Blue Cactus Tube Condenser Microphone

Blue Cactus Tube Condenser Microphone
In the tradition of the worlds best (and most expensive) vintage vocal microphones The Cactus delivers a commanding intimate presence and larger-than-life detail. The amplifier design is a transformer-balanced single vacuum tube sub-miniature pentode in a triode mode along with the highest quality hand-selected electronic components to insure low noise and minimal distortion. At a distance The Cactus delivers every nuance in the room with finely focused resolution and clear musical frequency response to the extremes of the audible spectrum. Up close with its detailed highs and smooth midrange the nine-pattern Cactus excels at delivering a vocal or solo track right to the front of the mix where it belongs.

Characteristics Nine-pattern condenser – cardioid omnidirectional figure-8 with variable settings in between Vintage Class A discrete tube amplifier circuit Blues B7 hand-built capsule tuned for multipatterns Vintage sound detailed midrange for the classic tube mic recording with nine different remote selectable patterns Integrated capsule shockmounting; mic hand-tuned and tested Includes the premium quality PowerStream Tube Power Supply Champagne tube mic cable ATA flight case and Series 2 integrated shockmount Technical Specs Transducer Type: Vacuum Tube Condenser Pressure Gradient: Vacuum Tube Condenser Pressure Gradient Polar Pattern: Multipattern Frequency Response: 20Hz – 20Khz Sensitivity: 18.0mV/Pa at 1kHz (1 Pa = 9 4dB SPL) Output Impedance: 50 ohm Rated Load Impedance: Not less than 1k ohm Maximum SPL: 134 dB SPL (2.5k ohm 0.5% THD) S/N Ratio: 84 dB-A (IEC 651) Noise Level: 10 dB-A (IEC 651) Dynamic Range: 124 dB (@ 2.5k ohm) Power Requirement: Cactus Power Supply Unit 115/230 VAC 50/60 Hz Weight: 800g Dimensions (mm): 235mm x 50mm x 30mm Blue Recording-and-Computers ANW

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Blue Cactus Tube Condenser Microphone



Blue Snowball USB Microphone Brushed Aluminium

Blue Snowball USB Microphone Brushed Aluminium
Finally a USB mic thats not only easy to use but sounds as good on your desktop as it does in a professional recording studio. Meet the Snowball; the worlds first professional USB mic.

Whether youre recording a guitar at your kitchen table or a complete band in the studio the Snowball can capture it with detail unheard of before in a USB mic. The Snowball is a direct plug n play mic that connects to either a Mac or PC – no additional software is needed. With its dual capsule design and unique three-pattern switch (cardioid cardioid with -10dB pad and omni) the Snowball can handle everything from soft vocals to the loudest garage band – and its ideal for podcasting. Check it out and youll see why its the coolest mic in town. Features/Specifications Transducer Type: Condenser Pressure Gradient w/USB Digital Output Polar Pattern: Omnidirectional or Cardioid Frequency Response: Position 1-3: 40-18kHz Sample/Word Rate: 44.1 kHz/16 bit Weight: 460g Dimensions: 325mm (circumference) System Requirements Macintosh: Mac OSX; USB 1.0 or 2.0; 64MB RAM (minimum) Windows: Vista or XP; USB 1.0 or 2.0; 64MB RAM (minimum) Blue Recording-and-Computers CF2

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Blue Snowball USB Microphone Brushed Aluminium

Blue Microphones Tiki USB Microphone

Blue Microphones Tiki USB Microphone
The new Tiki is the worlds first USB microphone that mimics the intelligence of human hearing by focusing on desired sounds minimising background noise and knowing when to mute altogether. Tikis two modes give any Skype user podcaster or musician the versatility to quickly choose the best option in any situation.

