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Audials OneAudials One Records & Converts Everything
Streaming Recorder for Video and Audio. Listen to and Record Internet Radio Stations.Converter Tool for all Media and Devices
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Amazon PrimeOver a million songs and hundreds of playlists. Listen from your phone, tablet, and computer ad‑free anywhere, anytime and Free with Amazon Prime.
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AKG D112 MKII Kick Drum Microphone with Flexible Mount

AKG D112 MKII Kick Drum Microphone with Flexible Mount
The AKG D112 MKII is the succesor of the legendart D112 the MKII improves upon its predecessor with a new integrated flexible mount whilst retaining all the sonic strengths that have made it the industry-standard for many professionals.

The D112 MKII cardioid dynamic microphone can handle more than 160 dB SPL without distortion. Featuring a large diaphragm the MKII has a incredibly low resonance frequency that delivers a solid a powerful response below 100 Hz. The low end is complemented by a narrow-and presence boost at 4 kHz that punches through even dense mixes and loud stage volumes with forceful impact. Further refining its performance the D112 MKII features an integrated hum-compensation coil that keeps noise to an absolute minimum. The D112 has earned a well-deserved reputation as one of the best kick drum microphones ever made for its high SPL capability punchy EQ and bulletproof construction said Erich Gaertner Product Line Manager AKG. However its rigid mount sometimes made it a little tricky to place in the optimum position. With the debut of the D112 MKII we have accommodated the requests of tour sound pros who asked for a more flexible pivoting and rotating mounting system which now enables the D112 MKII to be set up perfectly in any application. One of the many reasons artists and sound engineers love the D112 MKII is that it requires no additional EQ to sound just right as soon as you bring up the fader. AKG PA-DJ-and-Lighting 18Z9

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AKG D112 MKII Kick Drum Microphone with Flexible Mount


Allen and Heath Qu-16 Digital Mixer Chrome Edition

Allen and Heath Qu-16 Digital Mixer Chrome Edition
the Allen and Heath Qu-16 i s ideal for live studio and installation applications. Its a 16 channel mixer that takes digital mixing to a new level. With an innovative rack-mountable design and built in FX EQ and dynamic processing the QU-16 offers all the features youd expect from a class-leading mixer. This is the new chrome edition with updated firmware and chrome knobs.

