 boasts many of the same features as other products in the Silver Series such as +48V phantom power a phase invert switch and low cut filtering; but also includes digital outputs in both AES/EBU and S/PDIF formats.

The high impedance 1/4″ instrument input located on the front panel as well as the mic/line switch and 20 dB pad show our dedication to providing convenience in the studio. The 12 segment LED meters provide a visual indication of analog or digital levels at a glance. The rear panel includes both mic and line inputs and outputs word clock sync input and output and digital outputs. Add selectable sampling rates of 44.1 kHz 48 kHz 88.2 kHz or 96 kHz; selectable dithering and noise shaping; and separate analog and digital output controls to this already impressive list of features and we think youll agree that the 386 lives up to the innovative dbx standards. Features Two channel tube microphone preamplifier Selectable 96kHz 88.2kHz 48kHz or 44.1kHz sampling rate 24 20 and 16-bit wordlengths Selectable dither and noise shaping AES/EBU and S/PDIF digital outputs Word clock sync input and output Separate analog and digital output control Type IV conversion system 60dB of gain and +/- 15dB of output gain Selectable mic/line switch 48 volt phantom power 20dB pad 75Hz low cut filter Phase reverse Segment LED analog/digital Specifications MICROPHONE INPUT Connector: Female XLR Pin 2 Hot Type: Electronically balanced/unbalanced Impedance: 330 ohm Max Input Level: -9 dBu or +11 dBu with 20 dB pad engaged CMRR: >40dB Typically 55dB Equivalent Input Noise: Typically 120 dBu with a 150 ohm source load 20 Hz to 20kHz Bu LINE INPUT (REAR PANEL) Connectors: TRS 1/4″ Jack Type: Electronically balanced/unbalanced Impedance: 20k ohm unbalanced 40k ohm balanced Maximum Input Level: +21dBu balanced or unbalanced CMRR: >40dB Typically 55dB Gain (Drive Control): -15dB to +15dB INSTRUMENT INPUT (FRONT PANEL) Connector: TS 1/4″ Jack Type: Unbalanced Impedance: 470k ohm Maximum Output Level: >+21 dBu unbalanced Insert Connector: TRS 1/4″ Type: Unbalanced Impedance: 100 ohm send -20 ohm return ANALOG OUTPUTS Connector: Male XLR Pin 2 Hot and TRS 1/4″ Type: Servo-balanced/unbalanced Impedance: Balanced 120 ohm unbalanced 60 ohm Maximum Output Level: >+21 dBu >+20 dBm (into a 600 ohm load) DIGITAL OUTPUTS Connector: XLR for AES/EBU RCA for S/PDIF Impedance: 110 ohm for AES/EBU 75 ohm for S/PDIF WORD SYNC INPUT/OUTPUT Connectors: BNC Input Impedance: 75 ohm terminated by internal jumper Input: 96 88.2 48 or 44.1kHz word clock OUTPUT: 96 88.2 48 or 44.1kHz word clock SYSTEM PERFORMANCE DRIVE Control Range: +30dB to +60dB for Mic Input -15dB to +15dB for Line and Instrument Inputs LEVEL Control Range Analog and Digital): -15dB to +15dB LINE: Selects between microphone and line inputs Phantom Power: +48V PAD: 20dB pad PHASE: Reverses pins 2 and 3 of the microphone input XLR LOW CUT: 75Hz 12dB/octave high pass filter Frequency Response: Dbx Recording-and-Computers 6T8

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dbx 386 Dual Vacuum Tube Preamp

dbx iEQ31 Intelligent Dual 31-Band Digital Graphic EQ

dbx iEQ31 Intelligent Dual 31-Band Digital Graphic EQ
The dbx iEQ31 dual 31-band graphic equaliser offers uncompromised sonic integrity with state-of-the-art digital EQ performance and specs wedded to an analogue look and feel. It is packed with features to give you the best possible sound including feedback suppression noise reduction and limiting.