The First mode Intelligent Speech Mode brings your voice to the forefront of a conference call or chat while noise-cancelling technology simultaneously minimises unwanted competing background noise. The second Natural Recording Mode captures a wide range of sources from vocals to acoustic guitar recording high-fidelity audio with exceptional clarity. Tiki sets a new standard for crystal clear audio for wherever you go. Features/Specifications: Intelligent ultra-compact USB microphone Brings your voice to the forefront using voice isolation and noise-cancelling technology Improves vocal clarity for online communication like Skype and iChat and voice recognition software Eliminates computer fan and typing noise by intelligently auto-muting Recording mode optimised for podcasts and music recording Multi-coloured LED indicates muting status and more Further Specs: Compatibility: PC and Mac with USB 2.0+ Set Up: Plug n Play with no drivers needed Audio: CD-quality 16 bit 44.1k 40Hz – 20kHz Inner Workings: Two custom condenser capsules with advanced DSP Includes: Extended docking cable and carrying case Size: Less than three inches Blue PA-DJ-and-Lighting IG6

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Blue Microphones Tiki USB Microphone

Blue Mo-Fi True High Fidelity Headphones

Blue Mo-Fi True High Fidelity Headphones
The Blue Mo-Fi Headphones deliver real audiophile performance on every device. They give you superior sound quality on studio gear laptops tablets and phones. Plus they are designed for optimal comfort with a whole new approach to design for unmatched sound and all-day use.

Built In Amp and Premium Drivers The Blue Mo-Fi headphones combine an audiophile amplifier and great sounding drivers allowing for hugely accurate sound reproduction. Mo-Fis built-in amp provides tons of power reducing the workload on your devices. This results in jaw-dropping sound quality. Exceptional Comfort The multi jointed design and newly shaped earcups are evidence that these headphones have been designed from the ground up for comfort. Amongst the new features are an adjustable tension knob reinvented headband construction height adjustment and earcups that actually fit your ears. All Analog Amp Modes Mo-Fi let you choose the right sound mode for your music. Fully analog amp modes mean whatever youre listening to youll have full control. Intelligent Power Management You want to ensure your headophones are always ready when you are and the Blue Mo-Fis do all they can to conserve power. They know when you have stopped listening and automatically power down plus the battery charges fully in 3-4 hours giving you 12 hours of battery life. Mo-Fi For Musicians Mo-Fi brings the performance of high-end reference monitors to your ears so you can judge what?s really going on in your mix. When you?re tracking loud drums and guitars the built-in amplifier provides more than enough headroom while the excellent sound isolation allows you to hear the mix clearly. Since Mo-Fi reproduces sound with such astounding accuracy and detailed imaging you?ll finally be able to create mixes that translate across all systems. Reviews “Headphones that can fix your music.” Popular Mechanics “The best sound Ive ever heard from a consumer headphone.” USA Today “Completely unlike anything Ive ever seen or heard.” WSJ Features Custom high-powered audiophile amplifier 50mm fiber-reinforced dynamic driver Sealed over-ear design for superior isolation and feedback prevention User-adjustable tension and suspension adapt to any head shape and size for a perfect fit Racecar-inspired multi-jointed headband design keeps earcups parallel at all times for superior comfort and sound All-analog amplifier performance modes: passive active and enhanced bass Powers on and off automatically when headphones are opened and closed Rechargeable battery provides up to 12 hours of playtime; Mo-Fi continues to play music even when battery has no charge Specifications Amplifier Output power: 240mW THD+N: 0.004% Frequency response: 15Hz-20kHz SNR self noise: > 105 dB Noise: < 20 uV Battery capacity: 1020mAh Drivers Type and size: 50mm fiber-reinforced dynamic driver Impedance: 42 ohms Frequency response: 15Hz-20kHz Enclosure details: Sealed enclosure with tuned damping materials Headphones Weight: 466 g (16.44 oz) Outer dimensions Closed: 21cm x14cm x12cm (8.27" x 5.51" x 4.72") Outer dimensions Open: 18cm x 29cm x 12cm (7.09" x 11.42" x 4.72") Package Contents Mo-Fi Soft case with cable storage pocket 1.2-meter audio cable with Apple iPhone/iPad controls 3-meter audio cable 1-meter USB charging cable AC charging adaptor 3.5mm to 1/4" TRS adaptor Two-prong airplane connector Registration and warranty information User manual Blue Recording-and-Computers 10SP

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Blue Mo-Fi True High Fidelity Headphones


Blue Snowball USB Microphone Black

Blue Snowball USB Microphone Black
Finally a USB mic thats not only easy to use but sounds as good on your desktop as it does in a professional recording studio. Meet the Snowball; the worlds first professional USB mic.