New Chrome Edition Firmware Automatic Mic Mixer More Monitor Mixes Spectrogram New tools for Qu-Pad App The new Automatic Microphone Mixer (AMM) coming in v1.8 firmware helps the engineer to manage the levels of multiple mic inputs ensuring that each speaker’s contribution is heard but with priority settings to establish an order of precedence. AMM is vital in applications such as conferences meetings and panel discussions where a number of microphones are open at the same time reducing background noise and minimising the risk of feedback. A new Spectrogram tool provides a fast visual means of hunting down and dealing with problem frequencies helping to eliminate feedback and tame difficult room acoustics. Qu v1.8 Chrome firmware also unlocks more monitor mixes by allowing Stereo Groups to be switched to Mix mode. This takes the maximum number of discrete monitor sends to 9 on Qu-24 (4 mono 5 stereo) and 11 on Qu-32 and Qu-Pac (4 mono 7 stereo) making them well suited to compact touring as dedicated monitor consoles. Whether youre switching from analogue or updating your digital desk Qu-16 allows you to experience the new digital with class-leading power and pedigree. The Qu-16 incorporates technologies from Allen & Heaths pioneering GLD and iLive digital mixing systems. 16 AnalogiQ total recall preamps feature zero crossing detection and an advanced padless 1dB step gain stage. The analogue signal is captured by high-class low-latency 24bit analogue to digital converters. Refined to offer superb transparency the AnalogiQ design gives minimal distortion an ultra-low noise floor and a warm musical sound that is missing from some digital consoles. Having all this power is useless if you dont have the controls at your disposal when you need them. The Qu-16 provides a hands-on mixing experience thats fluid comfortable and intuitive for novices and pros alike. A true digital mixer you can save and recall scenes at the press of a button saving up to 100 scenes. Dynamics and FX algorithms are derived from the FX used in Allen & Heaths iLive pro touring series used by some of the worlds most respected engineers. ANALOGIQ PREAMPS Qu-16s sixteen AnalogiQTM total recall preamps feature zero crossing detection and an advanced padless 1dB step gain stage closely allied to the DSP for optimal gain accuracy and audio transparency. The analogue signal is captured by high class low latency 24bit analogue to digital converters matched to high quality 24bit digital to analogue converters to deliver the required outputs. The AnalogiQTM design has been refined over many months to offer superb transparency minimal distortion and an ultra-low noise floor with a warm musical sound that is missing from some digital consoles. TOUCH CONTROL The 800 x 480 sixteen million colour Touchscreen and its dedicated data encoder form the heart of the Qu-16 interface providing super-fast easy access to all settings. The user-friendly interface has been designed with clarity in mind. Dedicated keys and screen tabs quickly guide you to meter and RTA views FX racks channel processing USB audio control scenes setup menus and much more. FADER AUTOMATION Moving faders started as an expensive option in the studio desks of the 80s and later became the norm with the advent of digital technology. Nevertheless some entry-level digital mixers lack this precious commodity which is a fundamental part of the Total Recall approach. Fader automation is essential for rapid mixing especially when you?re dealing with multiple monitor mixes ? just press a mix key and the faders immediately fly to the send levels for that mix. Qu-16 features 17 motorized ALPS faders 16 arranged over 2 layers allowing instant access to all channels and masters in a compact space plus a dedicated master fader which dynamically follows the mix selection. A third Custom layer is available for ad-hoc user strip layout where any combination of Inputs FX Sends FX Returns and Mix masters can be assigned. ILIVE FX Qu-16s dynamics and FX algorithms are derived from the FX used in our iLive pro touring series. Some of the worlds most respected audio engineers have chosen to use iLives FX on tour in preference to top-end plug-ins and external FX units. Qu-16 boasts 4 stereo iLive FX engines featuring lovingly crafted emulations of legendary classic reverbs gated reverbs delays modulators flangers and more. The FX library has the ability to grow with future firmware releases. FX are returned to the mix on dedicated return channels so you?re not tying up your mono and stereo input channels. Each Stereo FX Return has a dedicated 4 band PEQ. TOTAL RECALL True digital mixing is about being able to save and recall scenes (snapshots) at the press of a button. Qu-16 can store up to 100 full Scenes for recall at will. Channels and mixes can be made Safe from Scene recall. For example if an instrument or mic gets swapped out after the soundcheck the channel can be made safe to avoid settings being overridden by Scene recalls. Or if a broadcast feed or walk-in iPod is added last-minute before the show kicks off that mix or channel can be made safe from any scene change. In addition single parameter updates can be blocked using per scene Recall Filters or a Global Recall Filter. So if you tweak the graphic EQ to reflect the room response when the audience gets in you can block this to prevent any overwriting at scene change. Custom settings for each EQ compressor channel or FX can be saved as Library presets. This lets you store your tried and tested EQ setting for your favourite vocal mic or reverb pattern and apply it to other channels or shows. Libraries Scenes and the complete Show configuration can be saved to a USB key so you can carry the show with you ready to use on another Qu-16. Features and Specifications 16 Mono Inputs (TRS + XLR) 3 Stereo Inputs (TRS) 4 Stereo FX Returns 16 Busses 12 Mix Outputs (LR Mono Mix 1-4 Stereo Mix 1-3) 4 FX Engines AES Digital Out 19″ Rack Mountable Moving Faders Recallable AnaLOGIQ Preamps Qu-Drive direct Multitrack Recording / Playback on USB drives 800×480 Touchscreen iLive FX Library dSNAKE Remote Audio Port Compatible with ME Personal Mixing System Qu-Pad iPad App USB Audio Streaming DAW MIDI Control 4 Mute Groups Trim polarity HPF gate insert 4-band PEQ compressor and delay on all Inputs Insert 4-band PEQ 1/3 octave GEQ compressor and delay on all Mix outputs Built-in Signal Generator RTA with Peak Band indication Allen & Heath PA-DJ-and-Lighting QT1

