Avantone Mixcube Active Studio Monitor Butter Cream (Single)

Avantone Mixcube Active Studio Monitor Butter Cream (Single)
The AVANTONE Active MixCubes are shielded full-range studio mini-reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years.The Avantone Active Mixcubes are designed to be high-resolution full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that compliments a single full-range transducer.

PERFORMANCE OBJECTIVE: Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However in this newly developing age of High Definition Audio there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions clock radios computers car stereos iPod docking stations etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening & tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth more open transparent top end response with extended bass while maintaining their basic original character. Cabinet Design: The original 5C Sound Cubes™ were made of 1/2″ particleboard covered with a glue-on wood grain contact paper. We chose to use thicker denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1/2″) sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated machined solid metal binding posts (Dual banana spacing) mounted on a black anodized milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally for creative mounting situations we recessed an industry standard 5/8″-27 mic stand mount into the base. Driver Design: The originals were a basic 5″ stamped frame design. We designed a proprietary 5.25″ die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone chosen for its musical character is custom designed & crafted using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure. Amplifier Design: We designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps. REAR PANEL CONTROLS/CONNECTIONS BALANCED INPUT: This “combo XLR” input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS 1/4″ or a 2 conductor UNBALANCED TS 1/4″ male plug. For unbalanced operation with a TS connector the minus signal is automatically grounded. SYSTEM GAIN: This variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note: when the signal appearing at the input is too hot the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks. ON/OFF Switch: This illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however. AC INPUT: This input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC/MAINS operating voltage for your location. GROUND LIFT Switch: By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal. **PLACEMENT:*** When positioning the AVANTONE MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations. Specifications SYSTEM TYPE: Active (Self-powered) shielded full-range stereo speaker FREQUENCY RESPONSE: 90hz-17000hz (Accessible Musical Range) DRIVER IMPEDANCE: Nominal 8 Ω MAX SPL: 104db 1 meter @ 1 THD (PINK NOISE) AMPLIFIER: Class A/B AMP POWER: 60 watts RMS@ .005 THD (1KHz) AMP FREQ. RESPONSE: 22Hz-50KHz +0dB/- 3dB (90Hz-50KHz +/-0dB) NOISE: S/N -113 dB SENSITIVITY: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL COOLING: Convection / Heat Sink-Aluminum Fins DRIVER: Proprietary Design 5.25″ Cast Aluminum Frame / Paper Cone/Shielded CABINET: Sealed design / 18mm MDF / Dacron acoustical stuffing INPUTS: XLR & TRS (COMBO JACK) +4/Balanced and -10 unbalanced CABINET DIMENSIONS: 165mm X 165mm X 165mm ( 6 1/2″ x 6 1/2″ x 6 1/2″ ) CABINET WEIGHT: 7Lbs 2 oz / 3.55 kgs (per speaker) AVANTONE Recording-and-Computers BWU

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Avantone Mixcube Active Studio Monitor Butter Cream (Single)

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Avantone CV-12 Multi-Pattern Large Capsule Tube Microphone

Avantone CV-12 Multi-Pattern Large Capsule Tube Microphone
The Avantone CV-12 multi-pattern large capsule tube microphone is a truly gorgeous looking and sounding microphone. The body and capsule assembly are precision machined brass and it has a metallic Wine Red finish accented with Polished Nickel trim. The transformer-coupled tube circuitry has its origins in famous European vintage designs.

The CV-12 works well as a primary vocal mic. In design character and performance it is comparable to some of the fine vintage tube mics of the 1950s and 1960s but at a fraction of the cost. The microphone also comes with a Custom Retro Shockmount which is perfect for precisely positioning the mic while inhibiting the transfer of unwanted vibrations. This isolation gives superior professional results. The CV-12 is manufactured using the finest materials which gives a very solid feel superb structural integrity and rugged reliability. It produces professional results with a warm pleasing sonic character. It is supplied with a dedicated PS-12 power supply that also allows selection of nine different polar patterns. Features/Specifications: Type: Tube-Type True Condenser Microphone Capsule: Dual-sided 32mm centre-terminated gold-sputtered Mylar (6 micron) Polar Patterns: 9 patterns selectable at PS-12 power supply Frequency Response: 20 – 20000Hz +/- 3dB Sensitivity: -35 dB Output Impedance: AVANTONE Recording-and-Computers ADR

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Avantone CV-12 Multi-Pattern Large Capsule Tube Microphone

Avantone CK-1 Small Capsule FET Pencil Microphone

Avantone CK-1 Small Capsule FET Pencil Microphone
The Avantone CK-1 small capsule FET microphone is a truly gorgeous looking and sounding microphone. The body and capsule assembly are precision machined brass and it has a metallic Wine Red finish accented with Polished Nickel trim. The high-quality FET circuitry gives professional results that are comparable to much more expensive designs.