The iEQ31 gives you two 31-band channels of 1/3-octave equalisation with AFS™ Advanced Feedback Suppression dbxs proprietary Type V™ noise reduction and PeakStopPlus® limiting. It also offers +12dB input gain range switchable +6 or +15dB boost/cut range and an amazing 10Hz to 22kHz frequency response. Flexibility is provided by the XLR 1/4″ and Euroblock inputs and outputs and the unit has 40mm faders and an intuitive user interface with comprehensive output and gain reduction metering. With the iEQ31 you can be sure of exceptional sound performance and reliability. Features/Specifications: Advanced Feedback Suppression (AFS™) Type V™ Noise Reduction PeakStopPlus® Limiting 1/3-octave Constant Q frequency bands Switchable boost/cut ranges of +6 or +15dB 18dB per octave 40Hz low-cut filter +12dB input gain range XLR TRS and Euroblock inputs and outputs Internal Toroidal Transformer Dynamic range of greater than 113dB User Power Up features Relay bypass for power failure system protection Detailed Specs: Inputs: 1/4″ TRS Female XLR (Pin 2 Hot) and Euroblock Input Type: Electronically Balanced / Unbalanced RF Filtered Input Impedance: Balanced 40k Ohm Unbalanced 20k Ohm Max Input: >+22dBu Balanced or Unbalanced CMRR: >40dB Typically >55dB at 1kHz Outputs: 1/4″ TRS Male XLR (Pin 2 Hot) and Euroblock Output Type: Active Balanced / Unbalanced RF Filtered Output Impedance: Balanced >120 Ohm Unbalanced >60 Ohm Max Output: >+20dBu Balanced / Unbalanced into 2k Ohm or Greater Dynamic Range: >113dB A-Weighted THD+Noise: 0.003 Typical at +4dBu 1kHz Frequency Response: 20Hz – 20kHz +0.5/0.25dB Interchannel Crosstalk: Dbx PA-DJ-and-Lighting TMW

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dbx iEQ31 Intelligent Dual 31-Band Digital Graphic EQ

dbx 234XL 2/3 Way/4-Way Crossover

dbx 234XL 2/3 Way/4-Way Crossover
Lets take a look at the construction features of the dbx 234XL.

At first glance youll notice the units are great looking and as you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision and the feel is a solid “click”. Also when you open the box you wont find the external power supply that accompanies most processors in this price range. Thats because we know how difficult external powersupplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are balanced XLR connectors that are screwed directly to the chassis. This connecting of the jacks insures that even if someone steps on a cable plugged into the unit its not going to tear up the circuit board inside. All dbx crossovers feature Linkwitz-Riley 24dB per octave filters the professional standard but then again what did you expect? Via two switches on the back panel you first select whether youre operating your system in stereo 2-way 3-way or mono 4-way. Another back panel switch also selects whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono summed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have a green LED that indicates the X10 switch on the back panel is activated (we wouldnt make you check the switch position on the back every time you wonder where its set). All these switches are on the back panel because it could be disastrous if you were to change them mid-program. On the front panel youll notice there are LEDs that indicate whether the unit is in mono or stereo mode. Each channel has an input gain control for proper level setting. Theres a recessed 40 Hz low cut (HPF) on each channel to remove unwanted low frequencies. Both the low and high outputs on each channel have a gain control ranging from -infinity to +6dB to allow muting of individual outputs and for level matching. Also these outputs each have phase reverse switches thatll help get you out of a bind without having to reconfigure your system. These phase reverse switches may be internally reconfigured as mute switches. Youll get great performance all the features youd expect from a professional product and the knowledge that youre buying a processor from the people that have been producing the worlds finest processors for over 20 years. The technology that made us famous brings you a dbx® crossover which has been tested to the highest professional standards at a price thats just too low to admit! XLR differentially balanced ins and outs Mode switches for mono 4-way or stereo 2-way/3-way operation Low frequency summed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter both channels Phase reverse switch on all outputs Individual level controls on all band outputs 24dB per octave Linkwitz-Riley filters (the professional standard) Stereo/Mono status LEDs indicate the selected mode dbx® 2 year parts and labor as standard CSA NRTL/C approved CE compliant Dbx PA-DJ-and-Lighting 6T7

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dbx 234XL 2/3 Way/4-Way Crossover

dbx dB-12 Active D.I. Box

dbx dB-12 Active D.I. Box
At dbx when we do something we do it right. So when we decided to create our new direct injection boxes we didnt settle for the same old tired approach to direct box design. With our dbx name on the line how could we? One look at our new dB10 Passive and dB12 Active direct boxes will tell you that these are clearly different. With their bullet-proof construction and extraordinary audio performance to rival their looks finally there?s a direct box worthy of the dbx name.