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Allen and Heath Qu-16 Digital Mixer Chrome Edition

Alesis iO Hub 2-Channel Audio Interface for iOS and USB

Alesis iO Hub 2-Channel Audio Interface for iOS and USB
The Alesis iO Hub is a professional 2-channel audio interface designed for the travelling musician and mobile producers. The iO Hub enables you to record lay down and mix muscial ideas with your Mac PC or iPad using the Apple iPad Camera Connection Kit (sold separately) for even more flexibility. With two XLR+1/4 combo inputs with individual gain inputs you can connect anything from microphones to keyboards and guitars. The Hub supports stereo playback from your computer for professional mixing and monitoring.

Two-channel On-the-Go Audio Interface Made for traveling musicians and mobile producers iO Hub enables you to record lay down and mix musical ideas with your Mac and PC whenever inspiration strikes. Its compact portable design fits in your gig or laptop bag and leaves an ultra-small footprint in any recording or performing setup. Plus a single USB connection provides power to iO Hub and plug-and-play connectivity; no power supply or additional drivers required. iO Hub can also connect to your iPad and other devices with the Apple iPad Camera Connection Kit (sold separately) for even more recording-platform flexibility. Versatile Inputs With two XLR+1/4″ combo inputs iO Hub can accommodate nearly any audio source: connect microphones keyboards guitars basses and much more to start crafting your song. Channel one features selectable 48v phantom power for tracking with condenser microphones and channel two provides an additional switch that allows a guitar or bass to be connected directly to iO Hub. Mix And Monitor iO Hub supports stereo playback from your computer for professional mixing and monitoring. Connect its two 1/4″ outputs directly to your active monitor speakers amplifier PA system and use the direct switch for zero-latency monitoring of the input signal ? ideal during session tracking when adding overdubs or laying down additional tracks. A stereo headphone output with a dedicated volume knob is also onboard for private recording and late-night mixing. Finally a main-level control allows you to adjust the global volume so you can mix and record at the optimal sound level. Features Portable 2-channel Audio Interface Phantom Power For Use With Condenser Microphones Guitar / Line Level Switch For Use With A Guitar Or Bass Direct Switch For Zero-latency Input Monitoring Easily Connects To Your Mac Or PC Or iOS Device Headphone Output With Dedicated Volume Control Compact Modern Design With Accents USB Or iOS Powered; No Power Supply Required Connects to your iOS device via Apple™s new Lightning connector – Requires A Camera Connection Kit Standard 9-Volt Battery Supplies Phantom Power Audio Connections XLR+1/4 Combo Inputs (x2) 1/4 Audio Outputs (Left Right) 1/4 Stereo Headphone Output Other Connections USB (Mini) Port Controls Input 1 Level Knob Input 2 Level Knob Headphone Volume Knob Main Level Knob Phantom Power Switch Line / Guitar Switch Direct Monitor Switch Alesis Recording-and-Computers PMX

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Alesis iO Hub 2-Channel Audio Interface for iOS and USB

Angel APG-8P C3-C4 8 Note Diatonic Glockenspiel Coloured Keys

Angel APG-8P C3-C4 8 Note Diatonic Glockenspiel Coloured Keys
The Angel AX3083 Glockenspiel features 8 colour-plated sound blocks with a range of C3-C4. This instrument is perfect for teaching children the basics of musical harmony. This 8-note Glockenspiel is bright and colourful robust safe and durable and comes with two beaters. Each chime is made of gong quality steel and is electronically tuned to 5/100th of a semitone. Let your children discover that music is a creative fun and exciting experience with the Angel AX3083.

Angel Drums-and-Percussion 13SL

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Angel APG-8P C3-C4 8 Note Diatonic Glockenspiel Coloured Keys

Avantone Mixcube Active Studio Monitor Butter Cream (Single)

Avantone Mixcube Active Studio Monitor Butter Cream (Single)
The AVANTONE Active MixCubes are shielded full-range studio mini-reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years.The Avantone Active Mixcubes are designed to be high-resolution full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that compliments a single full-range transducer.