Whether youre recording a guitar at your kitchen table or a complete band in the studio the Snowball can capture it with detail unheard of before in a USB mic. The Snowball is a direct plug n play mic that connects to either a Mac or PC – no additional software is needed. With its dual capsule design and unique three-pattern switch (cardioid cardioid with -10dB pad and omni) the Snowball can handle everything from soft vocals to the loudest garage band – and its ideal for podcasting. Check it out and youll see why its the coolest mic in town. Features/Specifications Transducer Type: Condenser Pressure Gradient w/USB Digital Output Polar Pattern: Omnidirectional or Cardioid Frequency Response: Position 1-3: 40-18kHz Sample/Word Rate: 44.1 kHz/16 bit Weight: 460g Dimensions: 325mm (circumference) System Requirements Macintosh: Mac OSX; USB 1.0 or 2.0; 64MB RAM (minimum) Windows: Vista or XP; USB 1.0 or 2.0; 64MB RAM (minimum) Blue Recording-and-Computers CF1

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Blue Snowball USB Microphone Black

Blue Bottle Rocket Stage 1 Condenser Microphone

Blue Bottle Rocket Stage 1 Condenser Microphone
Meet the Bottle Rocket Stage One. The Stage One is our most accessible Class A discrete solid state mic with a foundation for interchangeable capsules including Blues nine vintage lollipop-style capsules the Bottle Caps. This bayonet-mounted system gives the user unlimited flexibility and a wide variety of tonal characteristics and pickup patterns all in one mic!

Precision-designed and hand-assembled the Stage One is crafted for a lifetime of use. Compared to similar microphones the Stage One had a very low self noise specification (< 7.5 dB) and an very high output level (+12dBV) making it the perfect choice for todays high sample rate/deep word length digital platforms. Instead of integrated circuits (chips) the Stage One employs a transformless Class A discrete amplifier circuit to ensure the most accurate and noise-free signal possible with minimal distortion and coloration. The Stage One is an ideal microphone for recording virtually any sound source. In addition to the microphone the Stage One also includes Blues custom spider shockmount. Capsules Designed for Any Mission Both Stages of the Bottle Rocket family can take advantage of the Bottle Caps Blues family of nine interchangeable capsules with different tonal characteristics and pickup patterns. Each Bottle Cap is designed to provide the recordist with the ultimate sonic solution for their respective application. Below is a complete list of the nine Bottle Caps. Get them all and youll have an entire mic cabinet at your fingertips! Technical Details Transducer Type: Pressure Gradient or Pure Pressure (depending on capsule) Polar Pattern: Cardioid Omnidirectional Figure of 8 (depending on capsule) Frequency Response: 20Hz - 20kHz Sensitivity: 27mV/Pa (+/- 10mV depending on capsule) at 1kHz (1 Pa = 94 dB SPL) Output Impedance: 50 ohm Rated Load Impedance: Not less than 1k ohm Noise Level A-Weighted: Not more than 7.5 dBV - 14 dBV (IEC 651) (depending on capsule) Maximum Output: +12 dBV = 3.1 Vrms (2.5k ohm 1% THD) Maximum SPL: 138 dB SPL (2.5k ohm 1.0% THD) Dynamic Range: 130 dB (@ 2.5k ohm) Power Requirement: +48V DC Phantom Power (IEC 268-15) (+35V min.) Current Draw: 1.8mA (typical AI+48V) Blue Recording-and-Computers AK4

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Blue Bottle Rocket Stage 1 Condenser Microphone

Blue Microphones Hummingbird Small Diaphragm Condenser

Blue Microphones Hummingbird Small Diaphragm Condenser
The Blue Microphones Hummingbird is a small diaphraghm condenser microphone perfect for both stage and studio recording of acoustic guitars strings and even drums in overhead configuration due to its fast transient response wide frequency range and ability to handle high sound pressure levels.