The three interchangeable capsules provide unlimited miking possibilities giving a choice of cardioid omni and hyper-cardioid polar patterns. The CK-1 microphone is equally suited to drum overheads acoustic instruments and piano producing professional results with a clean sonic character. The microphone also comes with an SSM Shockmount which is perfect for precisely positioning the mic while inhibiting the transfer of unwanted vibrations. This isolation gives superior professional results. Two separate switches allow refinement of your sound. The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics while the 80Hz High-Pass filter reduces rumble and keeps unwanted low frequencies from muddying up the track. Features/Specifications: Type: True Condenser Polar Patterns: Cardioid Hyper-Cardioid and Omni Capsules included Frequency Response: 25 – 20000Hz +/- 3dB Sensitivity: 15mV/pa Output Impedance: AVANTONE Recording-and-Computers AES

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Avantone CK-1 Small Capsule FET Pencil Microphone

Avantone Pro Abbey Studio Monitor Buttercream

Avantone Pro Abbey Studio Monitor Buttercream
The Avantone Abbey features a 3-way design with remote switch and bridging cable which enables you to flip back and forth between MixCube mode (full range signal sent to the single mix cube driver) and a 3-way mode where all three drivers are used. Also including a subwoofer on the side of the cabinet for an extended frequency response. This Abbey Studio Monitor has a smart butter cream finish.

AVANTONE Recording-and-Computers XE5

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Avantone Pro Abbey Studio Monitor Buttercream


Avantone Pro MixTower Studio Monitor Buttercream

Avantone Pro MixTower Studio Monitor Buttercream
The Avantone Pro MixTower features a 3-way design with remote switch and bridging cable which enables you to flip back and forth between MixCube mode (full range signal sent to the single mix cube driver) and a 3-way mode where all three drivers are used. The third driver in the MixTower is the same as the driver used in the hugely popular MixCubes.

AVANTONE Recording-and-Computers XE1

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Avantone Pro MixTower Studio Monitor Buttercream

Avantone Mixcubes Active Studio Monitors Black (Pair)

Avantone Mixcubes Active Studio Monitors Black (Pair)
The Avantone MixCube Active Studio Monitors were inspired by the original 5C Sound Cubes that are still in use worldwide. These self-powered MixCube Monitors feature some of the same design elements as their inspiration but offer an improved more linear frequency response.

Design The full range rugged mini-reference monitors feature a cabinet design made from dense MDF for high rigidity and inherent low-resonance characteristics finished with a black Polyurethane high gloss. The Mixcubes also feature high-end nickel plated machined solid metal binding posts (Dual banana spacing) mounted on a black anodized milled and silk-screened aluminum terminal plate. On the base of each Mixcube there is a 7mm thick neoprene pad to serve as a skid-resistant acoustic isolator. Additionally for creative mounting situations an industry standard 5/8″-27 mic stand mount is fitted into the base. Driver Performance The 5.25″ die cast aluminum frame driver/cone assembly exceeds the performance of the original 5C Sound Cubes. The mounting bezel is then polished for an elegant appearance. The custom designed paper cone is chosen for its musical character and is crafted using the finest New Zealand pulp with mica fibers making it sturdy yet lightweight. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure. Placement The shielded aspect of the Avantone Active Mixcubes means that they can be placed near a TV or CRT video monitor without causing any problems due to interference. The ideal position for these studio monitors is for them to be kept at ear level and slightly angled towards the engineer. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations. Enjoy a smooth more open transparent top end response and extended bass with the Avantone Mixcubes. It is important to make mixing judgments based on the clearest audio possible such as that from studio monitors rather than smaller “bass-challenged” systems such as televisions clock radios computers car stereos and iPod docking stations. Features/Specifications System Type: Active (Self-powered) shielded full-range stereo pair Frequency Response: 90Hz – 17000Hz (useful musical range) >Driver Impedance: Nominal 8 ohms Max SPL: 104db @ 1 meter = 1 THD (PINK NOISE) Amplifier Type: Class A/B Amplifier Power: 60 watts RMS@ .005 THD (1KHz) Amp Frequency Response: 22Hz-50KHz +0dB/- 3dB (90Hz-50KHz +/-0dB) Noise: S/N -113 dB Sensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL Driver: Proprietary design 5.25″ cast aluminum frame / paper cone / shielded Cabinet: sealed / 18mm MDF / Dacron acoustical stuffing Inputs: XLR & TRS (COMBO JACK) +4/Balanced and -10 unbalanced Weight: 7 lb 5 oz (per speaker) Dimensions: 165mm x 165mm x 165mm (6 1/2″ x 6 1/2″ x 6 1/2″ in) AVANTONE Recording-and-Computers SO8