PERFORMANCE OBJECTIVE: Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However in this newly developing age of High Definition Audio there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions clock radios computers car stereos iPod docking stations etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening & tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth more open transparent top end response with extended bass while maintaining their basic original character. Cabinet Design: The original 5C Sound Cubes™ were made of 1/2″ particleboard covered with a glue-on wood grain contact paper. We chose to use thicker denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1/2″) sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated machined solid metal binding posts (Dual banana spacing) mounted on a black anodized milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally for creative mounting situations we recessed an industry standard 5/8″-27 mic stand mount into the base. Driver Design: The originals were a basic 5″ stamped frame design. We designed a proprietary 5.25″ die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone chosen for its musical character is custom designed & crafted using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure. Amplifier Design: We designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps. REAR PANEL CONTROLS/CONNECTIONS BALANCED INPUT: This “combo XLR” input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS 1/4″ or a 2 conductor UNBALANCED TS 1/4″ male plug. For unbalanced operation with a TS connector the minus signal is automatically grounded. SYSTEM GAIN: This variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note: when the signal appearing at the input is too hot the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks. ON/OFF Switch: This illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however. AC INPUT: This input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC/MAINS operating voltage for your location. GROUND LIFT Switch: By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal. **PLACEMENT:*** When positioning the AVANTONE MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations. Specifications SYSTEM TYPE: Active (Self-powered) shielded full-range stereo speaker FREQUENCY RESPONSE: 90hz-17000hz (Accessible Musical Range) DRIVER IMPEDANCE: Nominal 8 Ω MAX SPL: 104db 1 meter @ 1 THD (PINK NOISE) AMPLIFIER: Class A/B AMP POWER: 60 watts RMS@ .005 THD (1KHz) AMP FREQ. RESPONSE: 22Hz-50KHz +0dB/- 3dB (90Hz-50KHz +/-0dB) NOISE: S/N -113 dB SENSITIVITY: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL COOLING: Convection / Heat Sink-Aluminum Fins DRIVER: Proprietary Design 5.25″ Cast Aluminum Frame / Paper Cone/Shielded CABINET: Sealed design / 18mm MDF / Dacron acoustical stuffing INPUTS: XLR & TRS (COMBO JACK) +4/Balanced and -10 unbalanced CABINET DIMENSIONS: 165mm X 165mm X 165mm ( 6 1/2″ x 6 1/2″ x 6 1/2″ ) CABINET WEIGHT: 7Lbs 2 oz / 3.55 kgs (per speaker) AVANTONE Recording-and-Computers BWU

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Avantone Mixcube Active Studio Monitor Butter Cream (Single)

ART Cleanbox II Earth Loop Eliminator

ART Cleanbox II Earth Loop Eliminator
For eliminating hum / noise caused by earth/ground loops. Two channel 1/4″ balanced jack.

Hum in an audio system is often caused by loop effects which act like antennas. These loops can easily pick up a 60 Hz (or higher harmonics) hum transmitted by electrical wiring. Typically these loops are connected via grounds more commonly called ground loops. The safest way to eliminate unwanted noise is with the CleanBOX II. Some examples of Ground Loops: The power ground of a synthesizer connected to the signal ground of the synth into a mixer s ground then into a mixer s power ground. The signal ground of a send effect (reverb delay) into a mixer and the connecting power grounds of the mixer and the unit. The power ground of a guitar amplifier connected to a signal processor which has a second guitar amplifier on the other channel and then the second guitar amp s power ground. The CleanBOX II easily removes ground loops without any signal degradation. Specifications: Frequency Response: 10Hz 50kHz +/- .5dB @ +4dBu THD: .01 Typical @ 1kHz +18dBu ART Recording-and-Computers 25O

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ART Cleanbox II Earth Loop Eliminator

Angel AG27NG G4-A6 27 Note Glockenspiel Black & White Keys

Angel AG27NG G4-A6 27 Note Glockenspiel Black & White Keys
The Angel AX27NG Glockenspiel features 27 black and white sound blocks with a range of G4-A6. This instrument is perfect for teaching children the basics of musical harmony. This 27-note Glockenspiel is bright and colourful robust safe and durable and comes with a green plastic case and two beaters. Each chime is made of gong quality steel and is electronically tuned to 5/100th of a semitone. Let your children discover that music is a creative fun and exciting experience with the Angel AX27NG.