The Blue Microphones Hummingbird features an adjustable pivoting head that allows for 180 degrees of rotation allowing users to set the mic at any angle without adjusting the stand perfect for use with an acoustic guitar or drums in an overhead configuration. The Hummingbird pencil microphone is great for capturing high frequencies has a fast transient response and the ability to handle high sound pressure levels. Based on Blues B1 capsule the Hummingbird is an exceptional small diaphragm microphone offering balanced character with plenty of high end great detail and a low noise floor. A road-ready protective carrying case is included along with a mic clip and a foam windscreen. Features 180° rotating head for precise mic placement Cardioid condenser capsule based on the heralded Blue Bottle B1 capsule Exceptional sonic accuracy and extended frequency response Ultra-fast transient response and high SPL handling Specifications Transducer Type: Condenser Pressure Gradient Polar Pattern: Cardioid Frequency Response: 20Hz – 20kHz Sensitivity: 15MV/PA @ 1KHZ (1 PA = 94DB SPL) Output Impedance: 50Ω Rated Load Impedance: Not less than 1KΩ Maximum SPL: 130 DB SPL S/N Ratio: 85.5 DB-A (IEC 651) Noise Level A-Weighted: 8.5 DB-A (IEC 651) Dynamic Range: 129.5 DB (2.5KΩ) Power Requirement: +48V DC Phantom Power (IEC 268-15) Weight: 212g (7.5oz) Dimensions: 170mm x 27mm x 27mm (6.7″ X 1.1″ x 1.1″) Included Accessories Rigid carry case with foam lining Mic clip Foam wind-screen Blue Recording-and-Computers 16CJ

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Blue Microphones Hummingbird Small Diaphragm Condenser

Blue Microphones Ringer Shockmount

Blue Microphones Ringer Shockmount
Designed for Blues complete line of spherical microphones The Ringer is a vintage-style suspension mount designed to isolate the microphone body from low-frequency energy when mounted on a mic stand. The Ringer also accommodates virtually any microphone with a standard thread mount.

Blue PA-DJ-and-Lighting C1T

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Blue Microphones Ringer Shockmount

Blue Mouse Kick Drum Condenser Microphone

Blue Mouse Kick Drum Condenser Microphone
With its unique rotating capsule The Mouse is one of the most versatile and snazzy-looking mics youll ever lay eyes on. The Mouse is a cardioid condenser which employs our hand-built single-membrane large diaphragm capsule. Enclosed within a rotating spherical grille the capsule can be positioned and adjusted in the smallest of spaces. Perfectly suited for broadcast and voiceover work youll find The Mouse equally at home in front of a kick drum acoustic bass electric bass amplifier snare drum and any other sources where accurate reproduction of low frequency transients is desired.

Characteristics Polar pattern: Cardioid Transformer balanced Class A discrete amplifier circuit Blues famous hand-built large diaphragm capsule Larger-than-life sound with a boost in the upper and lower frequencies and a strong presence Integrated suspension shockmount and rotating head for optimal placement Hand-tuned and tested-includes cherrywood storage box Technical Specs Transducer Type: Condenser Pressure Gradient Polar Pattern: Cardiod Frequency Response: 20Hz – 20kHz Sensitivity: 21.0 mV/Pa at 1kHz (1 Pa = 94dB SPL) Output Impedance: 150 ohm Rated Load Impedance: Not less than 1k ohm Maximum SPL: 138 dB SPL (2.5k ohm 0.5% THD) S/N Ratio: 85 dB-A (IEC 651) Noise Level: 8.0 dB-A (IEC 651) Dynamic Range: 130 dB (@2.5 ohm) Power Requirement: +48 DC Phantom Power (IEC 268-15) Weight: 980g Dimensions: 165mm x 65mm Blue Recording-and-Computers ANV

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Blue Mouse Kick Drum Condenser Microphone

Blue Yeti Pro Professional USB Microphone

Blue Yeti Pro Professional USB Microphone
The Yeti Pro is the worlds first USB microphone combining 24 bit/192 kHz digital recording resolution with analog XLR output. Featuring three custom condenser capsules and four different pattern settings the Yeti Pro can capture digital audio with up to four times the clarity found on CDs.