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Avantone Mixcubes Active Studio Monitors Black (Pair)

Avantone CV-28 Small-Capsule Tube Condenser Microphone

Avantone CV-28 Small-Capsule Tube Condenser Microphone
The Avantone CV-28 small capsule tube condenser microphone is a truly gorgeous looking and sounding microphone. The body and capsule assembly are precision machined brass and it has a metallic Wine Red finish accented with Polished Nickel trim. The transformer-coupled tube circuitry has its origins in famous European and American vintage designs.

The CV-28 works well as a primary acoustic instrument mic. In design character and performance it is comparable to some of the fine vintage tube mics of the 1950s and 1960s but at a fraction of the cost. The microphone also comes with a Custom Retro Shockmount which is perfect for precisely positioning the mic while inhibiting the transfer of unwanted vibrations. This isolation gives superior professional results. Three different polar patterns Omni Cardioid and Hyper-Cardioid are available thanks to the interchangeable 19mm gold sputtered thin Mylar capsule assemblies. The CV-28 is manufactured using the finest materials which gives a very solid feel superb structural integrity and rugged reliability. It produces professional results with a warm pleasing sonic character. It is supplied with a dedicated PS-28 power supply and cables. Features/Specifications: Type: Tube-Type Condenser Polar Patterns: 3 patterns via interchangeable capsules (Omni Cardioid Hyper-Cardioid) Frequency Response: 20 – 20000Hz +/- 3dB Sensitivity: 20mV/Pa -34 dB Output Impedance: AVANTONE Recording-and-Computers AEW

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Avantone CV-28 Small-Capsule Tube Condenser Microphone

Avantone Mixcube Passive Studio Monitors Butter Cream (Pair)

Avantone Mixcube Passive Studio Monitors Butter Cream (Pair)
The Avantone MixCube Passive Studio Monitors were inspired by the original 5C Sound Cubes that are still in use worldwide. The MixCube Monitors feature some of the same design elements as their inspiration but offer an improved more linear frequency response. Please note: colour pictured here may vary slightly from actual product.

Design The full range rugged mini-reference monitors feature a cabinet design made from dense MDF for high rigidity and inherent low-resonance characteristics finished with a “retro-cream” Polyurethane high gloss. The Mixcubes also feature high-end nickel plated machined solid metal binding posts (Dual banana spacing) mounted on a black anodized milled and silk-screened aluminum terminal plate. On the base of each Mixcube there is a 7mm thick neoprene pad to serve as a skid-resistant acoustic isolator. Additionally for creative mounting situations an industry standard 5/8″-27 mic stand mount is fitted into the base. Driver Performance The 5.25″ die cast aluminum frame driver/cone assembly exceeds the performance of the original 5C Sound Cubes. The mounting bezel is then polished for an elegant appearance. The custom designed paper cone is chosen for its musical character and is crafted using the finest New Zealand pulp with mica fibers making it sturdy yet lightweight. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure. Placement The shielded aspect of the Avantone Passive Mixcubes means that they can be placed near a TV or CRT video monitor without causing any problems due to interference. The ideal position for these studio monitors is for them to be kept at ear level and slightly angled towards the engineer. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations. Amplification and Wiring Recommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power. It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire spade lugs or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet. Enjoy a smooth more open transparent top end response and extended bass with the Avantone Mixcubes. It is important to make mixing judgments based on the clearest audio possible such as that from studio monitors rather than smaller “bass-challenged” systems such as televisions clock radios computers car stereos and iPod docking stations. Features 5.25″ Shielded Passive Full range 8 ohm drivers 6 1/2″ Cube Cabinet with multiple coats of “Retro-Cream” High Gloss lacquer finish Precision-milled high-rigidity MDF cabinet sides & baffle for low resonance Radiused corners & edges reduce edge diffraction for better imaging Custom Cone is crafted using New Zealand pulp with mica fibers added for light weight & rigidity Cloth surround made in Japan to uniform thickness tolerances Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel The 43oz. low distortion motor structure magnets are Y- 40 GRADE (MIL-SPEC) High-Rigidity DIE-CAST Aluminum frame with polished mounting bezel Nickel Plated “high-end” binding posts (properly spaced for dual banana plugs) – insulated for CE compliance Anodized aluminum milled terminal plate 1/4″ soft Neoprene Pad is recessed into the cabinet base to serve as a non-skid acoustic isolator Standard size (5/8″- 27 threading) female microphone stand mount is built into the cabinet base Specifications System Type: Dynamic Shielded Full-Range Pair Frequency Response: 90Hz – 17000Hz (useful musical range) Impedance: Nominal 8 ohms SPL / Sensitivity: 93dB @ 1w / 1 meter Recommended Power: From 10-200 watts Driver: 5.25″ cast aluminum frame Cabinet: sealed / 18mm MDF / Dacron acoustical stuffing Inputs: 3-way CE rated plastic encased metal binding posts (accepts up to 12-gauge wire spade lugs dual banana plugs) Weight: 6 lbs 11 oz (per speaker) Dimensions: 165mm x 165mm x 165mm (6 1/2″ x 6 1/2″ x 6 1/2″ in) AVANTONE Recording-and-Computers SO4