Angel Drums-and-Percussion 13SH

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Angel AG27NG G4-A6 27 Note Glockenspiel Black & White Keys

Angel Glockenspiel Alto Chromatic – Ex Demo

Angel Glockenspiel Alto Chromatic - Ex Demo
Angel Glockenspiel Alto Chromatic AG8254A This item is an ex showroom display model. There are light scuffs and signs of use around the casing. The original boxing and manual are not included. Otherwise the unit operates as new.This is a great opportunity to buy a fully functioning product at a discounted price supplied with a one year warranty.Software bundled with the original new product may have been registered or may no longer be included.

The Angel range of Glockenspiels Xylophones and Metallophones represents the ideal means of offering a real starting point for young children to learn about the fundamentals of making music both individually and in groups. By using these robust well-manufactured instruments children will discover that music is creative fun and exciting an experience which can also be shared and enjoyed with classmates. Plus in addition to learning the basics of musical harmony all the instruments in the Angel range being non-electrical allow children to develop their fledgling musical skills in complete safety! Featuring a two-octave range these wide easy-to-play resonant bars are made from high quality aluminium and are detachable if required. Seated on attractive natural wooden tone box which offers great resonance. 25 BAR ALTO CHROMATIC GLOCKENSPIEL C2 – A3 22 bars 2 beaters. 3.4kg Angel Drums-and-Percussion 1BWO

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Angel Glockenspiel Alto Chromatic – Ex Demo

AKG EK500 S Coiled Headphone Cable 5m 3.5mm Jack Plug To Mini XLR

AKG EK500 S Coiled Headphone Cable 5m 3.5mm Jack Plug To Mini XLR
The AKG EK500 S headphone cable is a coiled replacement cable for headphones. It runs from a mini jack plug at the source end to a mini XLR plug for connecting to the headphones. The cable is 5m in length.

Features/Specifications: Coiled replacement headphone cable Mini jack plug to mini XLR plug 5m / 16ft length AKG G4M TMS

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AKG EK500 S Coiled Headphone Cable 5m 3.5mm Jack Plug To Mini XLR

Ampeg AFP2 Double Footswitch

Ampeg AFP2 Double Footswitch
Ampeg AFP2 Double Footswitch

The Ampeg AFP2 Double Footswich RX12R SJ12 Pro Series Heads. The Ampeg AFP2 2-button footswitch with wired jack (TRS) cable. Compatible with the following Ampeg amps: SVT2PRO SVPPRO SVT3PRO RX12R SJ12 BA210SP Combo and BA115SP Combo. Ampeg Guitar-and-Bass 9HG

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Ampeg AFP2 Double Footswitch

Audio-Technica ATH-R70x Open Back Reference Monitor Headphones

Audio-Technica ATH-R70x Open Back Reference Monitor Headphones
The ATH-R70x is Audio-Technicas first ever open back monitor model and the new pinnacle of the highly acclaimed M-Series. Featuring 45mm Drivers a light 210g weight and a carbon composite resin construction.

The all-new R70x reference headphone has been created in conjunction with Paris-based design agency Arro. The final result perfectly blends form and function with aluminium mesh earcup housings contributing to the models extremely low 210g weight. Combined with generous breathable fabric earpads the light weight of the R70x makes it outstandingly comfortable during long sessions. In terms of tone the proprietary drivers in the R70x ? combined with the headphones acoustically transparent housings – deliver beautifully natural spacious open-back tone. The 45mm drivers created specially for the R70x represent the culmination of Audio-Technicas more than 40 years of headphone design. In addition distortion is reduced high-end frequency response extended and accuracy improved with the use of high efficiency magnets and a pure alloy magnetic circuit design. The use of carbon composite resin throughout the R70xs construction also adds structural rigidity and in turn improved transient response detail. Finally the R70x features a unique dual-sided detachable locking cable that is L/R signal independent always ensuring proper stereo orientation. Features/Specifications Type: Open-back Driver Diameter: 45 mm Frequency Response: 5-40000 Hz Maximum Input Power; 1000 mW Sensitivity: 98dB at 1 kHz Impedance: 470 ohms Weight: 210g without cable and connector Audio-Technica Recording-and-Computers 16LS