The Yeti Pro features a cutting-edge A-D converter chip and separate analog circuit path for usewith professional studio mixers and preamps. You also get a built-in headphone amplifier for zero-latency monitoring and direct controls for headphone volume pattern selection mute and microphone gain. So whether you record at home in a studio (or in the Himalayas!) the Yeti Pro is your ultimate sound solution. The legend of the Yeti continues with the most advanced and versatile multi-pattern USB microphone roaming the wild today. The Yeti Pro features tools and recording capabilities usually requiring multiple microphones and devices all with the simplicity of a plug n play USB microphone. Desktop or Studio the possibilities are endless You can quickly select from each of Yeti Pros four pattern settings (stereo cardioid omnidirectional bidirectional) by simply rotating the pattern selector knob. The chart below shows each patterns symbol sound source direction and suggested recording applications. STEREO The Stereo mode is great for capturing a realistic stereo image. To start point the microphone at the sound source that you want to record (the “front” of the microphone is the side of the microphone with the Blue Microphones Logo). Depending on the instrument and/or sound that you want to achieve place the grill of the microphone anywhere from 2 inches to several feet in front of the sound source. By centering the sound source you will get equal amounts of signal in both the left and right channels. If you want a little more of the signal in the right channel move the sound source a little to the right side of the mic (as if one is behind the microphone) and if you want a little more of the signal in the left channel move the sound source to the left (as if you are behind the microphone). Alternatively you can record everything as centered as possible and easily adjust the position when youre mixing the recording. If you want the sound in the right or left channel only you should try using the cardioid bidirectional or the omnidirectional setting and use your software to hard-pan the sound to the left or the right. CARDIOID Cardioid is the most commonly used mode and can be useful in most any situation. If you are recording vocals a podcast or a voiceover cardioid is likely your best choice. When recording in cardioid sound directly in front of the microphone is picked up while the sound at the rear and sides of the microphone is not picked up. Therefore you will want to arrange the source directly in front of the microphone. Cardioid will deliver the most direct rich sound but will not offer as much airiness or presence as the other recording modes. OMNIDIRECTIONAL Omnidirectional means that the microphone picks up sound equally from all directions. This setting is perfect for recording a group of musicians all playing at the same time recording a conversation between multiple parties around a room a conference call or any other situations where you want to capture the ambience of being there. Because sound is picked up from all directions in this mode the orientation of the microphone isnt crucial but as a good rule of thumb start by orienting the front of the microphone at the primary sound source you wish to record. BIDIRECTIONAL Bidirectional means that the microphone picks up sound at the front and rear of the microphone while the sounds to the sides are “rejected” or not picked up. The bidirectional setting is very useful in achieving a nuanced pleasant sound when recording musical instruments and is perfect for recording an interview with two or more guests. By placing the microphone between two or more subjects (front of microphone facing one source rear of microphone facing another) you can achieve a natural sound without the complexity of using multiple microphones. Features/Specifications: Power Required/Consumption: 5V 500mA (USB)/48V DC (analog) Sample Rate: 192 kHz Bit Rate: 24bit Capsules: 3 Blue-proprietary 14mm condenser capsules Polar Patterns: Cardioid Bidirectional Omnidirectional Stereo Frequency Response: 20Hz – 20kHz Sensitivity: 4.5mV/Pa (1 kHz) Max SPL: 120dB (THD: 0.5 1kHz) Impedance: >16 ohms Power Output (RMS): 130 mW THD: 0.009 Frequency Response: 15 Hz ? 22 kHz Signal to Noise: 114dB Dimensions (extended in stand): 4.72″(12cm) x 4.92″(12.5cm) x 11.61″(29.5cm) Cable: 12″ Y-Cable and 3M USB cable SYSTEM REQUIREMENTS: PC: Windows 7 Windows Vista XP Home Edition or XP Professional USB 2.0 High Speed; 256 MB RAM (minimum) Macintosh: Mac OSX (10.4.11 or higher) USB 2.0 High Speed; 256 MB RAM (minimum) Blue Recording-and-Computers EYX

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Blue Yeti Pro Professional USB Microphone

Blue Dragonfly Cardioid Condenser Microphone

Blue Dragonfly Cardioid Condenser Microphone
Fast maneuverable and beautifully engineered the Dragonfly employs an innovative design that offers fine tuning and precise placement to please the most discerning recordist combined with an ease of use that is without equal among contemporary microphones – and at a price thats considerably less than anything in its class.