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Avantone Mixcube Passive Studio Monitors Butter Cream (Pair)

Avantone CK40 Condenser Stereo Multi-Pattern FET Microphone

Avantone CK40 Condenser Stereo Multi-Pattern FET Microphone
The Avantone CK-40 stereo multi-pattern FET microphone is a truly gorgeous looking and sounding microphone. The body and capsule assembly are precision machined brass and it has a metallic Wine Red finish accented with Polished Nickel trim. The Discreet Class A Low-Noise FET circuitry gives professional results that are comparable to much more expensive designs.

The CK-40 houses twin large 35mm gold-sputter centre-terminated pressure gradient transducers. The tight vertical array and close physical proximity allows accurate stereo imaging without phase issues arising. The top capsule/grill assembly can be rotated up to 180 degress relative to the lower assembly which along with the multi-pattern independent selector choices allows for all stereo recording techniques to be utilised. The microphone also comes with a Custom Retro Shockmount which is perfect for precisely positioning the mic while inhibiting the transfer of unwanted vibrations. This isolation gives superior professional results. Two separate switches allow refinement of your sound. The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics while the 80Hz High-Pass filter reduces rumble and keeps unwanted low frequencies from muddying up the track. There are two sets of switches controlling the capsules independently. Features/Specifications: Type: Stereo True Condenser Polar Patterns: Cardioid Omni Figure 8 (x2) Frequency Response: 20 – 20000Hz +/- 3dB Output Impedance: AVANTONE Recording-and-Computers OIY

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Avantone CK40 Condenser Stereo Multi-Pattern FET Microphone

Avantone CK-6 Large Capsule FET Condenser Microphone

Avantone CK-6 Large Capsule FET Condenser Microphone
The Avantone CK-6 large capsule FET microphone is a truly gorgeous looking and sounding microphone. The body and capsule assembly are precision machined brass and it has a metallic Wine Red finish accented with Polished Nickel trim. The transformerless Discreet Class A FET circuitry gives professional results that are comparable to much more expensive designs.

The CK-6 houses a 32mm gold-sputter thin Mylar capsule and uses high grade Polystyrene and Metalised Polypropylene capacitors in the audio path. The use of the finest materials gives a very solid feel superb structural integrity and rugged reliability producing professional results with a clean sonic character. The microphone also comes with a Custom Retro Shockmount which is perfect for precisely positioning the mic while inhibiting the transfer of unwanted vibrations. This isolation gives superior professional results. Two separate switches allow refinement of your sound. The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics while the 80Hz High-Pass filter reduces rumble and keeps unwanted low frequencies from muddying up the track. Features/Specifications: Type: True Transformerless Condenser Polar Patterns: Cardioid Frequency Response: 35 – 20000Hz +/- 3.5dB Output Impedance: AVANTONE Recording-and-Computers AET

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Avantone CK-6 Large Capsule FET Condenser Microphone

Avantone CK-7 Multi-Pattern FET Condenser Microphone

Avantone CK-7 Multi-Pattern FET Condenser Microphone
The Avantone CK-7 large capsule multi-pattern FET microphone is a truly gorgeous looking and sounding microphone. The body and capsule assembly are precision machined brass and it has a metallic Wine Red finish accented with Polished Nickel trim. The transformer-coupled Discreet Class A FET circuitry gives professional results that are comparable to much more expensive designs.