Utilizing custom dbx mu-metal-shielded audio transformers high-quality Neutrik connectors and low-noise circuitry preserves the sonic integrity and true characteristics of the signal source. Both boxes include a pad switch that accommodates instrument line and even speaker level signals. Take even more control of your sound by utilizing the polarity invert switch to set the phase relationship between the direct and micd sound. As a professional you dont have time for interference so weve included a ground lift switch to solve potential hum and buzz problems due to ground loops. And between the combined shielding of the cast metal chassis and the custom-wound transformer you can be doubly assured of a clean signal free from interference. All of this sits atop a solid stable footprint that will keep the box from being dragged around the stage and the unique contoured underside allows secure stacking of multiple units. Features Premium Performance Rugged Design Stackable Chassis with Durable Rubber Foot Gold-plated Neutrik XLR Connector Premium Chrome Toggle Switches Hi-Z 1/4″ Input Jack Parallel 1/4″ Thru Jack Transformer Isolated Premium Shielded Custom dbx Transformer Balanced XLR Lo-Z Output 3-Way 0/20/40 dB Pad Switch Flat/High-Cut Filter Switch Output Polarity Invert Switch Ground Lift Switch Phantom Powered Green LED Phantom Power Indicator +48V Phantom Operation Low-Noise Active Circuitry Specifications INPUT SECTION Input: 1 instrument/line/speaker level Connector: 1/4″ jack Type: Unbalanced RF filtered Impedance: 1M Ohm (0dB pad) 47k Ohm (20dB pad) 47k Ohm (40dB pad) Max Input Level: +10dBu (0dB pad) +30dBu (20dB pad) +50dBu (40dB pad) OUTPUT SECTION Thru Output: 1 parallel connection from input jack Connector: 1/4″ jack Type: Unbalanced RF filtered Main Output: 1 line level Connector: XLR male jack Type: Balanced Impedance: 150 Ohm typical Max Output Level: +8dBu into 600 Ohm PERFORMANCE Transformer: Custom dbx mu-metal-shielded Frequency Response: 20Hz to 20kHz +/-3dB 30Hz to 20kHz +0/-1dB Noise: Dbx PA-DJ-and-Lighting ABX

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dbx dB-12 Active D.I. Box

dbx 540 Tube Mic Preamp with Optical Compressor

dbx 540 Tube Mic Preamp with Optical Compressor
The dbx 540 Tube Mic Preamp is a single-slot 500-series microphone preamp that boasts pristine audio output and a superior-quality design. The dbx 540 features an interchangeable 12AX7 preamp tube that is perfect for experimenting with a variety of both modern and vintage tubes until the 540 delivers the sound and performance you desire. The dbx 540 is also equipped with a super-fast in-line optical compressor responsive hand-machined controls and LME49720 low distortion/low noise Op Amps; Push and shape the tone of any microphone with the full-featured dbx 540 Tube Mic Preamp.

Features Suitable for use in all 500-series-compatible systems 12AX7 electron tube Class A transformerless high voltage signal path Adjustable optical compressor Switchable phantom power Switchable phase invert Switchable -20dB pad Dual-function VU meter: master volume/gain reduction Input gain control Output volume control Specifications Mic/Line Inputs: TRS Balanced Impedance: 3k Ohms Mic Input Gain: 10db – 60dB Phase Reversal: Switchable Phantom Power: +48V Switchable Instrument Input: 1/4 Jack Unbalanced (Or XLR from Rear Panel Instrument Input Gain: 0dB – 45dB Outputs: XLR + 1/4 Jack Line Input Frequency Response: 10Hz – 40kHz within 1dB Mic Input Frequency Response: 10Hz – 40kHz within 2.5dB Compressor Ratio: 1:1 – 10:1 Compressor Attack: 1ms – 100ms Compressor Release: 0.1s – 3s Shelving Filter: 80Hz Slope: 16dB VU Meter: -20dBu – +3dBu THD: 0.05% (Unweighted) Signal to Noise: >101dB Power Supply: 500 Series Power Supply Required Dbx Recording-and-Computers 1GWI

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dbx 540 Tube Mic Preamp with Optical Compressor

dbx 215s Dual 15-Band Constant Q Graphic EQ

dbx 215s Dual 15-Band Constant Q Graphic EQ
The dbx 215s dual-channel 15-band equaliser offers affordable quality with no compromise in sound quality. Benefiting from dbxs years of expertise it gives you exceptional sound and rugged reliabilty to ensure you will always sound your best.