Winner of both the 2001 TEC Award and an Electronic Musicians 2001 Editors Choice award the Dragonfly is a unique pressure-gradient cardioid condenser microphone employing the Blues hand-built single-membrane large diaphragm capsule coated with a 6-micron mylar film of pure gold and aluminum. Enclosed within a rotating spherical grille the capsule can be positioned and adjusted in the smallest spaces. Complete with an integrated elastic shockmount the microphones electronics are based on a class A discrete circuit with a transformerless output. Its sonic character gives flight to everything from vocals to percussion electric guitar and bass as well as more “difficult” sources such as saxophones and stringed instruments. Technical Specs Transducer Type: Condenser Pressure Gradient Polar Pattern: Cardioid Frequency Response: 20Hz – 20kHz Sensitivity: 21.0 mV/Pa at 1kHz (1 Pa = 94 dB SPL) Output impedance: 50 ohm Rated Load impedance: Not less than 1k ohm Maximum SPL: 138 dB SPL (2.5k ohm 0.5% THD) S/N Ratio: 86 dB-A (IEC 651) Noise Level: 8.0 dB-A (IEC 651) Dynamic Range: 130 dB (@ 2.5k ohm) Power Requirement: +48V DC Phantom Power (IEC 268-15) Weight: 630g Dimensions: 165mm x 60mm Blue Recording-and-Computers AK5

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Blue Dragonfly Cardioid Condenser Microphone

Blue Woodpecker Active Ribbon Microphone

Blue Woodpecker Active Ribbon Microphone
With its unique active circuitry and gorgeous exotic wood finish the Woodpecker is one of the most interesting and beautiful ribbon microphones youll ever lay eyes (or ears) on. The Woodpecker is the latest addition to Blues family of precision-crafted recording tools combining the low noise and superb detail of Blues renowned Class-A discrete handmade electronics with the bold sound of a handmade aluminum ribbon pressure-gradient transducer.

The Woodpecker is designed to be highly durable and deliver the wide frequency response needed in todays modern recording environment. With its focused mid-range ultra-smooth top end and outstanding bass response the Woodpecker captures the essence of any recorded sound. It also excels at ambient recording capturing room tone with the most intimate detail. Features Handcrafted ribbon pressure-gradient transducer Active Class-A discrete custom-made electronics Focused mid-range ultra-smooth top end and outstanding bass response Gorgeous exotic wood finish Includes custom shockmount and cherrywood box Technical Specs Transducer Type: Active Ribbon Pressure Gradient Polar Pattern: Figure 8 Frequency Response: 20Hz – 20kHz Sensitivity: 26.0 mV/Pa a 1kHz (1 Pa = 94 dB SPL) Output Impedance: 50 ohm Rated Load Impedance: Not less than 1k ohm Maximum SPL: 136 dB SPL (2.5k ohm 0.5% THD) S/N Ratio: 72.0 dB-A (IEC 651) Noise Level: 22.0 dB-A (IEC 651) Dynamic Range: 114 dB (@ 2.5k ohm) Power Requirement: +48V DC Phantom Power (IEC 268-15) Weight: 725g Dimensions: 227mm x 45mm Blue Recording-and-Computers AK6

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Blue Woodpecker Active Ribbon Microphone

Blue Reactor Multi-Pattern Condenser Microphone

Blue Reactor Multi-Pattern Condenser Microphone
The new multi-pattern Reactor pushes the envelope of modern microphone design and performance while making multiple mic setups more accessible. Reactor fuses an innovative pattern selection method with a swiveling capsule head for perfect positioning and features Blues premium condenser capsule fully discreet Class A solid state components and proprietary preamp for noiseless live switching between patterns (Cardioid Omni or Figure-8). To facilitate use in multiple mic setups (like Mid/Side X-Y) Reactors capsule head rotates a range of 90 degrees for perfect positioning in tight spaces and easy pattern adjustability. Reactors recording pattern selection is both intuitive and stylish featuring LED backlighting on the pattern indicators and a magnifying element that compliments its forward-looking design.