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Audio-Technica ATH-R70x Open Back Reference Monitor Headphones

Adam S3X-V Active Near/Midfield Studio Monitor Single

Adam S3X-V Active Near/Midfield Studio Monitor Single
The Adam S3X-V Studio Monitor features Adams proprietary X-ART tweeter combined with a 9 woofer and 4.5 midrange speaker two PWM amplifiers and an A/B amplifier. Perfectly designed for longer listening distances whilst still providing well-balanced and supremely detailed sound; the S3X-V monitors deliver an impressive maximum SPL of over 124dB per pair and come equipped with extensive controls that include tweeter gain and high/low shelf EQ.

S3X-V Studio Monitor A step up over the smaller models the S3X-V is capable of producing more power and volume along with a more detailed and homogeneous sound that will impress even the most experienced sound engineer. Whether the complex sonic images of an orchestra or the smooth tone of a jazz trio the S3X-V reveals even the finest nuances of any material. The driver assembly of the S3X-V allows long non-fatiguing listening sessions. Powerful Amplifiers and HexaCone Woofers The high-performance PWM amplifiers drive the woofers and midrange in all SX series monitors while a specially developed low-noise 50W amplifier with a flat frequency response up to 300kHz drives the X-ART tweeter. The cones in SX monitors are made from HexaCone an aramid-plastic core with honeycomb structured coated with Kevlar on both sides. This construction ensures maximum strength whilst remaining lightweight this results in a superior dynamic response with self-resonances of the diaphragm eliminated from the audible range. By combining HexaCone woofers with an X-ART tweeter and PWM amplifiers these monitors deliver an outstanding dynamic performance and high sound pressure levels with sonic benefits in the treble range. Extensive Controls The front panel features several controls that are perfect for adapting your monitor setup for any application. The input sensitivity can be adjusted by two controls one changes the coarse settings (-20dB to +8dB) while the second can be used for fine tuning in 0.5dB steps ranging from -1.5dB to +2.0dB. Both the high and low shelf fitlers provide the ability to raise or lower ±4dB progressively within their frequency band. The front panel is also equipped with tweeter gain controls and two LEDs that indicate clipping status. Specifications Frequency Response: 32Hz – 50kHz Maximum SPL @ 1m: >124dB Crossover Frequency: 350Hz / 2800Hz Woofer Size: 9 / 228mm Woofer Voice Coil: 2 / 50mm Midrange Size: 4.5 / 116mm Midrange Voice Coil: 1 / 25mm Midrange & Woofer Cone Material: HexaCone Tweeter Type: X-ART Tweeter Diaphragm: 4² / 2420mm² Woofer Amplifier: PWM Power RMS / Music: 250W / 350W Mid-Range Amplifier: PWM Power RMS / Music: 250W / 350W Tweeter Amplifier: A/B Power RMS / Music: 50W / 100W High Shelf EQ >6 kHz: ± 4dB (1dB Steps) Low Shelf EQ < 150 kHz: ± 4dB (1dB Steps) EQ 80Hz: 0 to +6dB (1dB Steps) Tweeter Gain: ± 2dB (0.5dB Steps) Input Sensitivity (Coarse): -20dB - +8dB (4dB Steps) Input Sensitivity (Fine): -1.5dB - +2dB (0.5dB Steps) Input Connectors: XLR Input Impedance: 10 KOhm Magnetically Shielded: No Dimensions (H x W x D): 19 x 11 x 11.5 / 485mm x 281mm x 295mm Weight: 15.4kg / 34lb Adam Recording-and-Computers ASS

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Adam S3X-V Active Near/Midfield Studio Monitor Single