The 215s gives you two 15-band channels of 2/3-octave equalisation with 20mm nonconductive sliders and an intuitive user interface with output level metering. Built from quality components with meticulous attention to detail it offers an extended 10Hz to 50kHz frequency response with a 112dB dynamic range plus a switchable +/-6dB or +/-12dB boost/cut range. The unit has XLR and TRS inputs and outputs for flexibility in setup. The 215s is ideal for use in the studio on tour or in fixed installations. Features/Specifications: Dual 15-band 2/3-octave Constant Q frequency bands +/-12dB input gain range 4-segment LED ladders for monitoring output levels XLR and TRS inputs and outputs Bypass switch to bypass graphic equaliser section in the signal path Low Cut switch to activate the 50Hz 12dB/octave high-pass filter Range switch to select either +/-6dB or +/-12dB slider boost/cut range Detailed Specs: Input Connectors: 1/4″ TRS Female XLR (Pin 2 Hot) Input Type: Electronically Balanced / Unbalanced RF Filtered Input Impedance: Balanced 40kOhm Unbalanced 20kOhm Max Input: >+21dBu Balanced or Unbalanced CMRR: >40dB Typically >55dB at 1kHz Output Connectors: 1/4″ TRS Male XLR (Pin 2 Hot) Output Type: Impedance Balanced / Unbalanced RF Filtered Output Impedance: Balanced 100 Ohm Unbalanced 50 Ohm Max Output: >+21dBu Balanced / Unbalanced into 2kOhm or Greater >+18dBm Balanced / Unbalanced into 600 Ohm Bandwidth: 20Hz to 20kHz +0.5/-1dB Frequency Response: 50kHz +0.5/-3dB Signal-to-Noise: Typically >95dB Dynamic Range: Typically >112dB THD+Noise: Dbx PA-DJ-and-Lighting TN3

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dbx 215s Dual 15-Band Constant Q Graphic EQ

DBX AFS2 Advanced Feedback Suppression Processor

DBX AFS2 Advanced Feedback Suppression Processor
The DBX AFS2 Advanced Feedback Suppression Processor has been completely re-designed to take the foundation of the best selling AFS224 and bring it to the next level. The intuitive Wizard Setup function enables you to set up quickly and easily in any room removing all of the guesswork. You wont notice any sonic difference with the AFS2 in your signal chain and you wont hear it working it simply listens to the incoming signal and anticipates problem frequencies eliminating feedback before its even begun.

Features Wizard Setup Function Full LCD Display dbxs Patent-pending (Advanced Feedback Suppression) AFS™ technology 24 Programmable Filters per Channel Stereo or Dual Independent Channel Processing Live and Fixed Filter Modes Selectable Filter Lift Times Application-specific filter types include: Speech and Music Low Med and High Input channel Metering 24 LED per Channel Filter Metering XLR and TRS Inputs and Outputs Specifications Number of Inputs: 2 Input Connectors: Female XLR and 1/4″ TRS Input Type: Electronically balanced/unbalanced RF filtered Input Impedance: Balanced 50kΩ Unbalanced 25kΩ Max input line level: +20 dBu CMRR: > 40dB typically >55dB @ 1kHz Number of Outputs: 2 Output Connectors: Male XLR and 1/4″ TRS Output Type: Electronically balanced/unbalanced RF filtered Output Impedance: Balanced >120 Ω Unbalanced >60 Ω Max Output Level: +20 dBu A/D Converter: dbx Type IV™ Conversion System A/D Dynamic Range: >113 dB A-weighted >110 dB unweighted 22kHz BW Type IV Dynamic Range: >119 dB A-weighted 22kHz BW; >117 dB unweighted 22kHz BW A/D Conversion: 24-bit Sample Rate: 48kHz D/A Dynamic Range: 112 dB A-weighted 109 dB unweighted D/A Conversion: 24-bit Dynamic Range: 109 dB A-weighted 106 dB unweighted 22kHz BW THD+Noise: 0.003% typical at +4 dBu 1 kHz Frequency Response: 20Hz – 20kHz +/- 0.5dB Interchannel Crosstalk: >80 dB typical Crosstalk input to output: >80 dB Operating Voltage: 100-120VAC 50/60 Hz – EU: 220-240 VAC 50/60 Hz Power Consumption: 9 W Unit Weight: 4.5 lbs. (2.04 kg) Dimensions: 1.75″ (H) x 5.75″ (D) x 19″ (W) 4.4cm (H) x 14.6cm (D) x 48.26cm (W) Dbx PA-DJ-and-Lighting 1A28

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DBX AFS2 Advanced Feedback Suppression Processor