The CK-7 houses a 35mm gold-sputter thin Mylar capsule and uses high grade Polystyrene and Metalised Polypropylene capacitors in the audio path. The use of the finest materials gives a very solid feel superb structural integrity and rugged reliability producing professional results with a clean sonic character. The microphone also comes with a Custom Retro Shockmount which is perfect for precisely positioning the mic while inhibiting the transfer of unwanted vibrations. This isolation gives superior professional results. The CK-7 has 3 patterns allowing it to be used in a variety of situations. The cardioid pattern works best on vocals and single instruments the omni mode incorporates some room sound into the track and the figure 8 pattern allows two vocalists to use the mic simultaneously from opposite sides. Two separate switches allow refinement of your sound. The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics while the 80Hz High-Pass filter reduces rumble and keeps unwanted low frequencies from muddying up the track. Features/Specifications: Type: True Condenser Polar Patterns: Cardioid Omni Figure 8 Frequency Response: 20 – 20000Hz +/- 3dB Output Impedance: AVANTONE Recording-and-Computers AEU

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Avantone CK-7 Multi-Pattern FET Condenser Microphone

Avantone Mixcube Active Studio Monitor Black (Single)

Avantone Mixcube Active Studio Monitor Black (Single)
The Avantone MixCube Active Studio Monitors were inspired by the original 5C Sound Cubes that are still in use worldwide. This self-powered MixCube Monitor features some of the same design elements as its inspiration but offer an improved more linear frequency response.

Design The full range rugged mini-reference monitor features a cabinet design made from dense MDF for high rigidity and inherent low-resonance characteristics finished with a black Polyurethane high gloss. The Mixcube also features high-end nickel plated machined solid metal binding posts (Dual banana spacing) mounted on a black anodized milled and silk-screened aluminum terminal plate. On the base of the Mixcube there is a 7mm thick neoprene pad to serve as a skid-resistant acoustic isolator. Additionally for creative mounting situations an industry standard 5/8″-27 mic stand mount is fitted into the base. Driver Performance The 5.25″ die cast aluminum frame driver/cone assembly exceeds the performance of the original 5C Sound Cubes. The mounting bezel is then polished for an elegant appearance. The custom designed paper cone is chosen for its musical character and is crafted using the finest New Zealand pulp with mica fibers making it sturdy yet lightweight. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure. Placement The shielded aspect of the Avantone Active Mixcube means that it can be placed near a TV or CRT video monitor without causing any problems due to interference. The ideal position for this studio monitor is for it to be kept at ear level and slightly angled towards the engineer. The bottom mic stand mount will also allow you creative positioning options in unusual studio playback situations. Enjoy a smooth more open transparent top end response and extended bass with the Avantone Mixcubes. It is important to make mixing judgments based on the clearest audio possible such as that from studio monitors rather than smaller “bass-challenged” systems such as televisions clock radios computers car stereos and iPod docking stations. Features/Specifications System Type: Active (Self-powered) shielded full-range stereo speaker Frequency Response: 90Hz – 17000Hz (useful musical range) >Driver Impedance: Nominal 8 ohms Max SPL: 104db @ 1 meter = 1 THD (PINK NOISE) Amplifier Type: Class A/B Amplifier Power: 60 watts RMS@ .005 THD (1KHz) Amp Frequency Response: 22Hz-50KHz +0dB/- 3dB (90Hz-50KHz +/-0dB) Noise: S/N -113 dB Sensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL Driver: Proprietary design 5.25″ cast aluminum frame / paper cone / shielded Cabinet: sealed / 18mm MDF / Dacron acoustical stuffing Inputs: XLR & TRS (COMBO JACK) +4/Balanced and -10 unbalanced Weight: 7 lb 5 oz (per speaker) Dimensions: 165mm x 165mm x 165mm (6 1/2″ x 6 1/2″ x 6 1/2″ in) AVANTONE Recording-and-Computers SO7

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Avantone Mixcube Active Studio Monitor Black (Single)

Avantone Pro MixTower Studio Monitor Black

Avantone Pro MixTower Studio Monitor Black
The Avantone Pro MixTower features a 3-way design with remote switch and bridging cable which enables you to flip back and forth between MixCube mode (full range signal sent to the single mix cube driver) and a 3-way mode where all three drivers are used. The third driver in the MixTower is the same as the driver used in the hugely popular MixCubes.

AVANTONE Recording-and-Computers XDZ

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Avantone Pro MixTower Studio Monitor Black