The Blue Reactor Microphone is a multi-pattern large diaphragm condenser microphone that pushes the envelope of microphone design in functional versatility sound and aesthetics. Reactor combines large-format capsule technology from Blues renowned mic line-up with an innovative approach to professional multi-pattern flexibility in one custom-designed microphone. Reactor unites an innovative pattern selection method with a swiveling capsule head for precise positioning. Featuring Blues premium condenser capsule and proprietary pre-amp circuit Reactor allows for noiseless live switching between the three distinct patterns (cardioid omni or bi-directional). Reactor fuses an innovative pattern selection method with a swiveling capsule head for perfect positioning and features Blues premium condenser capsule fully discreet Class A solid state components and proprietary preamp for noiseless live switching between patterns (Cardioid Omni or Figure-8). Features/Specifications: Large-diaphragm premium condenser capsule Three recording patterns: Omni Cardioid Bi-directional Swivel head allows for flexible placement and multi mic positioning (like Mid/Side X-Y) Unique selection method with magnifier for easy toggle Fully discreet Class A solid state components LED backlit pattern selection Simple pop filter installation Includes custom designed storage case and shockmount Further Specs: Transducer: Condenser Pressure Gradient Polar Pattern: Cardioid Omni Figure 8 (bi-directional) Frequency Response: 20Hz-20kHz Sensitivity: 19.0mV/Pa at 1kHz (1Pa=94dB SPL) Output Impedance: 50Ω Rated Load Impedance: Not less than 1kΩ Maximum SPL: 135 dB SPL (2.5kΩ 0.5 THD) Signal to Noise Ratio: 88 dB-A Noise Level: 9.3 dB-A Dynamic Range: 128 dB (@2.5Ω) Power Requirement: +48V DC Phantom Power (IEC 268-15) Blue Recording-and-Computers EZX

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Blue Reactor Multi-Pattern Condenser Microphone

Blue Blueberry Cardioid Condenser Microphone

Blue Blueberry Cardioid Condenser Microphone
Winner of Electronic Musicians 2000 Editors Choice Award for Best Microphone the Blueberry consists of a Class A discrete transformer based microphone amplifier perfectly chosen to compliment our cardioid pattern hand- built large diaphragm capsule.

First and foremost the Blueberry has been designed to provide the commanding intimate presence associated with the worlds best (and most expensive) vintage vocal microphones. With its shimmering detailed highs smooth midrange and minimized proximity effect (a bass boost inherent in all unidirectional mics) the Blueberry excels at delivering a vocal right to the front of the mix where it belongs. When processed with limiting and/or compression as is standard practice for most pop vocals tracks recorded with the Blueberry will be free of pumping low frequency thumps. Acoustic guitar hand percussion drums and other critical high end sources also shine in front of the Blueberry gaining an extra measure of presence that enables the most delicate sounds to cut through a mix even at very low levels. Handsomely packaged in its own cherrywood box the Blueberry has been designed to fill the needs of the home musician and professional alike. Whatever your music add a Blueberry to the mix and let your ears feast on the sound. Technical Specs Transducer Type: Condenser Pressure Gradient Polar Pattern: Cardioid Frequency Response: 20Hz – 20kHz Sensitivity: 20.0 mV/Pa at 1kHz (1 Pa = 94 dB SPL) Output Impedance: 150 ohm Rated Load Impedance: Not less than 1k ohm Maximum SPL: 140 dB SPL (2.5k ohm 0.5% THD) S/N Ratio: 86 dB-A (IEC 651) Noise Level: 9.0 dB-A (IEC 651) Dynamic Range: 131 dB (@ 2.5k ohm) Power Requirement: +48V DC Phantom Power (IEC 268-15) Weight: 520g Dimensions: 235mm x 50mm x 30mm Blue Recording-and-Computers AK7

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Blue Blueberry Cardioid Condenser Microphone

Blue Microphones Mikey Digital Microphone

Blue Microphones Mikey Digital Microphone
The all-new Mikey Digital is the perfect tool for mobile recording. Featuring two custom-tuned Blue capsules for stereo recording a line-input USB pass through and a stylish updated 230-degree rotating design Mikeys three gain settings allow for a versatile recording experience for everything from a loud concert to a whisper. Record music videos interviews guitars and more.

Mikey also comes with its own soft carrying pouch for convenient storage and protection while on the go. Mikey turns your iPhone into the coolest mobile recording device around! Features/Specifications: Superior quality audio recording Made for iPod touch (4th generation) iPhone 4S iPhone 4 iPad 2 and iPad Works with most popular recording apps Input jack for guitars mics and any device with line-out Automatic or manual gain control Advanced processor for future app compatibility Built-in USB charging port Further Specs: Transducer Type: Condenser Pressure Gradient Polar Patterns: Cardioid Frequency Response: 35Hz-20kHz Sample/Word: 44.1kHz/16 bit Dimensions: 2.5″(L) x 2.5″(W) x .5″(H) Blue Recording-and-Computers IG5

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Blue Microphones Mikey Digital Microphone